American genealogist Jefferson Tayte is hired to find out what happened, but it soon becomes apparent that a calculated killer is out to stop him.In the Blood combines a centuries-old mystery with a present-day thriller that brings two people from opposite sides of the Atlantic together to uncover a series of carefully hidden crimes. Tayte's research centres around the tragic life of a young Cornish girl, a writing box, and the discovery of a dark secret that he believes will lead him to the family he is looking for. Trouble is, someone else is looking for the same answers and will stop at nothing to find them.In the Blood is the first in the Jefferson Tayte mystery series.

    Driving back from a holiday in France one night, Finn pulls in to a service station, leaving Layla alone in the car. When he returns, minutes later, Layla has vanished, never to be seen again. That’s the story Finn tells the police. It’s the truth – but not the whole truth.Twelve years later, Finn has built a new life with Ellen, Layla’s sister, when he receives a phone call. Someone has seen Layla. But is it her – or someone pretending to be her? If it is her, what does she want? And what does she know about the night she disappeared?

    King, and Anne Perry, Mr. Churchill’s Secretary captures the drama of an era of unprecedented challenge—and the greatness that rose to meet it.London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat of a Blitz looms larger by the day. But none of this deters Maggie Hope. She graduated at the top of her college class and possesses all the skills of the finest minds in British intelligence, but her gender qualifies her only to be the newest typist at No. 10 Downing Street. Her indefatigable spirit and remarkable gifts for codebreaking, though, rival those of even the highest men in government, and Maggie finds that working for the prime minister affords her a level of clearance she could never have imagined—and opportunities she will not let pass. In troubled, deadly times, with air-raid sirens sending multitudes underground, access to the War Rooms also exposes Maggie to the machinations of a menacing faction determined to do whatever it takes to change the course of history.Ensnared in a web of spies, murder, and intrigue, Maggie must work quickly to balance her duty to King and Country with her chances for survival. And when she unravels a mystery that points toward her own family’s hidden secrets, she’ll discover that her quick wits are all that stand between an assassin’s murderous plan and Churchill himself.In this daring debut, Susan Elia MacNeal blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character,  Maggie Hope, into a spectacularly crafted novel.

    A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does. A Regency Cozy.

    . . First-year detective Kathleen Doyle and Chief Inspector Michael Sinclair, Lord Acton, are a most unlikely pair. An Irish redhead of humble beginnings and modest means, Doyle is the antithesis of Acton, the British lord who has established himself as a brilliant but enigmatic figure with a knack for solving London's most high profile homicides. But Acton senses something exceptional beneath Doyle's awkward naivete and taps her to help him with his investigations. And her spot-on intuition is just what he needs to solve a chilling string of murders. . .When a horse trainer is found dead at a racetrack, Doyle and Acton begin interviewing witnesses and the victim's associates, but the killer continues to strike and they're left with more questions than answers. Their investigation is further muddled by their colleagues at CID Headquarters, whose career-driven jealousies and workplace blunders could jeopardize the case--and their nosing into the nature of Doyle and Acton's after hours relationship could lay bare the most classified information of all. . .Perhaps the trainer was the target of a jilted lover on a killing spree. Or maybe the victims were collateral damage in a political coup gone awry. As the murders pile up, Doyle and Acton uncover something far more sadistic than they could have imagined, and now that they know too much, they'll find themselves squarely in the crosshairs of a cold-blooded killer. . .

    But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    Scotland Yard's Inspector Roderick Alleyn arrives to find a complete collection of alibis, a missing butler, and an intricate puzzle of betrayal and sedition in the search for the key player in this deadly game.

    Aunt Sabrina invites her to Essex England, for help with the Order of the New Dawn. Aunt Jagger beats the servants to suicide, and someone feeds her Death mushrooms. Next door, Sir Charles photographs a fresh body in an archaeological dig, and seeks his killer.

    Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    Rachel Knight is a tenacious, wise-cracking, and fiercely intelligent prosecutor in the city's most elite division. When her colleague, Jake, is found dead at a grisly crime scene, Rachel is shaken to the core. She must take over his toughest case: the assault of a young woman from a prominent family.But she can't stop herself from digging deeper into Jake's death, a decision that exposes a world of power and violence and will have her risking her reputation--and her life--to find the truth.With her tremendous expertise in the nuances of L.A. courts and crime, and with a vibrant ensemble cast of characters, Marcia Clark combines intimate detail, riotous humor, and visceral action in a debut thriller that marks the launch of a major new figure on the crime-writing scene.

    But when the lively aspiring equine trainer tangles with British aristocracy, she meets her match--and a murderer . . . Spring, 1905: Free-spirited like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she's asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold and ambitious father confesses that he won't only give away his best racehorses as gifts--he has also arranged to give away his daughter as bride to the Earl of Atherly's financially strapped son . . .Stella refuses to be sold off like a prized pony. Yet despite a rough start, there's something intriguing about her groom-to-be, the roguish Viscount "Lyndy" Lyndhurst. The unlikely pair could actually be on the right track with each other . . . until they find the vicar who was to marry them dead in the library.With culture clashes mounting between families, a scandalous murder case hangs over Morrington Hall. Now, Stella and Lyndy must go from future spouses to amateur sleuths as they team up to search for the truth--and prevent an unbridled criminal from destroying their new life together right out of the gate . . .

    But this is not a detective story, this is a story about the making of a detective . . .William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a lawyer like his father, Sir Julian Warwick QC, and his sister Grace, he will join London’s Metropolitan Police Force.After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad. Investigating the theft of a priceless Rembrandt painting from the Fitzmolean Museum, he meets Beth Rainsford, a research assistant at the gallery who he falls hopelessly in love with, even as Beth guards a secret of her own that she’s terrified will come to light.While William follows the trail of the missing masterpiece, he comes up against suave art collector Miles Faulkner and his brilliant lawyer, Booth Watson QC, who are willing to bend the law to breaking point to stay one step ahead of William. Meanwhile, Miles Faulkner’s wife, Christina, befriends William, but whose side is she really on?This new series introduces William Warwick, a family man and a detective who will battle throughout his career against a powerful criminal nemesis. Through twists, triumph and tragedy, this series will show that William Warwick is destined to become one of Jeffrey Archer’s most enduring legacies.

    Together they must solve one of the most notorious crimes in Irish history......or else they’ll be history.A Man With One of Those Faces is the first book in Caimh McDonnell's Dublin Trilogy, which melds fast-paced action with a distinctly Irish acerbic wit.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    Perhaps not consciously. Perhaps not yet. But they know. When eight-year-old Daisy Mason vanishes from her family’s Oxford home during a costume party, Detective Inspector Adam Fawley knows that nine times out of ten, the offender is someone close to home. And Daisy’s family is certainly strange—her mother is obsessed with keeping up appearances, while her father is cold and defensive under questioning. And then there’s Daisy’s little brother, so withdrawn and uncommunicative . . . DI Fawley works against the clock to find any trace of the little girl, but it’s as if she disappeared into thin air—no one saw anything; no one knows anything. But everyone has an opinion, and everyone, it seems, has a secret to conceal.