Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they've learned the hard way.From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that's resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their HBO series Togetherness--namely, too much togetherness.But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other's strengths. They're not afraid to call each other out, because they're also not afraid to compromise. Most relationships aren't--and frankly shouldn't be--as intense as Mark and Jay's, but their brand of trust, validation, and healthy disagreement has taken them far.Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves."Wright. Ringling. Jonas. I'm sure you could name a bunch of famous brother teams. They're all garbage compared to Mark and Jay. I can't wait for you to read this book."--from the foreword by Mindy Kaling

    From early obsessions with the March sisters to her later idolization of Sylvia Plath, Ellis evaluates how her heroines stack up today. And, just as she excavates the stories of her favorite characters, Ellis also shares a frank, often humorous account of her own life growing up in a tight-knit Iraqi Jewish community in London. Here a life-long reader explores how heroines shape all our lives.

    With a brief history of the whole universe, you’ll be left scratching your head and gazing up in absolute wonder.Everything you thought you could never understand about the universe is explained in plain-old filthy English. Giving you a little taste of the glorious reality you inhabit by providing an introduction to some of the incredible stuff out there.Over 50 chapters on subjects including:What actually happened during the big bangblack holestime travelthe degenerate astronomer who drank all night and died from holding his bladder… and also lost his nose in a duel the things you take for granted until you really think about them; like matter – what the fuck is all this shit that we are?Space is Cool as Fuck features more than 100 wild artworks, photographs and illustrations from 40 international young artists curated by brilliant designer Cynthia Larenas. From hand-picked unknowns like Kate Kurucz and Adrian du P.B. through up-and-comers like Aida Azin, Waiton Fong and Cal Sinadinovic, to the more established Kareena Zerefos, Chrissie Abbot, Uno Moralez, Regan Tanamui (Ha Ha) and Marina Zumi, each artist brings their own aesthetic to the majesty and wonder of space giving the book its exquisitely eclectic style.For more information on Lost the Plot, visit ltpbooks.com

    And yet the questions about him remain the same: Who is he? Why does he act the way he does? What motivates him to fight evil across space and time?The Doctors Are In is a guide to television’s most beloved time traveller from the authors of Who Is The Doctor and Who’s 50. This is a guide to the Doctor himself — who he is in his myriad forms, how he came to be, how he has changed (within the program itself and behind the scenes) . . . and why he’s a hero to millions.

    Whether you pursue traditional or indie publishing success, you need to know the pitfalls and traps that undermine many writers' careers. In this WMG Writer's Guide, USA Today bestselling author and former publisher Dean Wesley Smith addresses the ten most damaging myths that writers believe in modern publishing. Topics Include: Right vs. Wrong Writing Speed Rewriting Agents Books as Events Quality Writing to Trends Making Money Writing is Hard Career Killers

    Helen Macdonald's bestselling debut H is for Hawk brought the astonishing story of her relationship with goshawk Mabel to global critical acclaim and announced Macdonald as one of this century's most important and insightful nature writers. H is for Hawk won the Samuel Johnson Prize for Nonfiction and the Costa Book Award, and was a finalist for the National Book Critics Circle Award and the Kirkus Prize for Nonfiction, launching poet and falconer Macdonald as our preeminent nature essayist, with a semi-regular column in the New York Times Magazine.In Vesper Flights Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing songbirds from the Empire State Building as they migrate through the Tribute of Light, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk's poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds' nests, and the unexpected guidance and comfort we find when watching wildlife. By one of this century's most important and insightful nature writers, Vesper Flights is a captivating and foundational book about observation, fascination, time, memory, love and loss and how we make sense of the world around us.

