The state of God-Realisation is symbolised through union with a Beloved, and drinking the wine of spiritual love.This compact version of the Divan of Hafez is a facsimile illuminated manuscript, complete with beautiful Persian calligraphy and miniature illustrations. There are 43 ghazals, translated into English by classical scholar Gertrude Bell. It is a truly beautiful introduction not only to the works of this beloved Sufi mystic, but also to the artistry of Mahmoud Farshchian. It is like getting two books in one: poetry and art."Hafiz has no peer." — GoethePoetry is the greatest literary form of ancient Persia and modern Iran, and the fourteenth-century poet known as Hafiz is its preeminent master. Little is known about the poet's life, and there are more legends than facts relating to the particulars of his existence. This mythic quality is entirely appropriate for the man known as "The Interpreter of Mysteries" and "The Tongue of the Hidden," whose verse is regarded as oracular by those seeking guidance and attempting to realize wishes.A mere fraction of what is presumed to have been an extensive body of work survives. This collection is derived from Hafiz's Divan (collected poems), a classic of Sufism. The short poems, called ghazals, are sonnet-like arrangements of varied numbers of couplets. In the tradition of Persian poetry and Sufi philosophy, each poem corresponds to two interpretations, sensual and mystic.This outstanding translation of Hafiz's poetry was created by historian and Arabic scholar Gertrude Bell, who observed, "These are the utterances of a great poet, the imaginative interpreter of the heart of man; they are not of one age, or of another, but for all time."

    The translators, noted Persian literature scholars Ahmad Karimi-Hakkak and Michael Beard, contribute an illuminating introduction to Kiarostami's poetic enterprise, examining its relationship to his unique cinematic corpus and to the traditions of classic and contemporary Persian poetry. Of interest to enthusiasts of cinema and literature alike, Walking with the Wind—the second volume in Harvard Film Archive's series "Voices and Visions in Film"—sheds light on a contemporary master who transforms simple fragments of reality into evocative narrative landscapes.

    Introduction by Dick Davis. Mazda Publishers, Costa Mesa, California, ۱۹۹۶

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    بهترین داستان‌های کوتاه آنتون پاولوويچ چخوف

    

    it was the first major Persian romance, written between 1050 and 1055 in rhyming couplets. This remarkable work has now been superbly translated into heroic couplets (the closest metrical equivalent of the Persian) by the poet and scholar Dick Davis.

    Her name is Amineh.It Shows that Amineh palys the main roll in the all history of Iran...

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    This book is a collection of essays. The title essay is about the advantages of vegetarianism.

    This revised and expanded edition of The Essential Rumi includes a new introduction by Coleman Barks and more than 80 never-before-published poems.Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever.The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.

    Its setting is the Persian Gulf Coast--an area geographically isolated from the rest of Iran and influenced by the customs, rituals, and superstitions of Black Africa, India, and Arabia.The episodes, occurring in and around a primitive village, are mostly symbolic and allegorical. In the harsh, cheerless environment of the Gulf, the sea, the sky, the sun and the moon appear ominous and full of foreboding. Elusive fears lurk in the villagers' paths, threatening their precarious peace and safety.In spite of its distant setting and allegorical mode, however, the novel deals with contemporary issues in Iranian politics. In particular, it prophetically warns its readers against sheepish submission to self-aggrandizing clergy (Section Two), as it cautions against blind surrender to the West (Section Six)--warnings that the people of Iran would have done well to heed.A detailed critical introduction and bibliography also place Sa'edi in his cultural/literary context, and offer readers leads to further reading and study of this seminal writer.

    In this self-eulogy written in the final years of Mahmoud Darwish's life, Palestine becomes a metaphor for the injustice and pain of our contemporary moment.Mahmoud Darwish (1941-2008) was one of the most acclaimed poets in the Arab world. His poetry collections include Why Did You Leave the Horse Alone? and A River Dies of Thirst (Archipelago Books). In 2001 Darwish was awarded the Lannan Cultural Freedom Prize.

    During the few months he lives on the streets, Latif learns more life lessons than he would have done with many years of education. He experiences harsh living conditions, discrimination and humiliation. At this young age, he has a lot of confusion and cannot figure out what is wrong with a system that sanctions such a life for children. The experiences by five of his friends add more depth to the story. Latif’s fragile soul almost crashes witnessing elements of poverty and helplessness and observing that no matter how hard his father and many others try, they still remain poor and powerless.At the beginning the writer, Samad Behrangi, gives a detailed description of the material world surrounding his hero, the behaviors, conversations and conducts of all players, as he believes the material environment plays a major role in building up the characters of the people. But as soon as the story kicks off, it moves forward with a fast pace of the power and strength of life itself, taking the reader along with it.Readers meet people of different social strata, with voices of each adding depth and excellent character development. Latif spends a great deal of time outside a toy store wishing to have toys to play with and has a fascination about one particular camel who later becomes his mentor and takes him on an imaginary tour to see the other side of the society, gives him awareness as to how the system functions. The real awakening however, is more of a wake-up call. Latif goes beyond setting a goal for his own happiness and success, as he realizes that he must find a way to identify the causes of those social problems and find solutions for them.

    Completing it was, in the Shah's words, "a race against time." In it, he shows how the United States, once the most powerful country on earth, found itself hostage to the whims of Iran, a land few Americans knew much about. In telling his own story, the Shah shows clearly that Iran has become a battleground between the U.S. and the Soviet Union, which for over half a century has pursued goals with increasing success. In the "slide into chaos" precipitated by the Khomeini regime, the Shah saw the ultimate beneficiary being the U.S.S. R., which will reach the apogee of its strength no later than 1983, with the West facing "a decade of harrowing danger." Answer to History begins with what really happened during the Shah's period of exile in the Bahamas, Mexico, the U.S., Panama, and finally Egypt. It goes on to cover all of the momentous experiences of the Shah's reign, a book full of heroes and villains, with many surprises for the American reader as to who the villains really were and are. The Shah discloses backstage developments in today's politics of oil... The Shah show how the interplay between the Black and the Red - the 14th-century clergy and the Tudeh Party loyal to the Soviets - blocked for their own purposes his proudest achievements: the White Revolution in which the Shah introduced land reform, worked toward the liberation of women, and raised the standard of living of his people, providing disparate ethnic groups with pride in the 2,500 year-old culture of Persia. When the enemies of his reign took to the streets, the Shah felt the he reacted not too strongly, but not strongly enough.... In his Answer to History he reveals the forces that betrayed him, and left the U.S. without an economically and militarily strong ally in a critical part of the world. --- excerpts from book's dustjacket