Elliott is a highly-compelling voice in genre fiction, an innovative author of historically-based narratives set in imaginary worlds. This first, retrospective collection of her short fiction is the essential guide to Elliott's shorter works. Here her bold adventuresses, complex quests, noble sacrifices, and hard-won victories shine in classic, compact legends. In "The Memory of Peace," a girl's powerful emotions rouse the magic of a city devastated by war. Meeting in "The Queen's Garden," two princesses unite to protect their kingdom from the blind ambition of their corrupted father. While "Riding the Shore of the River of Death" a chieftain's daughter finds an unlikely ally on her path to self-determination. Elliott's many readers, as well as fantasy fans in search of powerful stories featuring well-drawn female characters, will revel in this unique gathering of truly memorable tales.

    From the co-creator of the landmark television series Twin Peaks comes a novel that deepens the mysteries of that iconic town in ways that not only enrich the original series but readies fans for the upcoming Showtime episodes.

    The anthology’s 18 sometimes funny, always insightful pieces cover Dollhouse from anticipated start to explosive finish. Drawn from an international contest judged by fan favorite Whedon screenwriter Jane Espenson, its essays get right to heart of what Dollhouse viewers loved most about the show.Espenson also acts as the book’s editor, offering context and extra insight on its topics and the show—a role she played in previous anthologies Finding Serenity and Serenity Found, also on Joss Whedon creations.From programmer Topher’s amorality to the accuracy of the show’s neurobiology, Inside Joss' Dollhouse brings Dollhouse back to life with a depth sure to satisfy its many still-mourning fans.

    In short, this book indexes virtually every "Doctor Who" event worth noting - starting at the beginning of time and running through to the universe's end. This guide is the vastly updated and revised successor to Parkin's hugely acclaimed "A History of the Universe" (1996), and contains more than double the material of the original. All told, "AHistory" incorporates: More than four decades of the "Doctor Who" TV show, including the 2007 series starring David Tennant; all original "Doctor Who" novels up through "Wooden Heart"; all "Doctor Who" novellas from Telos and all "Doctor Who" audios from Big Finish up through "The Wishing Beast." This Second Edition of "AHistory" also includes all Torchwood episodes and novels, plus the "Doctor Who Magazine" comic strip that's been running since 1979.

    Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    By discussing the impact of Whedon's work, their involvement with his shows' fandoms and why they adore the worlds he's created, these essayists aim to misbehave in Whedon's rich, fantastical worlds. Essay topics include Sharon Shinn (Samaria series) and Emma Bull (Territory) elaborating on the perfection of Firefly, Jeanne Stein (the Anna Strong Chronicles) revealing Buffy's influence on Anna Strong, and Nancy Holder (October Rain, The Watcher's Guide) relating on-the-set tales of Spike menacing her baby daughter while Riley made her hot chocolate.Other contributors include Seanan McGuire (October Daye series), Elizabeth Bear (Chill), Catherynne M. Valente (Palimpsest), Maria Lima (Blood Lines), Jackie Kessler (Black and White), Mariah Huehner (IDW Comics), Sarah Monette (Corambis), and Lyda Morehouse (AngeLINK Series). Also featured is an exclusive interview with television writer and producer Jane Espenson.

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    The fight is just beginning.Battlestar Galactica is back. The "re-imagined" version of the cult 1970s series has quickly become one of the most critically acclaimed shows on TV. With its suburb ensemble cast, cutting-edge special effects, outstanding production design, and gritty, adult-oriented scripts, the new Battlestar Galactica is both a worthy successor to a classic original, and a stunning piece of television in its own right.Author David Bassom was granted full access to the production for this official companion, which is packed with exclusive cast and crew interviews, previously unseen photos, behind-the-scenes revelations, and a complete episode guide to the miniseries and first season.Launch when ready!

    This highly successful title is now updated and expanded to include the latest Doctor Who lore from series three and four and the 2008 Christmas special.The book goes beyond the story lines to examine the characters, aliens, weapons and curiosities that are all in a day's work for the Doctor. Entries are illustrated with annotated photography and specially commissioned cross-section artworks. Doctor Who The Visual Dictionary updates the entries of old favorites like Davros and his Daleks, the rhino-headed Judoon and the Doctor's companions Martha Jones and Captain Jack. Forty additional pages introduce and explore all-new characters like the formidable Donna Noble, the Family of Blood and their Scarecrow Henchmen, the warmongering Sontaran and the childlike, but deadly, Toclafane.

