In The Case for Jesus, Brant Pitre taps into the wells of Christian scripture, history, and tradition to ask and answer a number of different questions, including: If we don't know who wrote the Gospels, how can we trust them? How are the four Gospels different from other gospels, such as the lost gospel of "Q" and the Gospel of Thomas? How can the four Gospels be historically true when there are differences between them? How much faith should be put into these writings? As The Case for Jesus will show, recent discoveries in New Testament scholarship, as well as neglected evidence from ancient manuscripts and the early church fathers, together have the potential to pull the rug out from under a century of skepticism toward the apostolic authorship and historical truth of the traditional Gospels.

    The con man's mark was Hermann Goering, one of the most reviled leaders of Nazi Germany and a fanatic collector of art.It was an almost perfect crime. For seven years a no-account painter named Han van Meegeren managed to pass off his paintings as those of one of the most beloved and admired artists who ever lived. But, as Edward Dolnick reveals, the reason for the forger's success was not his artistic skill. Van Meegeren was a mediocre artist. His true genius lay in psychological manipulation, and he came within inches of fooling both the Nazis and the world. Instead, he landed in an Amsterdam court on trial for his life.ARTnews called Dolnick's previous book, the Edgar Award-winning The Rescue Artist, "the best book ever written on art crime." In The Forger's Spell, the stage is bigger, the stakes are higher, and the villains are blacker.

    It reviles her doctrines, mocks her moral teachings and invents lies about her history. In every age, but especially in our modern day, historians and political powers have distorted the facts about her past (or just made up novel falsehoods from scratch) to make the Church, and the civilization it fostered, seem corrupt, backward, or simply evil. In Seven Lies about Catholic History, Diane Moczar (Islam at the Gates) tackles the most infamous and prevalent historical myths about the Church popular legends that you encounter everywhere from textbooks to T.V. and reveals the real truth about them. She explains how they got started and why they're still around, and best of all, she gives you the facts and the arguments you need to set the record straight about The Inquisition: how it was not a bloodthirsty institution but a merciful (and necessary) one, Galileo's trial: why moderns invented a myth around it to make science appear incompatible with the Catholic faith (it's not), The Reformation: why the 16th-century Church was not totally corrupt (as even some Catholics wrongly believe), and how the reformers made things worse for everybody and other lies that the world uses to attack and discredit the Faith. Written in a brisk style that's fun and easy to read, Seven Lies about Catholic History provides the lessons that every Catholic needs in order to defend and explain not just apologize for the Church's rich and complex history.

    Outside her window, two nuns were discussing what they could write in her obituary that could possibly be of any interest, since the twenty-four-year-old nun had never done anything worth noting. Therese was pleased, for she had always kept a low profile. With the posthumous publication of her spiritual autobiography in 1898, however, that low profile would vanish instantly. She became one of the most beloved saints of all time, and her influence will expand dramatically because of Pope John Paul II's declaration that she is a Doctor of the Church. Amid growing interest in her writings comes the collected correspondence between her and a humble young seminarian, Maurice Belliere. Though they never met in person, they exchanged twenty-one letters that opened a window on the heart of Saint Therese that would have remained forever closed had Maurice not written to the Mother Superior at the convent asking for a nun to pray for him. The Mother Superior chose Therese, and in these conversational letters the Little Flower reveals herself in a way that we would never have known from her autobiography. In his accompanying text, Bishop Patrick Ahern expertly leads the reader into the worlds of Maurice and Therese and reveals the full beauty of this saint's spirituality.

     What exactly do people find so attractive about Pope Francis? There is something about him that captivates and delights people, even people who hardly know anything about him. Aldo Cagnoli, a layman who developed a friendship with the Pope when he was serving as a cardinal, shares the following: “The greatness of the man, in my humble opinion lies not in building walls or seeking refuge behind his wisdom and office, but rather in dealing with everyone judiciously, respectfully, and with humility, being willing to learn at any moment of life; that is what Father Bergoglio means to me.” This book uncovers the life of the 266th Bishop of Rome, Jorge Mario Bergoglio.

    John Clarke's acclaimed translation, first published in 1975, is now accepted as the standard throughout the English-speaking world.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In The Poisoner's Handbook Blum draws from highly original research to track the fascinating, perilous days when a pair of forensic scientists began their trailblazing chemical detective work, fighting to end an era when untraceable poisons offered an easy path to the perfect crime. Drama unfolds case by case as the heroes of The Poisoner's Handbook—chief medical examiner Charles Norris and toxicologist Alexander Gettler—investigate a family mysteriously stricken bald, Barnum and Bailey's Famous Blue Man, factory workers with crumbling bones, a diner serving poisoned pies, and many others. Each case presents a deadly new puzzle and Norris and Gettler work with a creativity that rivals that of the most imaginative murderer, creating revolutionary experiments to tease out even the wiliest compounds from human tissue. Yet in the tricky game of toxins, even science can't always be trusted, as proven when one of Gettler's experiments erroneously sets free a suburban housewife later nicknamed "America's Lucretia Borgia" to continue her nefarious work. From the vantage of Norris and Gettler's laboratory in the infamous Bellevue Hospital it becomes clear that killers aren't the only toxic threat to New Yorkers. Modern life has created a kind of poison playground, and danger lurks around every corner. Automobiles choke the city streets with carbon monoxide; potent compounds, such as morphine, can be found on store shelves in products ranging from pesticides to cosmetics. Prohibition incites a chemist's war between bootleggers and government chemists while in Gotham's crowded speakeasies each round of cocktails becomes a game of Russian roulette. Norris and Gettler triumph over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice during a remarkably deadly time. A beguiling concoction that is equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is a page-turning account of a forgotten New York.

