She has left her job as a receptionist at a veterinary clinic, has published successful books and is courted by Hollywood, left Chicago, and moved into a house with a garden that requires repairs and know-how with her wife and two step-children in a small white, Republican town in Michigan where she now hosts book clubs. This is the bourgeois life of dreams. She goes on bad dates with new friends, spends weeks in Los Angeles taking meetings with "skinny, luminous peoples" while being a "cheese fry-eating slightly damp Midwest person," "with neck pain and no cartilage in [her] knees," and hides Entenmann's cookies under her bed and unopened bills under her pillow.Into the gross --Girls gone mild --Hung up! --Late-1900s time capsule --Love and marriage --Are you familiar with my work? --Hysterical! --Lesbian bed death --Body negativity --Country crock --A guide to simple home repairs --We almost got a fucking dog --Detachment parenting --Season 1, episode 1 --Hollywood summer --$$$ --Hello, 911? --An extremely specific guide to publishing a book

     Join Dana Schwartz on a journey revisiting all of the awful choices she made in her early twenties through the internet's favorite method of self-knowledge: the quiz. Part-memoir, part-VERY long personality test, Choose Your Own Disaster is a manifesto about the millennial experience and modern feminism and how the easy advice of "you can be anything you want!" is actually pretty fucking difficult when there are so many possible versions of yourself it seems like you could be. Dana has no idea who she is, but at least she knows she's a Carrie, a Ravenclaw, a Raphael, a Belle, a former emo kid, a Twitter addict, and a millennial just trying her best. This long-form personality quiz manages to combine humor with unflinching honesty as one young woman tries to find herself amid the many, many choices that your twenties have to offer.

    A college track star and budding entomologist, Nnedi’s lifelong battle with scoliosis was just a bump in her plan—something a simple operation would easily correct. But when Nnedi wakes from the surgery to find she can’t move her legs, her entire sense of self begins to waver. Confined to a hospital bed for months, unusual things begin to happen. Psychedelic bugs crawl her hospital walls; strange dreams visit her nightly. Nnedi begins to put these experiences into writing, conjuring up strange, fantastical stories. What Nnedi discovers during her confinement would prove to be the key to her life as a successful science fiction author: In science fiction, when something breaks, something greater often emerges from the cracks.In Broken Places & Outer Spaces, Nnedi takes the reader on a journey from her hospital bed deep into her memories, from her painful first experiences with racism as a child in Chicago to her powerful visits to her parents’ hometown in Nigeria. From Frida Kahlo to Mary Shelly, she examines great artists and writers who have pushed through their limitations, using hardship to fuel their work. Through these compelling stories and her own, Nnedi reveals a universal truth: What we perceive as limitations have the potential to become our greatest strengths—far greater than when we were unbroken.A guidebook for anyone eager to understand how their limitations might actually be used as a creative springboard, Broken Places & Outer Spaces is an inspiring look at how to open up new windows in your mind.

    Not one boyfriend. Not one short-term dating situation. Not one person with whom I regularly hung out and kissed on the face."So begins Katie Heaney's memoir of her years spent looking for love, but never quite finding it. By age 25, equipped with a college degree, a load of friends, and a happy family life, she still has never had a boyfriend ... and she's barely even been on a second date.Throughout this laugh-out-loud funny book, you will meet Katie's loyal group of girlfriends, including flirtatious and outgoing Rylee, the wild child to Katie's shrinking violet, as well as a whole roster of Katie's ill-fated crushes. And you will get to know Katie herself -- a smart, modern heroine relaying truths about everything from the subtleties of a Facebook message exchange to the fact that "Everybody who works in a coffee shop is at least a little bit hot."Funny, relatable, and inspiring, this is a memoir for anyone who has ever struggled to find love, but has also had a lot of fun in the process.

    This collection collects what he wrote under those conditions. He writes in a conversational voice, but he is impassioned, persuasive, abusive and hilarious by turns.

