A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    Days later, the arrival of her passport and a note that reads "I'm sorry--S" sets off real alarm bells. He vows to do whatever it takes to find her. Adam is puzzled when he connects Sarah to a cruise ship called the Celebrate--and to a woman, Estelle, who disappeared from the same ship in eerily similar circumstances almost exactly a year before. To get answers, Adam must confront some difficult truths about his relationship with Sarah. He must do things of which he never thought himself capable. And he must try to outwit a predator who seems to have found the perfect hunting ground ...

    Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace.Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself.The only problem is, the killer may still be on the loose. And he might not be finished.

    A retired Suffolk County cop, Gus had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his family is blown apart and he is transformed from a man who believes he understands everything into a man who understands nothing.Divorced and working as a courtesy van driver for the run-down hotel in which he has a room, Gus has settled into a mindless, soulless routine that barely keeps his grief at arm’s length. But Gus’s comfortable waking trance comes to an end when ex-con Tommy Delcamino asks him for help. Four months earlier, Tommy’s son T.J.’s battered body was discovered in a wooded lot, yet the Suffolk County PD doesn’t seem interested in pursuing the killers. In desperation, Tommy seeks out the only cop he ever trusted—Gus Murphy.Gus reluctantly agrees to see what he can uncover. As he begins to sweep away the layers of dust that have collected over the case during the intervening months, Gus finds that Tommy was telling the truth. It seems that everyone involved with the late T.J Delcamino—from his best friend, to a gang enforcer, to a mafia capo, and even the police—has something to hide, and all are willing to go to extreme lengths to keep it hidden. It’s a dangerous favor Gus has taken on as he claws his way back to take a place among the living, while searching through the sewers for a killer.

    Her boyfriend Brad Stockton - black and from the wrong side of the tracks - was convicted of the murders and sits on death row, though he always maintained his innocence. With his execution only weeks away, his devoted sister, insisting she has spotted Sarah at a local gas station, hires PI Roxane Weary to look again at the case.Reeling from the recent death of her cop father, Roxane finds herself drawn to the story of Sarah's vanishing act, especially when she thinks she's linked Sarah's disappearance to one of her father's unsolved murder cases involving another teen girl. Despite her self-destructive tendencies, Roxane starts to hope that maybe she can save Brad's life and her own.With echoes of Sue Grafton, Dennis Lehane and the hit podcast Serial, The Last Place You Look is the gripping debut of both a bold new voice and character.

    In this hidden city haunted by a host of vividly drawn characters, Rilke comes face to face with the dark desires and illicit urges that lurk behind even the most respectable facades.

    She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself. So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape....

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    Even though they had a thousand dollars with them, they were good boys. Everyone says, “They were good boys.”

    Harry just wants to help, but before long he and Helen are both adrift in a sea of alcohol - until Harry conceives the ultimate crime...

    Armed with his sixteen-inch steel telescope baton, biting dry humor, and just a bit of a hero complex, the ex-cop sets out to protect the mostly undocumented immigrant women who work there from clients who have trouble understanding the word "no."Doll gets by just fine following his two basic rules: bark loudly and act first. But when things get out-of-hand with one particularly violent patron, even he finds himself wildly out of his depth.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.