Printz Award winner and New York Times bestseller Monster, adapted by Guy Sims and illustrated by Dawud AnyabwileMonster is a multi-award-winning, provocative coming-of-age story about Steve Harmon, a teenager awaiting trial for a murder and robbery. As Steve acclimates to juvenile detention and goes to trial, he envisions the ordeal as a movie. Monster was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist.Now Monster has been adapted into a graphic novel by Guy Sims, with stunning black-and-white art from Dawud Anyabwile, Guy's brother.Fans of Monster and of the work of Walter Dean Myers—and even kids who think they don't like to read—will devour this graphic adaptation.

    Trent’s pretty positive the entire disaster was his fault, so for him middle school feels like a fresh start, a chance to prove to everyone that he's not the horrible screw-up they seem to think he is.  If only Trent could make that fresh start happen. It isn’t until Trent gets caught up in the whirlwind that is Fallon Little—the girl with the mysterious scar across her face—that things begin to change. Because fresh starts aren’t always easy. Even in baseball, when a fly ball gets lost in the sun, you have to remember to shift your position to find it.

    She can’t count the number of times she’s been the only non-white person at the sleepover, been teased for her “weird” outfits, and been told she’s not “really” black. Also, she’s spent most of her summer crying in bed. So there’s that, too.Lately, it feels like the whole world is listening to the same terrible track on repeat—and it’s telling them how to feel, who to vote for, what to believe. Morgan wonders, when can she turn this song off and begin living for herself?Life may be a never-ending hamster wheel of agony, but Morgan finds her crew of fellow outcasts, blasts music like there’s no tomorrow, discovers what being black means to her, and finally puts her mental health first. She decides that, no matter what, she will always be intense, ridiculous, passionate, and sometimes hilarious. After all, darkness doesn’t have to be a bad thing. Darkness is just real.

    Liz is bold and brave, and always knows the right thing to say, especially to Sally, the resident mean girl. Liz even helps Marlee overcome her greatest fear - speaking, which Marlee never does outside her family. But then Liz is gone, replaced by the rumor that she was a Negro girl passing as white. But Marlee decides that doesn't matter. Liz is her best friend. And to stay friends, Marlee and Liz are willing to take on integration and the dangers their friendship could bring to both their families.

    “We don’t see color.” “I didn’t know Black people liked Star Wars!” “What hood are you from?” For Frederick Joseph, life in a mostly white high school as a smart and increasingly popular transfer student was full of wince-worthy moments that he often simply let go. As he grew older, however, he saw these as missed opportunities not only to stand up for himself, but to spread awareness to the white friends and acquaintances who didn’t see the negative impact they were having and who would change if they knew how.Speaking directly to the reader, The Black Friend calls up race-related anecdotes from the author’s past, weaving in his thoughts on why they were hurtful and how he might handle things differently now. Each chapter includes the voice of at least one artist or activist, including Tarell Alvin McCraney, screenwriter of Moonlight; April Reign, creator of #OscarsSoWhite; Angie Thomas, author of The Hate U Give; and eleven others. Touching on everything from cultural appropriation to power dynamics, “reverse racism” to white privilege, microaggressions to the tragic results of overt racism, this book serves as conversation starter, tool kit, and invaluable window into the life of a former “token Black kid” who now presents himself as the friend many of us need. Back matter includes an encyclopedia of racism, providing details on relevant historical events, terminology, and more.

    He was always ready for adventure and always willing to accept a dare, especially from his best friend, Kacey. But that was before. Before the accident that took Kacey from him. Before his family moved from Boston to the small town of Palm Knot, Georgia.Palm Knot may be tiny, but it’s the home of possibility and second chances. It’s also home to Coralee, a girl with a big personality and even bigger stories. Coralee may be just the friend Ethan needs, except Ethan isn’t the only one with secrets. Coralee’s are catching up with her, and what she’s hiding might be putting both their lives at risk.

    Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home.    Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America.    Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.

    . . until a list appears online, ranking the top fifty prettiest girls in the eighth grade.Eve is disgusted by the way her body is suddenly being objectified by everyone around her.Sophie is sick of the bullying she’s endured after being relegated to number two.And Nessa is tired of everyone else trying to tell her who she is.It’s time for a takedown. As the three girls band together, they begin to stand up not just for themselves, but for one another, too.