    In this dazzling collection of essays, skillfully constructed and brimming with emotion, she shares her thoughts on the joys and vagaries of modern-day womanhood and motherhood, introduces the not-quite-typical family that made her who she is, and persuasively argues that lowbrow pop culture is the perfect lens through which to understand human nature.Whether she’s extolling the virtues of eating in bed, processing the humiliation over her father’s late in life perm, or exploring her pathological need to be liked, Casey is witty, candid, and full of poignant and funny surprises. Humorous dives into her obsessions and areas of personal expertise—Scientology and self-help, nice guys, reality television shows—are matched by touching meditations on female friendship, grief, motherhood, and identity. Reading The Wreckage of My Presence is like spending time with a close friend—a deeply passionate, full-tilt, joyous, excessive, compulsive, shameless, hungry-for-it-all, loyal, cheerleading friend. A friend who is ready for any big feeling that comes her way and isn’t afraid to embrace it.Bed person --The wreckage of my presence --To all the boys I loved before --Cool girl --A saber story --Send in the clowns --Flyentology --Hide your phones --Expect a miracle --Hiked out --The BBQ --Tears of a clown --Happy endings --My husband's just not that into me; or Afrin: a love story --Grandpa's pretty girl --It doesn't do --What dis --Open-door policy --Mother's day --People don't know how to act --Gimme some sugar; or, the wreckage of my presence redux

    But it is also a terrifically engrossing exploration and exploitation of self-reflection, self-absorption, full-blown narcissism, and the impulse to write about oneself. In a world awash with memoirs and tell-alls, Shields has created something unique: he invites the reader into his mind as he turns his life into a narrative. With moving and often hilarious candor, Shields ruminates on a variety of subjects, all while exploring the impulse to confess, to use oneself as an autobiographical subject, to make one's life into a work of art.Shields explores the connections between fiction and nonfiction, stuttering and writing, literary forms and literary contents, art and life; he confronts bad reviews of his earlier books; he examines why he read a college girlfriend's journal; he raids a wide range of cultural figures (from Rousseau, Nabokov, and Salinger to Bill Murray, Adam Sandler, and Bobby Knight) for what they have to tell him about himself; he quotes a speech he wrote on the occasion of his father's ninetieth birthday and then gives us the guilt-induced dream he had when he failed to deliver the speech; he also writes about basketball and sexuality and Los Angeles and Seattle, but he is always meditating on the origins of his interest in autobiography, on the limits and appeals of autobiography, on the traps and strategies of it, and finally, how to use it to get to the world.The result is a collection of poetically charged self-reflections that reveal deep truths about ourselves as well.

    To get a truly random sample of players, Balukjian followed this wildly absurd but fun-as-hell premise: he took a single pack of baseball cards from 1986 (the first year he collected cards), opened it, chewed the nearly thirty-year-old gum inside, gagged, and then embarked on a quest to find all the players in the pack. Absurd, maybe, but true. He took this trip solo in the summer of 2015, spanning 11,341 miles through thirty states in forty-eight days. Balukjian actively engaged with his subjects—taking a hitting lesson from Rance Mulliniks, watching kung fu movies with Garry Templeton, and going to the zoo with Don Carman. In the process of finding all the players but one, he discovered an astonishing range of experiences and untold stories in their post-baseball lives, and he realized that we all have more in common with ballplayers than we think. While crisscrossing the country, Balukjian retraced his own past, reconnecting with lost loves and coming to terms with his lifelong battle with obsessive-compulsive disorder. Alternately elegiac and uplifting, The Wax Pack is part baseball nostalgia, part road trip travelogue, and all heart, a reminder that greatness is not found in the stats on the backs of baseball cards but in the personal stories of the men on the front of them.

    From a disastrous Putt-Putt date involving a backward prosthetic foot, to his introduction to CFD (Close Fast Dancing), to a misguided "grand gesture" at a Miss America pageant, this story is about looking for love--or at least a girlfriend--in all the wrong places.