    Two months later their severed heads were found in a tree; their bodies were never recovered.The village of Tibhirine had sprung up around the monastery because it was a holy place protected by the Virgin Mary, revered by Christians and Muslims alike. But napalm, helicopters, and gunfire had become regular accompaniments to the monastic routine as the violence engulfing Algeria drew closer to the isolated cloister high in the Atlas Mountains.

    Review"Beautifully written, deeply perceptive." -- Los Angeles Times "An absolutely fascinating book." --The Washington Post

    The tale seems to begin with buried treasure and then turns into an unprecedented historical detective story - a modern Grail quest leading back through cryptically coded parchments, secret societies, the Knights Templar, the Cathar heretics of the twelfth and thirteenth centuries and a dynasty of obscure French kings deposed more than 1,300 years ago. The author's conclusions are persuasive: at the core is not material riches but a secret - a secret of explosive and controversial proportions, which radiates out from the little Pyrenees village all the way to contemporary politics and the entire edifice of the Christian faith. It involves nothing less than... the Holy Grail.

    Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his career for the first time.Rising from humble roots as the son of an antiques dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid.In this memoir, Wittman relates the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation’s first African-American regiments.The breadth of Wittman’s exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow.By the FBI’s accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn’t important. After all, who’s to say what is worth more --a Rembrandt self-portrait or an American flag carried into battle? They're both priceless.The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners.  The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat.  The appraiser who stole countless heirlooms from war heroes’ descendants was a slick, aristocratic con man.  The museum janitor who made off with locks of George Washington's hair just wanted to make a few extra bucks, figuring no one would miss what he’d filched.In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.

    Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be.John Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed "bibliodick" (book dealer with a penchant for detective work) driven to catch him. Bartlett befriended both outlandish characters and found herself caught in the middle of efforts to recover hidden treasure. A cat-and-mouse chase that not only reveals exactly how Gilkey pulled off his dirtiest crimes, where he stashed the loot, and how Sanders ultimately caught him but also explores the romance of books, the lure to collect them, and the temptation to steal them. Bartlett looks at the history of book passion, collection, and theft through the ages, to examine the craving that makes some people willing to stop at nothing to possess the books they love.

    Arguably the most brilliant theologian ever born on American soil, Edwards (1703–1758) was also a pastor, a renowned preacher, a missionary to the Native Americans, a biographer, a college president, a philosopher, a loving husband, and the father of eleven children.George M. Marsden -- widely acclaimed for his magisterial large study of Edwards -- has now written a new, shorter biography of this many-sided, remarkable man. A Short Life of Jonathan Edwards is not an abridgment of Marsden's earlier award-winning study but is instead a completely new narrative based on his extensive research. The result is a concise, fresh retelling of the Edwards story, rich in scholarship yet compelling and readable for a much wider audience, including students.Known best for his famous sermon “Sinners in the Hands of an Angry God,” Jonathan Edwards is often viewed as a proponent of fire, brimstone, and the wrath of God. As Marsden shows, however, the focus of Edwards's preaching was not God's wrath but rather his overwhelming and all-encompassing love. Marsden also rescues Edwards from the high realms of intellectual history, revealing him more comprehensively through the lens of his everyday life and interactions. Further, Marsden shows how Edwards provides a window on the fascinating and often dangerous world of the American colonies in the decades before the American Revolution.Marsden here gives us an Edwards who illumines both American history and Christian theology, an Edwards that will appeal to readers with little or no training in either field. This short life will contribute significantly to the widespread and growing interest in Jonathan Edwards.

    While the "war of chaos" rages in the skies above London, an unending fight against violence, murder and the criminal underworld continues on the streets below. One ordinary day, in an ordinary courtroom, forensic pathologist Dr. Keith Simpson asks a keen young journalist to be his secretary. Although the "horrors of secretarial work" don't appeal to Molly Lefebure, she's intrigued to know exactly what goes on behind a mortuary door. Capable and curious, "Miss Molly" quickly becomes indispensible to Dr. Simpson as he meticulously pursues the truth. Accompanying him from somber morgues to London's most gruesome crime scenes, Molly observes and assists as he uncovers the dark secrets that all murder victims keep. With a sharp sense of humor and a rebellious spirit, Molly tells her own remarkable true story here with warmth and wit, painting a vivid portrait of wartime London.