From his early years in the Netherlands to growing up in Australia during the 1980s, Michael recalls the secret surrounding his estranged Greek father and how scandalous events from the past fractured his family. This is a moving chronicle of a boy’s turbulent relationship with his bullying stepfather, aloof older brother and adored mother, whose cheerful apathy has devastating consequences. As his life unfolds, Michael – now a father – must decide if he can free himself from the dark pull of the past.Reminiscent of the great autobiographical novels of JM Coetzee and Michael Ondaatje, The Last Thread is a beautifully crafted work from an exceptional new writer.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    He lives with his gran and his uncle Rory. His best friend is Clinton Tull. Adrian loves to draw, and he wants a dog. He’s afraid of quicksand, shopping centers, and self-combustion. But as closely as he watches his suburban world, there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again. . . .In this suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy - unwanted, unloved, and intensely curious - a story as achingly beautiful as it is shattering. As her quiet tale ominously unfolds, we are reminded of how fragile are the threads that hold us secure - and how brave, how precious, is the heart of each child who soldiers on.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    hard to describe without superlatives... in a hundred years the book will still be a classic.' MeanjinDescription of book‘... far better than any novel; an incomparable record of a greart family and of a series of great actions.’ The BulletinWhen Patrick Durack left Western Ireland for Australia in 1853, he was to found a pioneering dynasty and build a cattle empire across the great stretches of Australia.With a profound sense of family history, his grand-daughter, Mary Durack reconstructed the Durack saga - a story of intrepid men and ground-breaking adventure.This sweeping tale of Australia and Australians remains a classic nearly fifty years on.

    Nine momentous days. An unforgettable novel of love and folly and heartbreak.It is 1939 and Australia is about to go to war. Deep in the working-class Melbourne suburb of Richmond it is business—your own and everyone else's—as usual. And young Kip Westaway, failed scholar and stablehand, is living the most important day of his life.Ambitious in scope and structure, triumphantly realised, this is a novel about one family and every family. It is about dreams and fights and sacrifices. And finally, of course, it is—as it must be—about love.Toni Jordan has a BSc in physiology and qualifications in marketing and professional writing. Her debut novel, Addition, has been published in sixteen countries and won numerous awards. Jordan lives in Melbourne, Australia.

    This well-chosen and comprehensive collection offers a compact and affordable alternative to larger and more expensive anthologies.

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth."The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself." —From the new Preface

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    

    I'm sixteen, and soon to be homeless. Weary of his life with his alcoholic, abusive father, sixteen-year-old Billy packs a few belongings and hits the road, hoping for something better than what he left behind. He finds a home in an abandoned freight train outside a small town, where he falls in love with rich, restless Caitlin and befriends a fellow train resident, "Old Bill," who slowly reveals a tragic past. When Billy is given a gift that changes everything, he learns not only to how forge his own path in life, but the real meaning of family.