It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them.Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places.In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.

    Old Tale of Magic and Woe.Come see Kate Ashwin (Widdershins & Darken), Kory Bing (Skin Deep), Marcy Cagle (Kiwi Blitz), KC Green (Gunshow), Kel McDonald (Sorcery 101), Joe Pimenta (A Friendly Game), Katie and Steve Shanahan (Silly Kingdom & Flight), and Lin Visel (Effort Comics) as they share with you fairytales you think you know.

    350 full-color photos, paintings & illustrations.

    Mixing folk tale with fantasy, and history with myth, the narrative that unfolds is dark, playful and filled with magical moments, as it marches ever forward towards a strange convergence.

    These tales are richly populated by spirits and ghosts seeking revenge; by grief-stricken women and haunted men coming to terms with their destiny - all rooted deep in the elemental landscapes of Sussex, Brittany and the Languedoc.The collection will include The Mistletoe Bride, La Fille de Melisande, Red Letter Day, The Lending Library, The House on the Hill...

    The Dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild—as wild as wild could be—and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself, and all places were alike to him."So begins the story of The Cat That Walked by Himself, one of many stories Kipling created to entertain his own children and those of his friends, inventing ingenious explanations for such conundrums as "How the Camel Got His Hump." In 1902, he wrote down these gloriously fanciful tales for publication as the Just So Stories. This beautiful gift edition presents the best-loved story "The Cat that Walked by Himself" alongside "How the Camel Got His Hump," "How the Rhinoceros Got His Skin," and "The Elephant's Child," and reproduces the author's delightfully evocative original illustrations.

    This sampler comprises the very best of those tales and legends. Gathered within, readers will find an extravagance of beautiful princesses and stout stable boys, sour-faced witches and kings with hearts of gold. Each tale is a masterpiece of storytelling, from the hilarious 'Three Sillies' to the delightfully macabre 'Sammle's Ghost'.

    In these pages you will meet extraordinary beings from Hindu and Navajo religions, Scandinavian tales, Russian folklore, Lithuanian stories, Irish oral history, American tall tales, and Aztec myth. Just some of the monstrous entourage:• Baku, a benevolent Japanese monster with the body of a horse, the head of a lion, and the legs of a tiger, who helps people by devouring their nightmares.• Kurma, the giant tortoise of Hindu myth, whose upper shell forms the heavens and lower part the earth.• Missipissy, the feared fish serpent of North America's Great Lakes region.This illustrated encyclopedia not only identifies and describes individual beasts in their cultural context but also groups them together across cultures and discusses common mythological strands and conceits.

    Here is an enchanting tale set in a land rich with folklore–and ripe for a rekindling of the old ways.Nestled on the coast of Scotland, Appleton was once famous for its apples. Now, though the orchards are long gone, locals still dream of the town’s glory days, when an Apple Queen was crowned at the annual fair and good luck seemed a way of life. And outsiders are still drawn to the charming village, including three very different American women.Enchanted by Appleton’s famously ornate, gold-domed library, divorcée Kathleen Mullaroy has left her cosmopolitan job to start anew as the town’s head librarian. Widowed Nell Westray hopes for a quiet life of gardening in the place where she and her husband spent their happiest moments. And young Ashley Kaldis has come to find her roots, and learns that the town’s fortunes turned when her grandmother was crowned Apple Queen–then mysteriously disappeared.When a sudden landslide cuts Appleton off from the wider world–and the usual constraints of reality–the village reveals itself to be an extraordinary place, inhabited by legendary beings, secret rooms, and the blossoming of a rare fruit not seen in decades. Most unexpected is a handsome stranger who will draw all three women into an Otherworld in which luck and love will return to Appleton–if only one of them will believe. Lush with the romance and allure of ancient traditions, The Silver Bough will propel you into a land where, as in Eden, the bite of a single apple can alter the whole course of reality.From the Hardcover edition.

    Poems, sketches, cartoons, short prose pieces and doctored photos.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    A retelling of the four books of the Mabinogion, a collection of Welsh medieval tales about the feats and exploits of legendary Welsh kings and princes.

    Now, it is Mortristan’s doom to find what his father never could: something worth living for.But when Mortristan is forced to hunt an intruder in the God of Manna’s paradise-city, he learns just how enslaved he is. As bad as life is with the God of Manna, it’s impossible to live without him. Can Mortristan really sacrifice everything he has to find just one thing that’s lasting?The God of Manna has reigned for millennia and he does not take rebellion lightly…The world needs a savior. And if Mortristan doesn’t find a way of escape, he will too.This book is available for free at: https://www.thescratchingquill.com/go...

    But surely you've heard the story about the crocodiles who held a vote on whether or not to eat a man that had saved one of their lives? NO? Wow. Have we got some stories for you.

    That tradition continues vigorously to the present day.The 80 stories published in this volume, many for the first time in English, some for the first time in any language, are gathered from 31 countries, including India, France, England, the U.S., Greece, Sweden, Syria, Argentina, Russia, and Turkey. Here are tales in which young mothers become vampires and wolves become lawyers; where ostracism, poverty, hunger, and death are countered by resourcefulness, hospitality, and magic. Here are tales that offer imaginative explanations of why the Gypsies live all over the world, why they have no church and no alphabet, why they love music; tales that link the Gypsies' past to their recent successful efforts to organize against oppression.As varied as the tales are the tellers - factory workers, musicians, novelists, shopkeepers, dancers, professors, lacemakers, political activists - who are identified in the headnotes to individual stories. In these notes and in their introduction, Diane Tong discusses, among much else, Gypsy values, beliefs, and customs as revealed in the tales. The vivid storytelling and Tong's perceptive annotation combine to show how the Gypsies see themselves and the world.