Nine-year-old Alice Fenn communicates only through her music. Jonathan Fenn and his sister Judith guard a terrifying family secret. The servants refuse to discuss the mysterious disappearance of a former governess. A drawing room séance attempts to make contact with the spirit of Elizabeth Blackwood. And when a diabolic madman holds the residents of Blackwood Hall hostage to an insidious reign of terror, governess Claire Ashby finds herself in a living nightmare of drug addiction, pagan rituals, and murder. In the tradition of the great Gothic Romances, The Haunting at Blackwood Hall is a thrilling ghost story brimming with bold new twists on the beloved conventions of a bygone era: drawing room seances, rumors of witchcraft, phantom lights in the abbey ruins, mysterious piano music in the night, and plenty of inclement weather. Perfect reading for chilly autumn nights.

    For she sees the uninvited ones—ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother’s chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy’s older brother Billy in the Great War.Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her ‘uninvited guests’ begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold.

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    A woman tries to come to terms with repressed childhood memories while keeping the nightmare that has plagued her family for generations at bay.

    Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.Some have come to open the gates. Some have come to slam them shut.And now the dread night approaches – so let the Game begin.

      Doug and Laura Locke are New Yorkers who need a fresh start, so they move to Galaxy Farm, an old thoroughbred stable in Tennessee. There Doug finds inspiration to write his epic novel and Laura renews her love of teaching. They also rediscover the love that first drew them together.  But the home has many secrets. There’s a graveyard hidden at the property’s edge, and tragic deaths stalked the previous owners. Doug has become entranced by the abandoned taxidermy he discovers in the attic. And Laura falls under the spell of the ghosts of twin girls she meets in the old nursery. Only a local antiques dealer senses the danger. She has gruesome premonitions of horrible events to come. She knows she must convince Laura of the threat before the dark force in the house can execute its plan. But time is short, and something seems to be very wrong with Doug…

    In this stunning 40th Anniversary Edition, a desperate mother and two priests fight to free the soul of a little girl from a supernatural entity of pure malevolence.

    Perfect for fans of Stephen King, Dean Koontz, and Grady Hendrix. A one-way bus ticket to Florida offers Rodney the chance at a fresh start from his dead-end life in South Carolina. Unfortunately, somewhere along the ten-hour trek to Miami, the passengers are drugged, awakening to find themselves duct-taped to their seats and stranded in the middle of nowhere.Their captor reveals himself, informing them they’re participants in a game of survival. “The rules are simple,” he tells them. “Follow the flares to reach the safe zone. Make it there, and you live. Stay, and they will come tear you apart.”Chaos ensues, and one-by-one the passengers are picked off in their seats. Dying within their restraints. It’s a race against time, and those lucky enough to escape are forced to play the game, uncovering an impossible secret that has brought them together to face an ancient evil unlike anything they have ever known.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    . .Vowing to make a fresh start, Sarah McAdams has come home to renovate the old Victorian mansion where she grew up. Her daughters, Jade and Gracie, aren't impressed by the rundown property on the shores of Oregon's wild Columbia River. As soon as they pull up the isolated drive, Sarah too is beset by uneasy memories--of her cold, distant mother, of the half-sister who vanished without a trace, and of a long-ago night when Sarah was found on the widow's walk, feverish and delirious. Ever since the original mistress of the house plunged to her death almost a century ago, there have been rumors that the place is haunted. As a girl, Sarah sensed a presence there, and soon Gracie claims to see a lady in white running up the stairs. Still, Sarah has little time to dwell on ghost stories, between overseeing construction and dealing with the return of a man from her past. But there's a new, more urgent menace in the small town. One by one, teenage girls are disappearing. Frantic for her daughters' safety, Sarah feels her veneer cracking and the house's walls closing in on her again. Somewhere deep in her memory is the key to a very real and terrifying danger. And only by confronting her worst fears can she stop the nightmare roaring back to life once more. . .

    From acclaimed director Guillermo del Toro.

    But Triana sets out to resist Stefan, and the struggle thrusts them both into a terrifying supernatural realm.Violin flows abundant with the history, the drama, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best.Anne Rice is the author of eighteen books. She lives in New Orleans.

    But something equally ancient keeps watch. Its dark energy disturbs psychic Claire Vanarvi, compelling her to visit an archaeological dig taking place on the purportedly cursed estate of Skendleby Hall, now set to become a sprawling commercial development.Blinded by greed, the Hall's new owner and his political cronies are blissfully unaware of the terrible evil that lies beneath the surface and only Claire, who no one will believe, can see it coming.Now only the tenacious psychic and her accomplice - the local self-loathing, agnostic vicar - stand in the way of a force which could put an end to Skendleby and disturb the fabric of existence.Skendleby is a tale of Christmas haunting, greed, faith, love and horror mixed with a pinch of quantum strangeness.