    This dramatisation of the last three books, Life, The Universe And Everything; So Long And Thanks For All The Fish and Mostly Harmless, features Douglas Adams himself, thanks to the wonders of digital technology, and includes new material written by him specially for the radio sequels. The original Hitchhiker's radio cast is returning; Simon Jones as Arthur Dent, Geoffrey McGivern as Ford Prefect, Susan Sheridan as Trillian, Mark Wing-davey as Zaphod Beeblebrox and Stephen Moore as Marvin The Paranoid Android. The late Peter Jones's great friend, William Franklyn, replaces him as The Voice Of The Book. Also involved are famous names such as Joanna Lumley, Richard Griffiths, Chris Langham, Fred Trueman and Henry Blofeld. The shows will be broadcast in two series in Sept. 2004 and spring 2005.

    From her unnerving depiction of sexual assault in "Me and a Gun" to her post-9/11 album Scarlet's Walk to her latest album Native Invader, her work has never shied away from intermingling the personal with the political.Amos began playing piano as a teenager for the politically powerful at hotel bars in Washington, D.C., during the formative years of the post-Goldwater and then Koch-led Libertarian and Reaganite movements. The story continues to her time as a hungry artist in L.A. to the subsequent three decades of her formidable music career. Amos explains how she managed to create meaningful, politically resonant work against patriarchal power structures-and how her proud declarations of feminism and her fight for the marginalized always proved to be her guiding light. She teaches readers to engage with intention in this tumultuous global climate and speaks directly to supporters of #MeToo and #TimesUp, as well as young people fighting for their rights and visibility in the world.Filled with compassionate guidance and actionable advice-and using some of the most powerful, political songs in Amos's canon-this book is for readers determined to steer the world back in the right direction.

    Steven, in contrast, has followed the philosophy of “quit everything until you find something you don’t want to quit,” and has spent over fifteen years as a contract employee, a demographic that has come to make up 2 percent of the nation’s work force. Now for the Disappointing Part is the first collection of essays written for the temp workers of the millennial generation—those who, by choice or circumstance, delay or abandon plans for long-term careers for the variety (and anxiety) of contract work.Funny, insightful, and sometimes shocking, Barker details his life moving from job to job as his contracts expire. He faces abuse as an account manager at Amazon when callers assume he’s in India. He learns about office politics at a nonprofit. And he attends an open call at UPS for holiday help. The chapters explore issues ranging from financial instability to how gender and race play into the workforce to the (often poor) treatment temporary employees receive compared to full-time employees performing the same job. Throughout Barker also reveals his parallel relationships with women, which, like the jobs he works, appear to have predetermined expiration dates.Now for the Disappointing Part is more than the stories of a man who thinks life is too short to spend forty hours a week doing something you hate. It will resonate with a generation of people who are struggling to find work, stability, and happiness, and are afraid of losing all of them.

    Scott Fitzgerald's writing career, beginning with the autobiographical essay called "Who's Who - and Why," which he wrote for The Saturday Evening Post in 1920, and ending with "News of Paris - Fifteen Years Ago," a story found among Fitzgerald's papers, apparently written in 1940, and posthumously published in Furioso. Here, clearly, is a book to be read both for the enjoyment of good writing, and for its illumination of an important figure in American letters. To supplement the reader's own insight into Fitzgerald's art, Arthur Mizener, author of the highly successful biography of Fitzgerald, The Far Side of Paradise, provides a revealing introduction and pertinent notes heading each selection.

    The pieces range from long meditations on topics like loneliness and being an outsider, to short humor pieces, conversations, and memorable one-liners.Jonny's honest writings about his struggles with feeling productive, as well as his difficulties with anxiety and depression will connect deeply with his fans as well as anyone attempting to create in our chaotic world. It also features a recipe for scrambled eggs that might make you cry.

    I'm a writer by trade and a road warrior by heart. Neither of these things are wise career or life choices. The tolls add up.Over the last twenty years, things have changed. Book tours have changed, publishing has changed, bookselling has changed, conventions have changed, horror fiction—and the horror genre—have changed. I've changed, too.The only things that haven't changed are writing and the road. They stay the same. The words we type today are the past tomorrow. Everything is connected like the highways on a map are connected. This holds true for the history of our genre, as well.I rode into town twenty years ago. Now I'm riding out. You're all coming with me..."So begins Brian Keene's End of the Road—a memoir, travelogue, and post-Danse Macabre examination of modern horror fiction, the people who write it, and the world they live—and die—in. Exhilarating, emotional, heartfelt, and at times hilarious, End of the Road is a must-read for fans of the horror genre. Introduction by Gabino Iglesias.

