In the sewers of Deptford, there lurks a dark presence that fills the tunnels with fear. The rats worship it in the blackness and name it "Jupiter, Lord of All." Into this twilight realm wanders a small and frightened mouse-the unwitting trigger of a chain of events that hurtles the Deptford mice into a world of heroic adventure and terror.

    It is here, in the midst of ancient tensions and new calamity, that two sisters are caught in a deadly web of deceits. Arilou is proclaimed a beautiful prophetess one of the island's precious oracles: a Lost. Hathin, her junior, is her nearly invisible attendant. But neither Arilou nor Hathin is exactly what she seems, and they live a lie that is carefully constructed and jealously guarded. When the sisters are unknowingly drawn into a sinister, island-wide conspiracy, quiet, unobtrusive Hathin must journey beyond all she has ever known of her world and of herself in a desperate attempt to save them both. As the stakes mount and falsehoods unravel, she discovers that the only thing more dangerous than the secret she hides is the truth she must uncover.

    When he was fourteen years old and beset by chronic ill health, Patrick O'Brian began creating his first fictional character. "I did it in my bedroom, and a little when I should have been doing my homework," he confessed in a note on the original dust-jacket. Caesar tells the picaresque, enchanting, and quite bloodthirsty story of a creature whose father is a giant panda and whose mother is a snow leopard. Through the eyes and voice of this fabulous creature, we learn of his life as a cub, his first hunting exploits, his first encounters with man, his capture and taming. Caesar was published in 1930, three months after O'Brian's fifteenth birthday, but the dry wit and unsentimental precision O'Brian readers savor in the Aubrey/Maturin series is already in evidence. The book combines Stephen Maturin's fascination and encyclopedic knowledge of natural history with the narrative charm of Rudyard Kipling's The Jungle Book. It was published in England and the United States, and in translation in Sweden, Norway, Denmark, and Japan. Reviews hailed the author as the "boy-Thoreau." "We can see here a true storyteller in the making....a gripping narrative, which holds the reader's attention and never flags."—The Spectator

    She is also a Taker—with her touch, she can heal injuries, pulling pain from another person into her own body. But unlike her sister, Tali, and the other Takers who become Healers' League apprentices, Nya's skill is flawed: She can't push that pain into pynvium, the enchanted metal used to store it. All she can do is shift it into another person, a dangerous skill that she must keep hidden from forces occupying her city. If discovered, she'd be used as a human weapon against her own people. Rumors of another war make Nya's life harder, forcing her to take desperate risks just to find work and food. She pushes her luck too far and exposes her secret to a pain merchant eager to use her shifting ability for his own sinister purposes. At first Nya refuses, but when Tali and other League Healers mysteriously disappear, she's faced with some difficult choices. As her father used to say, principles are a bargain at any price; but how many will Nya have to sell to get Tali back alive?

    Riders attempt to keep hold of their water horses long enough to make it to the finish line. Some riders live. Others die.At age nineteen, Sean Kendrick is the returning champion. He is a young man of few words, and if he has any fears, he keeps them buried deep, where no one else can see them.Puck Connolly is different. She never meant to ride in the Scorpio Races. But fate hasn’t given her much of a chance. So she enters the competition — the first girl ever to do so. She is in no way prepared for what is going to happen.

    A cryptic picture message from their mother leads them to a familiar gate in the woods, but comfortable sights quickly give way to a new world entirely—Down—one inhabited by talking birds and the evil Puppeteer queen. Summer and Bird are quickly separated, and their divided hearts lead them each in a very different direction in the quest to find their parents, vanquish the Puppeteer, lead the birds back to their Green Home, and discover the identity of the true bird queen.With breathtaking language and deliciously inventive details, Katherine Catmull has created a world unlike any other, skillfully blurring the lines between magic and reality and bringing to life a completely authentic cast of characters and creatures.

    Now the war front approaches, and when Peter’s father enlists, Peter has to move in with his grandpa. Far worse than being forced to leave home is the fact that Pax can’t go. Peter listens to his stern father—as he usually does—and throws Pax’s favorite toy soldier into the woods. When the fox runs to retrieve it, Peter and his dad get back in the car and leave him there—alone. But before Peter makes it through even one night under his grandfather’s roof, regret and duty spur him to action; he packs for a trek to get his best friend back and sneaks into the night. This is the story of Peter, Pax, and their independent struggles to return to one another against all odds. Told from the alternating viewpoints of Peter and Pax.

