A short story.

     This captivating tattoo theme surrounds each author's popular characters and worlds: Karen Chance's war mage Lia de Croissets, Marjorie M. Liu's demon-hunter Maxine Kiss, Yasmine Galenorn's Otherworld Intelligence Agency operative Camille D'Artigo, and Eileen Wilk's Lupi world.

    Helping her on the mission are her hot mage partner, her Mischief demon minion, and a Vanity demon named Valva. The problem? She's got to figure out how to find her sister without letting her enemies know she's back in town. But when Sabina seeks out an old ally -- a vampire strip club owner named Fang -- for help, Sabina learns the hard way that Vanity demons don't know the meaning of the phrase "low profile."Word count: ~7,500

    That would be untrue; for though the mightiest mage of the era was forced by law and custom to refrain from visiting his realm in Castal, he had left behind a significant body of learned and dedicated colleagues to continue his policies and see to the protection of the magelands.“These were not all warmagi, nor even High Magi; indeed, the strength of Sevendor depended on magi of all types and descriptions. As Minalan fought against the darkest foes in the West, his lands in the east were protected by his vassals, allies, and friends. Their powers varied, as did their station. But they were uniformly devoted to Minalan the Spellmonger and the land he had wrought. They kept watch against secret incursions or hidden dangers against the realm while the Spellmonger’s strength was elsewhere. Whilst he grappled with the fearsome minions of Korbal the Necromancer, his magical land was well-warded by the famous Wizards of Sevendor.”From the Heeth the Arcanist’s History of the Magelands

    There is no writer more capable of picking out those seeds and exposing all their secret tastes and poisons than Oates herself―as brilliantly demonstrated in these six stories.The book opens with a woman, naked except for her high-heeled shoes, seated in front of the window in an apartment she cannot, on her own, afford. In this exquisitely tense narrative reimagining of Edward Hopper’s Eleven A.M., 1926, the reader enters the minds of both the woman and her married lover, each consumed by alternating thoughts of disgust and arousal, as he rushes, amorously, murderously, to her door. In “The Long-Legged Girl,” an aging, jealous wife crafts an unusual game of Russian roulette involving a pair of Wedgewood teacups, a strong Bengal brew, and a lethal concoction of medicine. Who will drink from the wrong cup, the wife or the dance student she believes to be her husband’s latest conquest? In “The Sign of the Beast,” when a former Sunday school teacher’s corpse turns up, the blighted adolescent she had by turns petted and ridiculed confesses to her murder―but is he really responsible? Another young outsider, Horace Phineas Love, Jr., is haunted by apparitions at the very edge of the spectrum of visibility after the death of his tortured father in “Night-Gaunts,” a fantastic ode to H.P. Lovecraft.Reveling in the uncanny and richly in conversation with other creative minds, Night-Gaunts and Other Tales of Suspense stands at the crossroads of sex, violence, and longing―and asks us to interrogate the intersection of these impulses within ourselves.The woman in the window --The long-legged girl --Sign of the beast --The experimental subject --Walking wounded --Night-gaunts

    Unfortunately, she’s going to find out that’s not quite enough…

    Moses by Joyce Carol OatesWorse than Bones by Ramsey CampbellKing of Outer Space by Peter AtkinsPiano Bar Blues by Melanie TemThose Vanished I Recognize by Tom PiccirilliInland, Shoreline by Darren O. GodfreyThe Window by by Joel LaneAuthor, Author by Gordon LinznerHammerhead by Richard LaymonImbroglio by Conrad WilliamsTransorbital Love Probe by Th. MetzgerThe Impressionists in Winter by Susan FryWhose Ghosts These Are by Charles L. GrantPerdido: A Fragment from a Work in Progress by Peter StraubIn Real Life by William F. NolanPound Rots in Fragrant Harbour by Lisa MortonApologia by Robert DevereauxThe Bird Catcher by S.P. Somtow

    Justin Gray, a former small-time drug dealer in St. Louis, has arrived in Tampa, FL, to start a new life. But on his first night in town his buddy Erik takes him to a disco, where he tries a mild dose of skullflush. Another of Erik's friends takes a larger dose and is tranformed into a ravenous beast who practically devours four people on the dance floor and then commits suicide. Local dealer Tony Mendoza begins a search for Justin, the only witness who knows what really happened in the disco that night. Mendoza himself is sought by the Yanomamo warrior Kerebawa, who travels to America to retrieve skullflush and avenge its theft before it is sniffed by too much of Tampa's "nightlife."

    Butcher and Stephanie Tyler and Larissa Ione, writing as Sydney Croft. Sydney Croft's special forces couple, Annika and Creed, work for the Agency for Covert Rare Operatives (ACRO), all of whose members have special powers, while Shannon K. Butcher's hero is an ex-Navy SEAL. But these fighting men and women have a gentler, protective side; hard-edged weapons when on active duty, they can be caring lovers, of special forces teammates or the civilians they protect.

    Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions —all of which adds up to an invaluable reference source, and a font of fabulous reading.

    In his wanderings, John encounters a parade of benighted forest creatures, mountain spirits, and shapeless horrors from the void of history with only his enduring spirit, playful wit, and the magic of his guitar to preserve him. Manly Wade Wellman's Silver John is one of the most beloved figures in fantasy, a true American folk hero of the literary age. For the first time the "Planet Stories" edition of "Who Fears the Devil?" collects all of John's adventures published throughout Wellman's life, including two stories about John before he got his silver-stringed guitar that have never previously appeared in a Silver John collection. Lost, out of print, or buried in expensive hardcover editions, the seminal, unforgettable tales of "Who Fears the Devil?" stand ready for a new generation ready to continue the folk tradition of Silver John!

