Although officially characterized as benevolent, these government policies often inflicted great trauma on indigenous families and ultimately served the settler nations' larger goals of consolidating control over indigenous peoples and their lands. "White Mother to a Dark Race" takes the study of indigenous education and acculturation in new directions in its examination of the key roles white women played in these policies of indigenous child-removal. Government officials, missionaries, and reformers justified the removal of indigenous children in particularly gendered ways by focusing on the supposed deficiencies of indigenous mothers, the alleged barbarity of indigenous men, and the lack of a patriarchal nuclear family. Often they deemed white women the most appropriate agents to carry out these child-removal policies. Inspired by the maternalist movement of the era, many white women were eager to serve as surrogate mothers to indigenous children and maneuvered to influence public policy affecting indigenous people. Although some white women developed caring relationships with indigenous children and others became critical of government policies, many became hopelessly ensnared in this insidious colonial policy.

    To the Dene, the land owns them and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life.In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. Sacco recounts the shattering impact of a residential school system that aimed to “remove the Indian from the child”; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture.

    The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be.Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence.Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.

    He lives in Canberra. In 1858, fourteen-year-old French cabin boy Narcisse Pelletier was aboard the trader Saint-Paul when it was wrecked off the eastern tip of New Guinea. Scrambling into a longboat, Narcisse and the other survivors crossed almost 1000 kilometres of the Coral Sea before reaching the shores of Far North Queensland. If not for the local Aboriginal people, Narcisse would have perished. For seventeen years he lived with them, growing to manhood and participating fully in their Uutaalnganu world. Then, in 1875, his life was again turned upside down.Drawing from firsthand interviews with Narcisse after his return to France and other contemporary accounts of exploration and survival, and documenting the spread of European settlement in Queensland and the brutal frontier wars that followed, Robert Macklin weaves an unforgettable tale of a young man caught between two cultures in a time of transformation and upheaval.

    Australia's most celebrated poet and storyteller helped define our national traits of loyalty, mateship and laconic humour, but he did and was so much more. A soldier in the Boer War and WWI, the balladeer bushman was also a solicitor, newspaper editor, columnist, war and foreign correspondent and ABC broadcaster.Close friends with many luminaries of his time, including Rudyard Kipling, Winston Churchill, Field Marshal Haig, Breaker Morant and Henry Lawson, the tennis ace, notorious ladies man, brilliant jockey and celebrated polo player was eye witness to many of the great moments in Australian 20th century history. Extensively researched and written with Kieza's trademark verve, Banjo is a rich and captivating portrait of our most celebrated poet and a truly great Australian.

    We can still use the memory code today to train our own memories.In the past, the elders had encyclopaedic memories. They could name all the animals and plants across the landscape, and the stars in the sky too. Yet most of us struggle to memorise more than a short poem.Using traditional Aboriginal Australian songlines as the key, Lynne Kelly has identified the powerful memory technique used by indigenous people around the world. She has discovered that this ancient memory technique is the secret behind the great stone monuments like Stonehenge, which have for so long puzzled archaeologists.The stone circles across Britain and northern Europe, the elaborate stone houses of New Mexico, the huge animal shapes at Nasca in Peru, and the statues of Easter Island all serve as the most effective memory system ever invented by humans. They allowed people in non-literate cultures to memorise the vast amounts of practical information they needed to survive.

    What’s it like to work in a morgue? This book describes, first hand, coping with mutilated or decomposed bodies and the carnage of large-scale disasters like the Bali bombings. Equally as traumatic, the suicides, accidental drownings, car accidents and murders. But forensic counsellors do much more, witnessing autopsies, attending crime scenes and coronial enquiries. It’s all in a day’s work. Find out what it’s like behind the scenes. Those working at the morgue come face to face with death on a daily basis, and forensic counsellors like John have to find the compassion and kindness to ease the grief of those left behind.

    The trial created an enormous amount of controversy because it was almost unknown for Europeans to be charged with the murder of Aborigines. It would become the most serious trial of mass murder in Australia’s history. The trial’s prosecutor was the Attorney General of New South Wales, John Hubert Plunkett. It proved to be Plunkett’s greatest test, as it pitted his forensic brilliance and his belief in equality before the law against the combined forces of the free settlers, the squatters, the military, the emancipists, the newspapers, and even the convict population. From the bestselling author of Kidnapped and Eugenia, Murder at Myall Creek follows the journey of the man who who arguably achieved more for modern-day civil rights in Australia than anyone else before or since.

