Four came out.No one knows what happened that morning at River Point. Five boys went hunting. Four came back. The boys won’t say who fired the shot that killed their friend; the evidence shows it could have been any one of them. Kate Marino’s senior year internship at the district attorney’s office isn’t exactly glamorous—more like an excuse to leave school early that looks good on college applications. Then the DA hands her boss, Mr. Stone, the biggest case her small town of Belle Terre has ever seen. The River Point Boys are all anyone can talk about. Despite their damning toxicology reports the morning of the accident, the DA wants the boys’ case swept under the rug. He owes his political office to their powerful families.Kate won’t let that happen. Digging up secrets without revealing her own is a dangerous line to walk; Kate has her own reasons for seeking justice for Grant. As she investigates with Stone, the aging prosecutor relying on Kate to see and hear what he cannot, she realizes that nothing about the case—or the boys—is what it seems. Grant wasn’t who she thought he was, and neither is Stone’s prime suspect. As Kate gets dangerously close to the truth, it becomes clear that the early morning accident might not have been an accident at all—and if Kate doesn’t uncover the true killer, more than one life could be on the line…including her own.

    Before, she was never allowed to leave the property, never allowed to talk to Outsiders, never allowed to speak her mind. Because Father John controlled everything—and Father John liked rules. Disobeying Father John came with terrible consequences.But there are lies behind Father John's words. Outside, there are different truths.Then came the fire.

    . . that might just kill her.People say the house is cursed.It preys on the weakest, and young women are its favorite victims.In Louth, they're called the Dead Girls.All Bram wanted was to disappear—from her old life, her family's past, and from the scandal that continues to haunt her. The only place left to go is Louth, the tiny town on the Hudson River where her uncle, James, has been renovating an old mansion.But James is haunted by his own ghosts. Months earlier, his beloved wife died in a fire that people say was set by her daughter. The tragedy left James a shell of the man Bram knew—and destroyed half the house he'd so lovingly restored.The manor is creepy, and so are the locals. The people of Louth don't want outsiders like Bram in their town, and with each passing day she's discovering that the rumors they spread are just as disturbing as the secrets they hide. Most frightening of all are the legends they tell about the Dead Girls. Girls whose lives were cut short in the very house Bram now calls home.The terrifying reality is that the Dead Girls may have never left the manor. And if Bram looks too hard into the town's haunted past, she might not either.

    Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

    The five girls Kyle texted that day. The girls it could have been. Only Jamie--beautiful, saintly Jamie--was kind enough to respond. And it got her killed.On the eve of Kyle's sentencing a year after Jamie's death, all the other "chosen ones" are coping in various ways. But our tenacious narrator is full of anger, stuck somewhere between the horrifying past and the unknown future as she tries to piece together why she gets to live, while Jamie is dead.Now she finds herself drawn to Charlie, Jamie's boyfriend--knowing all the while that their relationship will always be haunted by what-ifs and why-nots. Is hope possible in the face of such violence? Is forgiveness? How do you go on living when you know it could have been you instead?

    Your father, your mother, your best friend’s crazy uncle. Some country music star’s deranged sister. Anyone.The Gemini Thief is a serial kidnapper, who takes three boys and holds them captive from June 1st to June 30th of the following year. The June Boys endure thirteen months of being stolen, hidden, observed, and fed before they are released, unharmed, by their masked captor. The Thief is a pro, having eluded authorities for nearly a decade and taken at least twelve boys.Now Thea Delacroix has reason to believe the Gemini Thief took a thirteenth victim: her cousin, Aulus McClaghen.But the game changes when one of the kidnapped boys turns up dead. Together with her boyfriend Nick and her best friends, Thea is determined to find the Gemini Thief and the remaining boys before it’s too late. Only she’s beginning to wonder something sinister, something repulsive, something unbelievable, and yet, not impossible:What if her father is the Gemini Thief?

    Such a thing is not unheard of. There are only so many options for an unmarried girl in 1850s Philadelphia. Only, when Molly arrives, she discovers her aunt is very much real, exceedingly wealthy, and with secrets of her own. Secrets and wealth she intends to share--for a price.Molly's estranged aunt Ava, has built her empire by robbing graves and selling the corpses to medical students who need bodies to practice surgical procedures. And she wants Molly to help her procure the corpses. As Molly learns her aunt's trade in the dead of night and explores the mansion by day, she is both horrified and deeply intrigued by the anatomy lessons held at the old church on her aunt's property. Enigmatic Doctor LaValle's lessons are a heady mixture of knowledge and power and Molly has never wanted anything more than to join his male-only group of students. But the cost of inclusion is steep and with a murderer loose in the city, the pursuit of power and opportunity becomes a deadly dance.