    Here is the story of one of the most distinguished writers of young people's literature today.As a boy, Myers was quick-tempered and physically strong, always ready for a fight. He also read voraciously—he would check out books from the library and carry them home, hidden in brown paper bags in order to avoid other boys' teasing. He aspired to be a writer.But while growing up in a poor family in Harlem, his hope for a successful future diminished as he came to realize fully the class and racial struggles that surrounded him. He began to doubt himself and the values that he had always relied on, attending high school less and less, turning to the streets and to his books for comfort.Supports the Common Core State Standards.

    Newly arrived in Brussels, Belgium, Ahmed fled a life of uncertainty and suffering in Aleppo, Syria, only to lose his father on the perilous journey to the shores of Europe. Now Ahmed’s struggling to get by on his own, but with no one left to trust and nowhere to go, he’s starting to lose hope.Then he meets Max, a thirteen-year-old American boy from Washington, D.C. Lonely and homesick, Max is struggling at his new school and just can’t seem to do anything right. But with one startling discovery, Max and Ahmed’s lives collide and a friendship begins to grow. Together, Max and Ahmed will defy the odds, learning from each other what it means to be brave and how hope can change your destiny.

    And Keiko thinks she's got it covered, especially with Audrey and Jenna by her side to shop for a new look, pick out a prime lunch spot, and even hit up that cute new bubble tea place after school. Her trio is ready to tackle life as they always have...together.But when Audrey decides they need boyfriends before Fall Ball, it looks like things may be changing in all the wrong ways. Jenna is sick of caving in to Audrey's demands, and soon Keiko's besties are barely talking, leaving her caught in the middle. While she's been dreaming about triple-dates, first kisses, and a boy she really shouldn't have a crush on, the friendship she's always thought was rock-solid is beginning to crumble.Keiko feels pulled in two directions. Should she try to help her friends-even if it means losing one of them-or follow her heart? When it comes to flirting, friendships, and fallouts, how is Keiko supposed to keep it all together?

    He hasn’t found a new best friend. He’s still not a great bike rider—even though his brother George, who’s autistic, can do tricks. And worst of all, he worries his dad’s recent accident might be all his fault. Benny tries to take his mom’s advice and focus on helping others, and to take things one step at a time. But when his dad ends up in the hospital again, Benny doesn’t know how he and his family will overcome all the bad luck that life has thrown their way.Just My Luck is a deeply moving and rewarding novel about a down-on-his-luck boy whose caring heart ultimately helps him find the strength to cope with tragedy and realize how much he truly has to offer his friends and family.

    Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. TAKE THE MIC's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.

    When he mysteriously goes missing, his little sister, 13-year-old Amari Peters, can’t understand why it’s not a bigger deal. Why isn’t his story all over the news? And why do the police automatically assume he was into something illegal? Then Amari discovers a ticking briefcase in her brother’s old closet. A briefcase meant for her eyes only. There was far more to Quinton, it seems, than she ever knew. He’s left her a nomination for a summer tryout at the secretive Bureau of Supernatural Affairs. Amari is certain the answer to finding out what happened to him lies somewhere inside, if only she can get her head around the idea of mermaids, dwarves, yetis and magicians all being real things, something she has to instantly confront when she is given a weredragon as a roommate. Amari must compete against some of the nation’s wealthiest kids—who’ve known about the supernatural world their whole lives and are able to easily answer questions like which two Great Beasts reside in the Atlantic Ocean and how old is Merlin? Just getting around the Bureau is a lesson alone for Amari with signs like ‘Department of Hidden Places this way, or is it?’ If that all wasn’t enough, every Bureau trainee has a talent enhanced to supernatural levels to help them do their jobs – but Amari is given an illegal ability. As if she needed something else to make her stand out. With an evil magican threatening the whole supernatural world, and her own classmates thinking she is an enemy, Amari has never felt more alone. But if she doesn’t pass the three tryouts, she may never find out what happened to Quinton.

    She also happens to be the U.S. Marshals’ best bet to keep a family alive. . . .The marshals are looking for the perfect girl to join a mother, father, and son on the run from the nation’s most notorious criminals. After all, the bad guys are searching for a family with one kid, not two, and adding a streetwise girl who knows a little something about hiding things may be just what the marshals need.Nicki swears she can keep the Trevor family safe, but to do so she’ll have to dodge hitmen, cyberbullies, and the specter of standardized testing, all while maintaining her marshal-mandated B-minus average. As she barely balances the responsibilities of her new identity, Nicki learns that the biggest threats to her family’s security might not lurk on the road from New York to North Carolina, but rather in her own past.