    Still, whether or not they’re family, Rayna is Anders’s only true friend. She’s nothing like the brutal, cruel dragons who claimed her as one of their own and stole her away.In order to rescue her, Anders must enlist at the foreboding Ulfar Academy, a school for young wolves that values loyalty to the pack above all else. But for Anders, loyalty is more complicated than obedience, and friendship is the most powerful shapeshifting force of all.

    Alas, Queen Veda loathes anyone whose beauty dares to rival her own—including her daughter.And despite Ana’s attempts to be plain to earn her mother’s affection,she’s sent away to the kingdom’s exclusive boarding school.At the Academy, Ana is devastated when her only friend abandons her for the popular girls. Isolated and alone, Ana resolves to look like a true princess to earn the acceptance she desires.But when she uncovers the dangerous secret that makes all of the girls at the Academy so gorgeous, just how far will Ana go to fit in?

    There's Penguin, who has a bit of a coffee problem; Rabbit, whose anxiety sometimes overwhelms him; Axolotl, whose confidence inspires his friends; the always-supportive Cat, who provides hot drinks made with love and a supportive ear for anyone's troubles; and many, many more. With a sensitive take on real issues and a gentle, positive outlook, Cat’s Café is about the power of acceptance, friendship, and love ... and delicious cups of coffee.

    And she's ready to prove it to her family by leaving the safety of their mountain cave and capturing the most dangerous prey of all: a human. But when the human she finds tricks her into drinking enchanted hot chocolate, Aventurine is transformed into a puny human girl with tiny blunt teeth, no fire, and not one single claw.But she's still the fiercest creature in the mountains -- and now she's found her true passion: chocolate! All she has to do is get herself an apprenticeship (whatever that is) in a chocolate house (which sounds delicious), and she'll be conquering new territory in no time...won't she?

    The only thing more familiar to her is war: It has raged between her people and the serpiente for so long, no one can remember how the fighting began. As heir to the avian throne, she’ll do anything in her power to stop this war—even accept Zane Cobriana, the terrifying leader of her kind’s greatest enemy, as her pair bond and make the two royal families one.Trust. It is all Zane asks of Danica—and all they ask of their people—but it may be more than she can give.A School Library Journal Best Books of the YearA VOYA Best Science Fiction, Fantasy, and Horror List selectionFrom the Hardcover edition.

    Enroute to the city, she encounters a patrol of Lakewalkers. The necromancers armed with human bone knives fight "malices", immortal entities that draw out life, enslaving humans and animals. Dag saves Fawn from a malice - at a devastating cost. Their fates are now bound in a remarkable journey.

    While the kingdom’s noblemen squabble, on their borders an ancient enemy, the Lithmern, raises an army. As the head of the Noble House of Brenn attempts to organize an alliance, the princess Alethia celebrates her twentieth birthday. She is a remarkable woman: quick-witted, beautiful, and handy with a throwing knife. But on the next night, she passes through a dark corridor on her way to the banquet hall, and never emerges from the shadows. The Lithmern have kidnapped the princess. When Alethia regains consciousness, an evil Lithmern with a face made of shadows is carrying her through the forest. These are magic woods, home to fabled creatures whose existence she has always doubted. To find her way home, Alethia will have to learn to trust in the old tales, whose legends of magic and daring hold the only hope of saving her kingdom.

    After clashing with a powerful Guildmaster and his ruthless Bloodwitch bodyguard, the friends are forced to flee their home.Safi must avoid capture at all costs as she's a rare Truthwitch, able to discern truth from lies. Many would kill for her magic, so Safi must keep it hidden - lest she be used in the struggle between empires. And Iseult's true powers are hidden even from herself.In a chance encounter at Court, Safi meets Prince Merik and makes him a reluctant ally. However, his help may not slow down the Bloodwitch now hot on the girls' heels. All Safi and Iseult want is their freedom, but danger lies ahead. With war coming, treaties breaking and a magical contagion sweeping the land, the friends will have to fight emperors and mercenaries alike. For some will stop at nothing to get their hands on a Truthwitch.