Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.

    With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis' rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow escapes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. And through it all we are witness to workings of a uniquely brilliant mind struggling to create a language that will express his experience of this shattered world. Here is a remarkable story of survival and determination, and a portrait of the extremes of human experience alchemized into timeless art.

    For readers of The Nightingale, Lilac Girls, and Sarah's Key.Austria, 1938.Kristoff is a young apprentice to a master Jewish stamp engraver. When his teacher disappears during Kristallnacht, Kristoff is forced to engrave stamps for the Germans, and simultaneously works alongside Elena, his beloved teacher's fiery daughter, and with the Austrian resistance to send underground messages and forge papers. As he falls for Elena amidst the brutal chaos of war, Kristoff must find a way to save her, and himself. Los Angeles, 1989. Katie Nelson is going through a divorce and while cleaning out her house and life in the aftermath, she comes across the stamp collection of her father, who recently went into a nursing home. When an appraiser, Benjamin, discovers an unusual World War II-era Austrian stamp placed on an old love letter as he goes through her dad's collection, Katie and Benjamin are sent on a journey together that will uncover a story of passion and tragedy spanning decades and continents, behind the just fallen Berlin Wall. A beautiful, poignant and devastating novel, The Lost Letter shows the lasting power of love.

    Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this ‘minor detail’ of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience of dispossession, life under occupation, and the persistent difficulty of piecing together a narrative in the face of ongoing erasure and disempowerment.

    A hymn to the glorious landscape of the Welsh border territories and a portrait of a community under siege.1944. After the fall of Russia and the failed D-Day landings, a German counterattack lands on British soil. Within a month, half of Britain is occupied. The seat of British government has fled to Worcester, Churchill to Canada. A network of British resistance cells is all that is left to defy the German army.Against this backdrop, Resistance opens with Sarah Lewis, a twenty-six-year-old farmer's wife, waking to find her husband, Tom, has disappeared. She is not alone, as all the other women in the Welsh border valley of Olchon wake to find their husbands gone. With this sudden and unexplained absence, the women regroup as an isolated, all-female community and wait, hoping for news.Later, a German patrol arrives in the valley, the purpose of their mission a mystery. When a severe winter forces the two groups together, a fragile mutual dependency develops. Sarah begins a faltering acquaintance with the patrol’s commanding officer, Albrecht Wolfram, and it is to her that he reveals the purpose of the patrol. But as the pressure of the war beyond presses in on this isolated community, this fragile state of harmony is increasingly threatened. Imbued with immense imaginative breadth and confidence, Owen Sheers's debut novel unfolds with the pace and intensity of a thriller. A hymn to the glorious landscape of the Welsh border territories and a portrait of a community under siege, Resistance is a first novel of grace and power.

    Mugezi's hard-won observations form a cri de coeur for a people shaped by untold losses.

    At its center is the “bastard” of the title, Asya, a nineteen-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul: Zehila, the zestful, headstrong youngest sister who runs a tattoo parlor and is Asya’s mother; Banu, who has newly discovered herself as a clairvoyant; Cevriye, a widowed high school teacher; and Feride, a hypochondriac obsessed with impending disaster. Their one estranged brother lives in Arizona with his wife and her Armenian daughter, Armanoush. When Armanoush secretly flies to Istanbul in search of her identity, she finds the Kazanci sisters and becomes fast friends with Asya. A secret is uncovered that links the two families and ties them to the 1915 Armenian deportations and massacres. Full of vigorous, unforgettable female characters, The Bastard of Istanbul is a bold, powerful tale that will confirm Shafak as a rising star of international fiction.

    His mother’s question haunts every choice. Are you a stupid or a clever? Will you find a way to lift your family out of Johannesburg’s poor inner city, to buy a house in the suburbs, to bring your aunts and cousins from Lithuania? Isaac’s mother is a strong woman and a scarred woman; her maimed face taunts him with a past no one will discuss. As World War II approaches, then falls upon them, they hurtle toward a catastrophic reckoning. Isaac must make decisions that, at first, only seem to be life-or-death, then actually are.Meanwhile, South Africa’s history, bound up with Europe’s but inflected with its own accents—Afrikaans, Zulu, Yiddish, English—begins to unravel. Isaac’s vibrant, working-class, Jewish neighborhood lies near the African slums; under cover of night, the slums are razed, the residents forced off to townships. Isaac’s fortune-seeking takes him to the privileged seclusion of the Johannesburg suburbs, where he will court forbidden love. It partners him with the unlucky, unsinkable Hugo Bleznick, selling miracle products to suspicious farmers. And it leads him into a feud with a grayshirt Afrikaaner who insidiously undermines him in the auto shop, where Isaac has found the only work that ever felt true. And then his mother’s secret, long carefully guarded, takes them to the diamond mines, where everything is covered in a thin, metallic dust, where lions wait among desert rocks, and where Isaac will begin to learn the bittersweet reality of success bought at truly any cost.A thrilling ride through the life of one fumbling young hero, The Lion Seeker is a glorious reinvention of the classic family and coming-of-age sagas. We are caught — hearts open and wrecked — between the urgent ambitions of a mother who knows what it takes to survive and a son straining against the responsibilities of the old world, even as he is endowed with the freedoms of the new.

    Godless, fatherless, divorced, and childless, Aaliya is her family’s "unnecessary appendage.” Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated have never been read—by anyone. After overhearing her neighbors, "the three witches,” discussing her too-white hair, Aaliya accidentally dyes her hair too blue.In this breathtaking portrait of a reclusive woman’s late-life crisis, readers follow Aaliya’s digressive mind as it ricochets across visions of past and present Beirut. Insightful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya’s volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left.A love letter to literature and its power to define who we are, the gifted Rabih Alameddine has given us a nuanced rendering of a single woman's reclusive life in the Middle East.

    When shy, single Natasha discovers that her star student, Oz, is not only descended from the warrior but also possesses Shamil’s priceless sword, the Imam’s story comes vividly to life. As Natasha’s relationship with Oz and his alluring actress mother intensifies, Natasha is forced to confront issues she had long tried to avoid—that of her Muslim heritage. When Oz is suddenly arrested at his home one morning, Natasha realizes that everything she values stands in jeopardy.Told with Aboulela’s inimitable elegance and narrated from the point of view of both Natasha and the historical characters she is researching, The Kindness of Enemies is both an engrossing story of a provocative period in history and an important examination of what it is to be a Muslim in a post 9/11 world.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    But patriotism trumps passion, leaving La to worry if her life will always be "a play in which I have no real part." In McCall-Smith's quintessentially English world, perserverance, pots of tea and the power of music will show the way.(Ellen Shapiro for People magazine)

    At its heart is one day in a Japanese slave labour camp in August 1943. As the day builds to its horrific climax, Dorrigo Evans battles and fails in his quest to save the lives of his fellow POWs, a man is killed for no reason, and a love story unfolds.

    After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, spend day and night hidden in a farmer's barn. Forbidden from making a sound, only the yellow bird from her mother's stories can sing the melodies Shira composes in her head.Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language. But then the day comes when their haven is no longer safe, and Roza must face an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go . . . The Yellow Bird Sings is a powerfully gripping and deeply moving novel about the unbreakable bond between parent and child and the triumph of humanity and hope in even the darkest circumstances.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.