At the center of the tale is Danny, whose house, like Arthur's castle, becomes a gathering place for men looking for adventure, camaraderie, and a sense of belonging. These "knights" are paisanos, men of mixed heritage, whose ancestors settled California hundreds of years before. Free of ties to jobs and other complications of the American way of life, they fiercely resist the corrupting tide of honest toil in the surrounding ocean of civil rectitude.As Steinbeck chronicles their deeds--their multiple loves, their wonderful brawls, their Rabelaisian wine-drinking--he spins a tale as compelling and ultimately as touched by sorrow as the famous legends of the Round Table, which inspired him.

    After a troubled adolescence and subsequent estrangement from her parents, Shiloh has finally come home. But while Lyle is thrilled to have his whole family reunited, he’s also uneasy: in Shiloh’s absence, she has become deeply involved with an extremist church, and the devout pastor courting her is convinced Isaac has the spiritual ability to heal the sick.While reckoning with his own faith—or lack thereof—Lyle soon finds himself torn between his unease about the church and his desire to keep his daughter and grandson in his life. But when the church’s radical belief system threatens Isaac’s safety, Lyle is forced to make a decision from which the family may not recover.  Set over the course of one year and beautifully evoking the change of seasons, Little Faith is a powerful and deeply affecting intergenerational novel about family and community, the ways in which belief is both formed and shaken, and the lengths we go to protect our own.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

    . . I have wondered sometimes if it would not finally turn out to be a book about Hell." It is 1932 and he has returned to his native Port William to become the town's barber.Orphaned at age ten, Jayber Crow's acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek."You have been given questions to which you cannot be given answers. You will have to live them out--perhaps a little at a time.""And how long is that going to take?""I don't know. As long as you live, perhaps.""That could be a long time.""I will tell you a further mystery," he said. "It may take longer."Wendell Berry's clear-sighted depiction of humanity's gifts--love and loss, joy and despair--is seen though his intimate knowledge of the Port William Membership.

    Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters–old men, witches, and families among them–who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairy tale while exploring the classic Southern themes of good and evil.

    Desperate to escape, the two teenagers embark on a perilous journey back to England to the safety of their grandparents.But there are eyes everywhere.Luke and Christine band together with fugitive Allied airmen, thinking they will keep them safe and help them on their treacherous journey.But their new partnership could be putting them in more danger than they realize. Especially when there are hostile forces at work determined to scupper any plans to get the teenagers and airmen safely back to England.With secret operations mounting against the enemy, there is one path which remains unguarded: a risky escape route via the canals.Luke and Christine take refuge on a canal barge and find themselves immersed in the complex Operation Kingfisher.Can two teenagers make it across occupied France in one piece? Or will betrayal put them and the lives of others at great risk?

    Secrets that will destroy far more than one small town.Wendy Davidson is caught in the middle. She's a recovering cult survivor who takes refuge in Summerville on her way to visit her estranged mother. And with her, four strangers, any of whom could be the next victim . . . or the killer.

    Jen Covington, the career nurse whose long, painful journey to motherhood finally resulted in adoption but she is struggling with a happily-ever-after so much harder than she anticipated. Twenty-two-year-old Anaya Jones--the first woman in her family to graduate college and a brand new teacher at Crystal Ridge's top elementary school, unprepared for the powder-keg situation she's stepped into. Tensions rise within and without, culminating in an unforeseen event that impacts them all.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    In this kingdom, called Chiveis, snowcapped mountains provide protection, and fields and livestock provide food. The people live medieval-style lives, with almost no knowledge of the "ancient" world. Safe in their natural stronghold, the Chiveisi have everything they need, even their own religion. Christianity has been forgotten--until a young army scout comes across a strange book.With that discovery, this work of speculative fiction takes readers on a journey that encompasses adventure, romance, and the revelation of the one true God. Through compelling narrative and powerful character development, The Sword speaks to God's goodness, his refusal to tolerate sin, man's need to bow before him, and the eternality and power of his Word. Fantasy and adventure readers will be hooked by this first book in a forthcoming trilogy.

    Her arrival, fervently anticipated and conceived in part by gypsy tonics and archaic prescriptions, stuns her parents and brings outrage and disgust from her community. Pavla has been born a dwarf, beautiful in face, but as the years pass, she grows no further than the edge of her crib. When her parents turn to the treatments of a local doctor and freak sideshow proprietor, his terrifying cure opens the floodgates persecution for Pavla. Little Nothing unfolds across a lifetime of unimaginable, magical transformation in and out of human form, as this outcast woman is hunted down and incarcerated for her desires, her body broken and her identity stripped away until her soul is strong enough to transcend all physical bounds. Woven throughout is the journey of Danilo, the young man entranced by Pavla, obsessed only with protecting her. Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, Little Nothing spans the beginning of a new century, the disintegration of ancient superstitions and the adoption of industry and invention. With a cast of remarkable characters, a wholly shocking and original story, and extraordinary, page-turning prose, Silver delivers a novel of sheer electricity.

    Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating—and then terrifying—journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable—and resourceful—as Audrey Hepburn’s character in "Wait Until Dark." In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim to it.

    She's a successful marketing executive who still believes in sex, drugs and rock 'n' roll.

    The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.

    In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel—her keepers, who provide her with food and shelter and visit her regularly. She does not agree that her son is the Son of God; nor that his death was “worth it;” nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples. Mary judges herself ruthlessly (she did not stay at the foot of the Cross until her son died—she fled, to save herself), and is equally harsh on her judgment of others. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes, in Toibin’s searing evocation, a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. This tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.