Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." - New York Times"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." - New York Observer"An intelligent, delicately articulate writer." - Village Voice"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." - BackstageJamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, The Great God Pan tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.Amy Herzog's plays include 4000 Miles (Pulitzer Prize finalist), After the Revolution and Belleville. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    He has also written fim scripts and for television.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    Book by McLure, James

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    We are all our own personal , Internal journey. This book will push you to question many of your most fundamental assumptions about reality, and may even trigger a paradigm shift in your perspective on life.

    Both at the top of their game with their careers taking off. With thoughts of a new beginning for Bass Industries and a wedding to plan, nothing or no one can stand in their way; that is until Jason Tremaine finds his way back into their lives. Jason Tremaine was once one of Jordyn James' greatest loves and biggest heart breaks. Falling in love with a man at an early age, Jordyn thought Jason was it for her; until she realized he was possessive, manipulative and just plain wrong. Jordyn thinks she has it all; perfect fiancé, a respectable job, a loving family but then her ex shows up staking his claim on her. Jordyn does everything in her power to steer the course and stay committed to Micah, but Jason is way too present for her to have her happily ever after. Thinking that she left Jason Tremaine in her former life, she'll soon discover he will try to get her back no matter the cost. Micah Bass is the new President and CEO of Bass Industries, a job he has been working for since he was a kid. After an upsetting and heart-breaking end to his first marriage, he thought he was ready to move on and then in walks Jordyn James. Micah falls hard for Jordyn and just as he is starting to feel like his life is unstoppable, he is thrown for a loop when his fiancé's ex shows up unannounced. Things only go down hill from there as he competes to try to save his relationship. Mistakes are made, trust is betrayed, and things aren't as happy in the budding relationship as everyone thought. In this finale, so many twists and turns come into play that neither Jordyn nor Micah are prepared for. Will their love conquer all? Can their love survive another storm?

    There is child plan, medical plan, retirement plan but what about the one after it?What about death and after it? What if we’re not destined to live a long life? What if we die tomorrow?Death, as like life, is a truth and one day or another, it will come for us and we cannot do anything about it but we sure can plan for the journey after it, the journey of the afterlife.This book is a story of Arpan who has no belief in Karma or the afterlife. It’s the journey of his soul in the afterlife where he finally comes to know the truths which are still unknown for most of us.

    Only months before her retirement, new mandatory background checks threaten to expose Jackie’s darkest secrets, secrets she’s kept buried for nearly fifty years. As Jackie pleads with her husband Peter for help, her carefully hidden past unfolds.Alabama, 1961- As an ambitious student, Jackie is looking forward to her senior year, with hopes for college. However, on Homecoming morning, her father’s infidelity causes her world to change suddenly and irrevocably. In the year that follows, Jackie and her sister are increasingly trapped by poverty, Jim Crow, and ongoing violence and abuse—and Jackie is ultimately forced to protect herself in ways she never imagined. Ways which now, fifty years later, may prove to be her undoing.