Of unnatural parentage, he grows at an uncanny pace to an unsettling height, but the boy’s arrival simply precedes that of a true horror — One of the Old Ones, that forces the people of the town to hole up by night, fearing for their lives, only able to trace the wreckage wrought by the gigantic, unseen monster by the bright light of day.In his classic style, H. P. Lovecraft weaves unearthly fantasies of creatures beyond conception — existing between the dimensions that we know.

    Science Fiction, Adventure, Fantasy.Contents:"Introduction" (Lin Carter) Hyperborea "The Muse of Hyperborea" (prose poem) "The Seven Geases" "The Weird of Avoosl Wuthoqquan" "The White Sybil" "The Testament of Athammaus" "The Coming of the White Worm" "Ubbo-Sathla" "The Door to Saturn" "The Ice-Demon" "The Tale of Satampra Zeiros" "The Theft of the Thirty-Nine Girdles" The World's Rim "The Abominations of Yondo" "The Desolation of Soom" "The Passing of Aphrodite" "The Memnons of the Night" "Notes on the Commoriom Myth-Cycle", by Lin Carter

    Kane knew he'd lost his strength, and perhaps his soul, when he entered the erotic web of the vampire. . . .

    P. Lovecraft--with eighteen chilling contemporary tales that would have made the master proud.- The Barrens by F. Paul Wilson: In a tangled wilderness, unearthly lights lead the way to a world no human was meant to see.- His Mouth Will Taste of Wormwood by Poppy Z. Brite: Two dabblers in black magic encounter a maestro of evil enchantment.- On the Slab by Harlan Ellison: The corpse of a one-eyed giant brings untold fortune--and unspeakable fear--to whoever possesses it.- Pickman's Modem by Lawrence Watt-Evans: Horror is a keystroke away, when an ancient evil lurks in modern technology.PLUS FOURTEEN MORE BLOOD-CURDLING STORIES

    Lovecraft. Yet no other writer ever gathered a more devoted band of followers determined to give his creations immortality.Today the whole world knows of Lovecraft. Today the mythology of the Elder Gods, of the Great Old Ones, of Cthulhu, have become the Horror Pantheon of the science fiction and fantasy reading cosmos.In this remarkable new anthology, Edward P. Berglund has commissioned nine original tales of the Cthulhu Mythos -- nine terrifying tales of the inconceivable past and the unbearable mysteries of outer space and their impact on Earth. Here is Fritz Leiber with a long new novelette, and Eddy C. Bertin, and Lin Carter, and Brian Lumley, and Joseph Payne Brennan, and the others...Here are THE DISCIPLES OF CTHULHU. Read and tremble!

    

    

    It was released in 1960 and was the author's second book published by Arkham House. It was released in an edition of 2,060 copies. The stories originally appeared in several magazines between 1946 and 1958. The collection includes Bloch's 1959 Hugo Award winning story, "That Hell-Bound Train."

    

    Howard's death, the four long stories depict a brutal world of flashing swords and primal magic, touched by a hint of Lovecraft's Cthulhu mythos. Never collected in a mass market edition since their publication in the late 1930s, these exciting tales helped to establish a genre and are a critical part of any fantasy library. Included as a bonus are Kuttner's two Prince Raynor stories from 1939's Strange Tales. With seminal, thrilling adventure tales from one of the most important writers in science-fiction and fantasy, Elak of Atlantis is not to be missed!

    From the tortured mind of Edgar Allan Poe, these three tales, "The Black Cat," "The Fall of the House of Usher," and "The Cask of Amontillado," speak to the hidden places inside us all.Capturing the mist and shadows rising from the stories are illustrations by prominent artist Gary Kelley. Angular and dark, his work heightens the Gothic terror that is Poe's trademark and creates windows into Poe's world.

    It was their whim to wipe clean the slate of history, to destroy the old races, the Vadhagh, the Nhadragh, the remnants of still more ancient peoples. Mankind, the contemptible Mabden, was ther instrument, washcloth of the Gods. But the Gods themselves fell out, and Chaos gained the advantage over Law.The stage was set for heroes.One such was the Vadhagh Prince Corum. Driven mad for revenge by the callous slaughter of his family and race, and by his own grotesque multilation at the hands of the Mabden, he agreed to accept from the treacherous sorcerer Shool the Eye of Rhynn and the Hand of Kwll in exchange for a lien on his soul.Thus armed he set out upon a personal crusade against the Sword Rulers, Lords of Chaos, puppetmasters to Man. And first of these was the loathsome Arioch, Knight of the Swords, master of five of the fifteen planes of reality. From Arioch, Prince Corum required his heart.

    Weird creatures are appearing in unexpected places, and the demigods and magicians have to team up to take them down. As they battle with Celestial Bronze and glowing hieroglyphs, the four heroes find that they have a lot in common--and more power than they ever thought possible. But will their combined forces be enough to foil an ancient enemy who is mixing Greek and Egyptian incantations for an evil purpose? Rick Riordan wields his usual storytelling magic in this adrenaline-fueled adventure.

    Now, in search of some new pets to satisfy his cruel pursuit of amusement, Simon finds a new shop in the city where he is intrigued by a new lifeform he has never heard of before... a collection of multi-colored sandkings. The curator explains that the insect-like animals, no larger than Simon's fingernails, are not insects, but animals with a highly-evolved hive intelligence capable of staging wars between the different colors, and even religion - in the form of worship of their owner. The curator's warning to Simon about the regularity of their feeding, unfortunately, was not taken seriously...Contents:- The Way of Cross and Dragon (1979)- Bitterblooms (1977)- In the House of the Worm (1976)- Fast-Friend (1976)- The Stone City (1977)- Starlady (1976)- Sandkings (1979)Cover illustration by Michael Whelan

    He lived in the grey phantasmal world, akin to death, that has, somehow, with most of us, made good its claim to be called life. But so went forth Darnell, strangely mistaking death for life, madness for sanity and purposeless and wandering phantoms for true beings. He was sincerely of opinion that he was a City clerk, living in Shepherd's Bush -- having forgotten the mysteries and the far-shining glories of the kingdom which was his by legitimate inheritance. . . .