     Offers a way into philosophy through the Matrix films. Covers thirteen of the biggest philosophical questions in thirteen self-sufficient chapters suitable for course use. Demonstrates how each of these questions is illustrated through the events and characters of the films. Considers whether sentient machines are possible, and whether we should expect them to face the same existentialist issues that we do. Familiarises readers with key issues in metaphysics, epistemology, ethics, philosophy of mind, race and gender, existentialism, Taoism and mysticism. Includes a chapter that explains some of the technical elements of the films and confusing aspects of the plot. Also includes a Matrix glossary, and a cast of characters and their related symbolism.

    A remarkable anthology uniting twenty of today's leading thinkers, writers, and visionaries, among them Cory Doctorow, Gregory Benford, Elizabeth Bear, Bruce Sterling, and Neal Stephenson, to contribute works of "techno-optimism" that challenge us to dream boldly and do Big Stuff. Engaging, mind-bending, provocative, and imaginative, Hieroglyph offers a forward-thinking approach to the intersection of art and technology that has the power to change our world.Contents: Foreword (Hieroglyph: Stories and Visions for a Better Future) • essay by Lawrence M. Krauss Preface: Innovation Starvation (Hieroglyph: Stories and Visions for a Better Future) • essay by Neal Stephenson Introduction: A Blueprint for Better Dreams • essay by Kathryn Cramer and Ed Finn Atmosphaera Incognita (2013) / novelette by Neal Stephenson Girl in Wave: Wave in Girl (2014) / novelette by Kathleen Ann Goonan By the Time We Get to Arizona (2014) / novelette by Madeline Ashby The Man Who Sold the Moon (2014) / novella by Cory Doctorow Johnny Appledrone vs. the FAA (2014) / novelette by Lee Konstantinou Degrees of Freedom (2014) / novelette by Karl Schroeder Two Scenarios for the Future of Solar Energy (2014) / short story by Annalee Newitz A Hotel in Antarctica (2014) / novelette by Geoffrey A. Landis Periapsis (2014) / novelette by James L. Cambias The Man Who Sold the Stars (2013) / novelette by Gregory Benford Entanglement (2014) / novella by Vandana Singh Elephant Angels (2014) / novelette by Brenda Cooper Covenant (2014) / short story by Elizabeth Bear Quantum Telepathy (2014) / novelette by Rudy Rucker Transition Generation (2014) / short story by David Brin The Day It All Ended (2014) / short story by Charlie Jane Anders Tall Tower (2014) / novelette by Bruce Sterling Science and Science Fiction: An Interview with Paul Davies • interview of Paul Davies (1946-) • interview by uncredited.

    The failure of the drug war, the betrayal of the working class, the bureaucratization of the culture and the cost to individual dignity -- such are the themes of the drama's first two seasons. And with every new episode of season three and beyond, another layer of modern urban life will be revealed. Gritty, densely layered, and realistic, "The Wire" is series television at its very best, told from the point of view of the Baltimore police, their targets, and many of those caught in the middle.Rafael Alvarez -- a reporter, essayist, and staff writer for the show -- brings the reader inside, detailing many of the real-life incidents and personalities that have inspired the show's storylines and characters, providing the reader with insights into the city of Baltimore -- itself an undeniable character in the series. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authorsGeorge Pelecanos, Laura Lippman, and Anthony Walton, here is an invaluable resource for both fans of the show and viewers who have yet to discover "The Wire."Hollywood has long used the cop drama to excite andentertain, and Hollywood has always dictated the terms. But "The Wire" is filmed entirely in Baltimore, conceived by Baltimoreans, and written by rust-belt journalists and novelists intimately familiar with the urban landscape. It's as close as television has yet come to allowing an American city to tell its own tale.

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Gleick's story begins at the turn of the twentieth century with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation, The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological the electric telegraph, the steam railroad, the discovery of buried civilizations, and the perfection of clocks. Gleick tracks the evolution of time travel as an idea in the culture from Marcel Proust to Doctor Who, from Woody Allen to Jorge Luis Borges. He explores the inevitable looping paradoxes and examines the porous boundary between pulp fiction and modern physics. Finally, he delves into a temporal shift that is unsettling our own moment: the instantaneous wired world, with its all-consuming present and vanishing future.

    It took, in fact, only a few months for the dire predictions to come true. Leno's show, panned by critics, dragged down the ratings-and the profits-of NBC's affiliates, while ratings for Conan's new Tonight show plummeted to the lowest levels in history. Conan's collapse, meanwhile, opened an unexpected door of opportunity for rival David Letterman. What followed was a boisterous, angry, frequently hilarious public battle that had millions of astonished viewers glued to their sets. In The War for Late Night, New York Times reporter Bill Carter offers a detailed behind-the-scenes account of the events of the unforgettable 2009/2010 late-night season as all of its players- performers, producers, agents, and network executives-maneuvered to find footing amid the shifting tectonic plates of television culture.