    Avery Grambs has a plan for a better future: survive high school, win a scholarship, and get out. But her fortunes change in an instant when billionaire Tobias Hawthorne dies and leaves Avery virtually his entire fortune. The catch? Avery has no idea why--or even who Tobias Hawthorne is. To receive her inheritance, Avery must move into sprawling, secret passage-filled Hawthorne House, where every room bears the old man's touch--and his love of puzzles, riddles, and codes. Unfortunately for Avery, Hawthorne House is also occupied by the family that Tobias Hawthorne just dispossessed. This includes the four Hawthorne grandsons: dangerous, magnetic, brilliant boys who grew up with every expectation that one day, they would inherit billions. Heir apparent Grayson Hawthorne is convinced that Avery must be a con-woman, and he's determined to take her down. His brother, Jameson, views her as their grandfather's last hurrah: a twisted riddle, a puzzle to be solved. Caught in a world of wealth and privilege, with danger around every turn, Avery will have to play the game herself just to survive.

    But in this genre-bending YA thriller, she must first manage to avoid becoming a target herself.For Adele, the dead aren’t really dead. She can see them and even talk to them. But she’s spent years denying her gift. When she encounters her ex best friend Tori in a shallow grave in the woods and realizes that Tori is actually dead -- that gift turns into a curse. Without an alibi, Adele becomes the prime suspect in Tori’s murder. She must work with Tori’s ghost to find the real killer. But what if the killer finds Adele first?Master mystery-write April Henry adds a chilling paranormal twist to this incredibly suspenseful young adult novel.

    But that lapse in judgement leads to him waking up next to a dead guy, which sparks an epic case of mistaken identity that puts Aidan on the run from everyone---faceless federal agents, his eccentric family, and, naturally, a cyber-terrorist group who will stop at nothing to find him.He soon realizes the only way to stop the chase is to deliver the object everyone wants, before he gets caught or killed. But for Aidan, the hardest part is knowing who he can trust not to betray him---including himself.

    You were wild when I met you, and I was mad for you. But then something happened. And now you’re gone. But don’t worry. I’ll find you. I just need to sift through the story of us to get to where you might be. I’ve got places to look, and a list of names. The police have a list of names, too. See now? There’s another lie. There is only one person they’re really looking at, Molly. And that’s yours truly.

    When Kevin dies in a tragic car crash, Sawyer is stunned. Then she opens her locker to find a note:You’re welcome.Someone saw what he did to her. Someone knows that Sawyer and Kevin weren’t the perfect couple they seemed to be. And that someone—a killer—is now shadowing Sawyer’s every move…

    Living in a trailer park outside Washington, DC, with a mom who works as an exotic dancer, she knows better than to share anything that would make her a target with her classmates. Only her best friends know about her obsession with the personal ads, and Nearly hasn't told anyone about the emotions she can taste when she brushes against someone's skin.Then a serial killer goes on a murder spree and starts attacking students, leaving cryptic ads in the newspaper. Nearly might be the one person who can put all the clues together, and if she doesn't figure it out soon - she'll be next.Big, dark, scary, and brilliantly plotted, Nearly Gone will leave you guessing until the very end.

    All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone...and more tormented.As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident "bad seed," struggling to tamp down her own worst nature in response. Jane's mom also seems to be spiraling with the return of her childhood home, but she won't reveal why. Then Jane discovers that the "storage room" her mom has kept locked isn't for storage at all — it's a little girl's bedroom, left untouched for years and not quite as empty of inhabitants as it appears....Is it grief? Mental illness? Or something more...horrid?

    But as she digs into the night that Elora went missing, she begins to realize that everybody in town is hiding something - her grandmother Honey; her childhood crush Hart; and even her late mother, whose secrets continue to call to Grey from beyond the grave.When a mysterious stranger emerges from the bayou - a stormy-eyed boy with links to Elora and the town's bloody history - Grey realizes that La Cachette's past is far more present and dangerous than she'd ever understood. Suddenly, she doesn't know who she can trust. In a town where secrets lurk just below the surface, and where a murderer is on the loose, nobody can be presumed innocent--and La Cachette's dark and shallow lies may just rip the town apart.