    So when he shows up in her office, to ask for her help against creatures so feared that no vampire will willingly speak their name, Anita is surprised. But she believes him. Malcolm may not be a Master of the City, but he’s an old and powerful vampire, a leader of men, and he does not easily ask for help - especially from Anita and Jean-Claude, whose power Malcolm considers corrupt. That was the first warning of The Harlequin.Anita Blake has the authority to pass judgment on vampires. The Harlequin have the authority to pass judgment on her. It is forbidden to speak of The Harlequin unless you’ve been contacted.And to be contacted by The Harlequin is to be under sentence of death.Blood Noir:Jason Schuyler is a werewolf. He’s also one of Anita Blake’s best friends, and sometimes her lover. And right now he needs her – not to be a vampire hunter, or a federal marshal, or a necromancer, or even for her rank in the werewolf pack, but because his father is dying. He needs Anita because she’s a pretty woman who loves him, who can make him look like an everyday guy, who agrees to go home with him and help him say good-bye to the abusive father he never loved.The fact that Jason is about as much an everyday guy as Anita is a pretty woman is something they figure they can keep under wraps for a couple of days in a small town. How hard can that be?

    Datlow has produced a collection filled with some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories' characters toil within their own hell. An aptly titled anthology, Inferno will scare the pants off readers and further secure Ellen Datlow's standing as a preeminent editor of modern horror.

    “Signatures of the Dead” tells the story of the vampire massacre that made Jane Yellowrock a household name.And in “Cajun with Fangs,” Jane makes a new friend who turns out to have old enemies, and finds herself drawn into a vicious blood feud, fueled by dark magic and ancient grudges.

     And yet, there is an attraction, undeniable, to the vampire archetype, whether the pale European count, impeccably dressed and coldly masculine, yet strangely ambiguous, ready to sink his sharp teeth deep into his victims' necks, draining or converting them, or the vamp, the count's feminine counterpart, villain and victim in one, using her wiles and icy sexuality to corrupt man and woman alike... Edited and introduced by acclaimed anthologist John Joseph Adams (Wastelands, The Living Dead), By Blood We Live gathers together the best vampire literature from the preceding three decades, authored by many of today's most renowned writers of fantasy, speculative fiction, and horror. Contents: (Author, title (type, year of first publication, beginning page in print edition))01 - Neil Gaiman, Snow, Glass, Apples (short story, 1995, p3)02 - Anne Rice, The Master of Rampling Gate (novelette, 1984, p13)03 - Harry Turtledove, Under St. Peter's (novelette, 2007, p33)04 - Tad Williams, Child of an Ancient City (novelette, 1988, p43)05 - Michael A. Burstein, Lifeblood (novelette, 2003, p75)06 - Barbara Roden, Endless Night (short story, 2008, p88)07 - Garth Nix, Infestation (novelette, 2008, p106)08 - Carrie Vaughn, Life Is the Teacher (short story, 2008, p120)09 - Nancy Kilpatrick, The Vechi Barbat (short story, 2007, p134)10 - Kristine Kathryn Rusch, The Beautiful, The Damned (short story, 1995, p148) 11 - David Wellington, Pinecones (short story, 2006, p161)12 - Norman Partridge, Do Not Hasten to Bid Me Adieu (novelette, 1994, p165)13 - Sergei Lukyanenko, Foxtrot at High Noon (short story, 2008, p180)14 - Michael Marshall Smith, This Is Now (short story, 2004, p189)15 - Nancy Holder, Blood Gothic (short story, 1985, p199)16 - Jane Yolen, Mama Gone (short story, 1991, p204)17 - Joe Hill, Abraham's Boys (short story, 2004, p209)18 - Tanith Lee, Nunc Dimittis (novelette, 1983, p224)19 - Gabriela Lee, Hunger (short story, 2007, p240)20 - Caitlín R. Kiernan, Ode to Edvard Munch (short story, 2006, p250)21 - L.A. Banks, Finders Keepers (short story, 2008, p256)22 - Brian Stableford, After the Stone Age (short story, 2004, p275)23 - Kevin J. Anderson, Much at Stake (short story, 1991, p286)24 - Elizabeth Bear, House of the Rising Sun (short story, 2005, p297)25 - Lilith Saintcrow, A Stand-Up Dame (short story, 2008, p302)26 - Kelley Armstrong, Twilight (novelette, 2007, p316)27 - Eric Van Lustbader, In Darkness, Angels (novelette, 1983, p333)28 - Barbara Hambly, Sunrise on Running Water (novelette, 2007, p355)29 - Bruce McAllister, Hit (short story, 2008, p372)30 - Ken MacLeod, Undead Again (short story, 2005, p385)31 - Robert J. Sawyer, Peking Man (short story, 1996, p388)32 - Ben Lumley, Necros (short story, 1986, p396)33 - Catherynne M. Valente, Exsanguinations: A Handbook for the Educated Vampire by Anna S. Oppenhagen-Petrescu (short story, 2005, p409)34 - Charles Coleman Finlay, Lucy, In Her Splendor (short story, 2003, p415)35 - John Langan, The Wide, Carnivorous Sky (short story, 2009, p426)36 - Stephen King, One for the Road (short story, 1977, p464)37 - Ross E. Lockhart, For Further Reading (By Blood We Live) (essay, 2008, p477)