    Exploring love, language and land, van Neerven flexes their distinctive muscles and shines a light on Australia's unreconciled past and precarious present with humour and heart. Van Neerven is unsparing in the interrogation of colonial impulse, and fiercely loyal to telling the stories that make us who we are.

    Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous.Published by Affirm Press in partnership with Diversity Arts Australia and Sweatshop Literacy Movement.

    The nation’s major policy challenges go unaddressed, our economic future is uncertain, and political corruption is becoming normalised. We can’t understand the current predicament of our democracy without recognising the central role of Murdoch’s national media monopoly. There is no longer a level playing field in Australian politics. We won’t see another progressive government in Canberra until we deal with this cancer in our democracy. Three more things must change for Labor to be returned to office. Labor must significantly broaden its political base; demolish the entire rationale for the conservative political project now that the Liberal Party has abandoned its position on debt, deficit, and government intervention in the economy; and put forward a clear plan dealing with the challenges ahead: recurring pandemics, demographic decline, technological disruption undermining economic competitiveness and employment, the rise of China, and the continued economic and environmental devastations of climate change. All four tasks are essential. All four will require great political courage.

    The resulting masterpiece is as much about our fascination with Warnie as it is about the player himself. Who doesn't know the name Shane Warne? Now that the Australian cricketer who dominated airwaves and headlines for twenty years has turned full-time celebrity and media event, his sporting conquests and controversies are receding steadily into the past. But what was it like to watch Warne at his long peak, the man of a thousand international wickets, the incarnation of Australian audacity and cheek? Our leading cricket writer, Gideon Haigh, lived and loved the Warne era, when the impossible was everyday, and the sensational every other day. In On Warne, he relives the era's highs, its lows, its fun and its follies. Drawing on interviews conducted with Warne over the course of a decade, and two decades of watching him play, Haigh assesses this greatest of sportsmen as cricketer, character, comrade, newsmaker and national figure – a natural in an increasingly regimented time, a simplifier in a growingly complicated world. The result is one of the finest cricket books ever written, a whole new way of looking at its subject, at sport, and at Australia. One day, you might be asked what cricket in the time of Warne was like. On Warne is the definitive account.

    This book is the first of its kind to address and educate a broad audience about our colonial contextual history, in a highly original way. It pulls apart the myths at the heart of our nationhood and challenges Australia to come to terms with its own past and its place within and on ‘Indigenous Countries’.This title speaks to many First Nations’ truths; stolen lands, sovereignties, time, decolonisation, First Nations perspectives, systemic bias and other constructs that inform our present discussions and ever-expanding understanding. This title is a timely, thought-provoking and accessible read.There is no part of this placethat was notis notcared forlovedby an Aboriginal or Torres Strait Islander nationThere are no treesrivershillsstarsthat were notare notsomeone’s kin

    God’s country. Heartland of the Inner West. Because of its location an always fertile mix of working-class, migrant, genteel, intellectual and eccentric residents. As she got older she noticed Annandale was changing, and she started hearing new words like ‘architect’ and ‘labradoodle’, and eventually entire weeks would go by with no backyard bomb explosions.These stories about neighbourhood warfare, wacky relatives, quashed dreams and facial disfigurement are told with Norton Lodge’s characteristic comic verve and eye for absurdity and menace, inspired by her family, friends, acquaintances and nemeses. Their highlights include Greek grandparents who have lived in mutual resentment for decades and beat each other up with colanders, children who dabble in amateur porn and are sent to school with cat-food sandwiches, ‘distressed’ furniture, rampaging eczema, flying babies and other suburban wonders.

    This incisive single-volume report tells the stories of the conquest and survival of five great American cultures — Aztec, Maya, Inca, Cherokee, and Iroquois. Through their eloquent words, we relive their strange, tragic experiences — including, in a new epilogue, incidents that bring us up to the twenty-first century.