    The science fiction/fantasy anthology ALTERED PERCEPTIONS, is kind of like a bonus DVD full of deleted scenes and alternate versions of some of your favorite authors’ books.Ally Condie: the foreword; Dan Wells the introduction; Annette Lyon: An unpublished chapter from her retelling of the Finnish fairy tale, THE KALEVALA; Aprilynne Pike: TBA; Brandon Mull: Deleted scenes from BEYONDERS 2; Brandon Sanderson: five completely rewritten chapters from THE WAY OF KINGS, where Kaladin makes the opposite choice of what he makes in the published novel; Bree Despain: an alternate ending to THE LOST SAINT, and an alternate beginning to THE SHADOW PRINCE; Brodi Ashton: the first chapter from her YA novel about an unwilling alien fighter who has to rescue the boy she loves; Claudia Gray: a deleted scene from A THOUSAND PIECES OF YOU; Dan Wells: the original John Cleaver free-write that inspired I AM NOT A SERIAL KILLER; Erin Bowman: a deleted scene from TAKEN; Howard Tayler: a creative non-fiction story about life with mental illness; J Scott Savage: three original chapters that led to writing FARWORLD; Jennifer Moore: a deleted scene from BECOMING LADY LOCKWOOD; Jessica Day George: a deleted scene from PRINCESS OF GLASS, where the main character plays poker with a witch; Josi Kilpack: the original opening scene to TRES LECHES CUPCAKE; Kiersten White: an original short story, set in a dystopian, sci-fi world; Larry Correia: a deleted fight scene from SWORDS OF EXODUS; Lauren Oliver: two deleted scenes from PANDEMONIUM, plus a hilarious scene about the plotting process; Luisa Perkins: a short story, “Seeing Red”–a modern-day retelling of Little Red Riding Hood; Mary Robinette Kowal: deleted scene from VALOUR AND VANITY (the scene was cut because readers thought the scene was trying to depict depression); Nancy Allen: bonus scene from BEAUTY AND THE CLOCKWORK BEAST; Robison Wells: an epilogue to FEEDBACK and the VARIANT duology; Sandra Tayler: a creative non-fiction piece called “Married To Depression”; Sara Zarr: a story featuring characters from one of Sara’s previously published novels; Sarah Eden: “Farewells” for LONGING FOR HOPE and HOPE SPRINGS; Seanan McGuire: The original opening for DISCOUNT ARMAGEDDON; Shannon Hale: ”Ravenous,” a previously unpublished scifi short story; SJ Kincaid: the original first chapter of VORTEX, before it was entirely rewritten

    In the fall of 2012, she went through a harrowing cycle of panic attacks and dread that wouldn't abate for months. So she began @sosadtoday, an anonymous Twitter feed that allowed her to express her darkest feelings, and which quickly gained a dedicated following. In So Sad Today, Broder delves deeper into the existential themes she explores on Twitter, grappling with sex, death, love, low self-esteem, addiction, and the drama of waiting for the universe to text you back. With insights as sharp as her humor, Broder explores—in prose that is both gutsy and beautiful, aggressively colloquial and achingly poetic—questions most of us are afraid to even acknowledge, let alone answer, in order to discover what it really means to be a person in this modern world.

    Funny, provocative and shot through with refreshing amounts of common sense, Thinking About It Only Makes It Worse celebrates and commiserates on the state of things in our not entirely glorious nation.

    We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall.In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal--either physically or metaphorically--what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views--geography and perspective, location and voice--resonate with and play off each other.Working from a series of meticulous photographs and other notes from authors' homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli's work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli's body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review's editor Lorin Stein. As we delve into what each writer's view may or may not share with the others', as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape.Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.