    Whether puncturing the lies of politicians, wittily dissecting the English character or telling unpalatable truths about war, Orwell's timeless, uncompromising essays are more relevant, entertaining and essential than ever in today's era of spin.Contents:"Why I Write", first published 1946"The Lion and the Unicorn", first published 1940"A Hanging", first published 1931"Politics and the English Language", first published 1946

    When it comes to writing, there's no wrong way to get words on paper. But it's not always easy to make the ink flow. Paper Hearts: Some Writing Advice won't make writing any simpler, but it may help spark your imagination and get your hands back on the keyboard.Practical Advice Meets Real ExperienceWith information that takes you from common mistakes in grammar to detailed charts on story structure, Paper Hearts describes:• How to Develop Character, Plot, and World• What Common Advice You Should Ignore• What Advice Actually Helps• How to Develop a Novel• The Basics of Grammar, Style, and Tone • Four Practical Methods of Charting Story Structure• How to Get Critiques and Revise Your Novel• How to Deal with Failure• And much more!BONUS! More than 25 "What to do if" scenarios to help writers navigate problems in writing from a New York Times Bestselling author who's written more than 2 million words of fiction.

    We’re all being swept along by a tidal wave of history, and it’s easy to feel helpless. But we’re not helpless: we have minds, and imaginations, and the ability to visualize other worlds and valiant struggles. And writing can be an act of resistance that reminds us that other futures and other ways of living are possible.Full of memoir, personal anecdote, and insight about how to flourish during the present emergency, Never Say You Can’t Survive is the perfect manual for creativity in unprecedented times.

    Body hair removal cream. Boobs. It’s all weird, but also pretty normal.Navigating racial identity, gender roles, workplace dynamics, and beauty standards, Mia Mercado's hilarious essay collection explores the contradictions of being a millennial woman, which usually means being kind of a weirdo. Whether it’s spending $30 on a candle that smells like an ocean that doesn’t exist, offering advice on how to ask about someone’s race (spoiler: just don’t, please?), quitting a job that makes you need shots of whiskey on your lunch break, or finding a more religious experience in the skincare aisle at Target than your hometown Catholic church, Mia brilliantly unpacks what it means to be a professional, absurdly beautiful, horny, cute, gross human. Essays include:•     Depression Isn’t a Competition but Why Aren’t I Winning?•     My Dog Explains My Weekly Schedule•     Mustache Lady•     White Friend Confessional•     Treating Objects Like WomenWith sharp humor and wit, Mia shares the awkward, uncomfortable, surprisingly ordinary parts of life, and shows us why it’s strange to feel fine and fine to feel strange.

    Show, Breaking Bad, Better Call Saul, and Nobody opens up about the highs and lows of showbiz, his legendary cult status as a comedy writer, and what it's like to reinvent himself as a no-holds-barred action film ass-kicker at fifty. Bob Odenkirk's career is inexplicable. And yet he will try like hell to explain it here, because that is what memoirs are for. Charting a "Homeric" decades-long "Odyssey" from his origins in the seedy comedy clubs of Chicago all the way to a dramatic career that is baffling to his friends, it's almost like there are two or three Bob Odenkirks...but there is just one and one is enough, frankly. Bob embraced a life in comedy after a chance meeting with Second City's legendary Del Close, which eventually led to a job as a writer at SNL. As he weathered the beast that is live comedy, he stashed away the secrets of sketch writing--employing them in the immortal "Motivational Speaker" sketch for his friend Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show With Bob and David, which inspired an entire generation of comedy writers and stars. Then his career met the hope-dashing machine that is Hollywood development. But when all hope was lost for the umpteenth time, Bob was more astonished than anyone to find himself on Breaking Bad. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, until finally re-re-inventing himself as a bona-fide worldwide action star for reasons that even he does not fully grasp! Read this and do your own psychoanalysis--it's fun!Throughout Bob's travels, his memoir preserves the voice he cultivated from years of comedy writing. Featuring humorous tangents, joyful interludes, never-before-seen photos, wild characters from his winding career, and his trademark upbeat but unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale--and a moving story about what it's like to risk everything you think you know to make a change.