Joel would prefer to get through his final year of high school without Cat Davis or his mother's faux Spanish boyfriend and just hang-out with his best-friend Luke. Cat Davis has an annoying best-friend, and even more annoying little brother, and a deep abiding hatred of Joel Hedges. Due to an unfortunate incident involving a leaking pen and suspected outbreak of Bird Flu, Joel and Cat are forced to sit next to each other in Extension English. To make matters worse, and to their mutual horror, they are paired together for a tandem story writing assignment.

    But that's another way maps lie, because it felt like the distance travelled was a whole lot further than that.'Sorrento, Victoria - 1999 Fred's family is a mess. Fred's mother died when she was six and she's been raised by her Pop and adoptive father, Luca, ever since. But now Pop is at the Rye Rehabilitation Centre recovering from a fall; Luca's girlfriend, Anika, has moved in; and Fred's just found out that Anika and Luca are having a baby of their own. More and more it feels like a land-grab for family and Fred is the one being left off the map.But even as the world feels like it's spinning out of control, a crisis from the other side of it comes crashing in. When 400 Kosovar-Albanian refugees arrive in the middle of the night to be housed at one of Australia's 'safe havens' on an isolated headland not far from Sorrento, their fate becomes intertwined with the lives of Fred and her family, as she navigates one extraordinary year that will change them all.A middle-grade coming-of-age story about the bonds of family and the power of compassion for fans of The Bone Sparrow, Wolf Hollow and The Thing About Jellyfish.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    By a tram-riding, mermaid-swaying, wolf-eaten, peace-sign flipping friend. I knew she wouldn't be happy if I stayed out here by the pool, with Jed's nail tracing the length of my neck.But I didn't want to go inside. I didn't want another drink. I wanted to stay out here and see what would happen.What’s a girl to do when her parents have split up; her mum’s trawling Tinder; and one of her best friends has decided not to invite her to the biggest party of the year, which she then has to watch unfold on everyone else’s social media?If you’re a girl called MC, you get mad as hell, that’s what you do.But what begins as one girl’s private, no-holds-barred rant soon snowballs in the most public way possible.

    Things get even worse when she meets the students in her Cultural Studies class. A musical version of a Shakespearian tragedy? They must be kidding.

    She and her mother want for nothing. Nothing, that is, that can be bought.But money cannot buy Lucy the words she needs. The words to stand up to her bully of a father. The words to inspire her mother to do something about the family life that is suffocating them both. The words to become the person she wants to be.Then Lucy finds something else: An escape route...Soon she discovers that every building on her row is connected, through the attic, to the next. As she explores the inner lives of those who live on her street, Lucy realises that she is not the only one to suffer in silence. She also sees ways she can help some, and ways to punish those that deserve it.But as the mighty fall, Lucy is forced to realise that while she can affect the lives of others from the safety of the attic, she will need to climb down to face her own fears.

    Henry Weaver is missing.Three months ago, thirteen-year-old Henry disappeared from The Shallows during a violent storm, leaving behind his muddy mountain bike at the train station.Mason Weaver is trapped.While Mason doesn't know who he is or what he's capable of, he knows the one thing binding him to this suffocating small town is his younger brother, Henry.Chloe Baxter wants answers.Why would Henry run away without telling her? One of Chloe's friends knows something and she's determined to find out the truth.As Chloe wades into dangerous waters and Mason's past emerges, a chilling question ripples to the surface: how far would you go to keep a secret?Children's Book Council of Australia Notable Book for Older Readers (2021)

    But Taylor’s fed up. Why does Sierra always get what – and who – she wants? From kissing Taylor’s crush to stealing the guy they both met online for herself, Sierra doesn’t seem to notice when she hurts her friends.So when Sierra says Jacob Jones is the one and asks her friends to cover for her while she goes to meet him for the first time, Taylor rolls her eyes. But Sierra doesn’t come back when she said she would.One day. Two days. Three . . .What if Taylor’s worrying for nothing? What if Sierra’s just being Sierra, forgetting about everyone else to spend time with her new guy? When Taylor finally tells Sierra’s mum that her daughter is missing, Taylor and her friends are thrown into a dark world they never even knew existed.Can Taylor find Sierra’s abductor in time? Or should she be looking for a killer?

    She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, who loves her so hard, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was six. And Biz knows how to float, right there on the surface—normal okay regular fine.But after what happens on the beach—first in the ocean, and then in the sand--the tethers that hold Biz steady come undone. Dad disappears, and with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet.

    But when her father can’t even look at her because Olivia reminds him of her mother, and her grandmother mistakenly calls her “Lillian,”  shaking a reputation she didn’t ask for is next to impossible. Olivia is used to leaning on her best friend, Jamie; her handsome but hot-tempered boyfriend, Max; and their wild-child friend, Maggie, for the reality check that her small Louisiana town can’t provide. But when a terrible fight between Jamie and his father turns deadly, all Olivia can think to do is grab her friends and run. In a flash, Olivia, Jamie, Max, and Maggie become fugitives on the back roads of Louisiana. They’re headed to New Orleans, where they hope to find a solution to an unfixable problem. But with their faces displayed on all the news stations, their journey becomes a harrowing game of hide-and-seek from the police—and so-called allies, who just might be the real enemy.Shalanda Stanley’s breathtaking debut novel explores the deep ties between legacy, loyalty, and love, even as it asks the question: How far would you go to save a friend?

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    Jarvis has lost a white football boot, a school tie and a best friend. But there's more in store for him when he completes Work Experience at a local car yard - where his world is truly rocked, shocked and shaken. Then Marc meets Electra. And nothing will ever be the same again...A story of true friends, crazed coaches, shooting stars, and loves lost and found.

    He and his wife are attempting to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work with them at their family home. As Lily’s friendship with Eva grows, she becomes infatuated with this makeshift family and longs to truly be a part of it.Looking back on those years later in life, Lily realises that this utopian circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.The Strays is an engrossing story of ambition, sacrifice and compromised loyalties from an exciting new talent.

    At first they are not friends, as jealousy, insecurity, secrets, and lies abound. Yet they soon realize that their friendship brings out the best in each of them. But will it be too late to make the grade at the camp?