Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    – Shubhangi Swarup (Latitudes of Longing)

    M. Ocean explores the depths of love deeply felt and violently lost. For those whose wounds are fresh and hearts still raw with ample emotion, Ocean portrays pain and suffering in apt and heart wrenching candour.

    There he falls in love with his Queen Alexandra Corps nurse, Louise, and she with him.The story moves back and forth from their time at the field hospital to the west highlands of Scotland where Donald grew up. As they talk in the quiet hours he tells her the stories of the coast and glens, how his family lived and the fascinating life of a century ago: bagpiping, sheep shearing, celidhs, illegal distilling, his mother saving the life of the people of St Kilda, the navvies building the west highland railway and the relationship between the lairds and the people. Louise in turn tells her own story of growing up in the Welsh valley: coal mining, a harsh and unforgiving upbringing.They get cut off from the allied troops and with another nurse are forced to make their escape through Turkey to Greece, getting rescued by a Coptic priest and ending up in Malta. By this time their love is out in the open, but there is still another tragic twist to their story waiting on the way back to Donald’s beloved highland home . . .

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    

    But how will they respond when love seems to blossom between local man Gavin Hamilton and the beautiful pearl-fisher Effie? The Pearl-fishers is a classic love story and the master storyteller’s last novel.

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    A few among the Scottish nobles, for both political and religious reasons, are eager for this alliance too. They kill Cardinal Beaton, who is Mary’s great protector, and take St Andrews Castle, expecting rescue any day from England.For a sister and brother – spirited Bethia, living outside the castle in St Andrews, and Will among the rebels inside the castle – the long siege becomes a fight for survival. But it’s also a struggle over loyalties and the choices they each must make: whether to save their family, or follow their hearts…This debut novel closely follows the tumultuous events of the siege of St Andrews Castle, and its dramatic re-takingRunner up SAW Barbara Hammond TrophyFinalist Wishing Shelf Book Awards

    

    They are as insistent as they are circumspect, drawing close to the reader’s ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity – ‘There was pain,’ the speaker allows, ‘but it was not new pain.’ Frears’s work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air – ‘Stormy, sticky with flies’ – and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a ‘glorious full-bodied’ debut collection with the draw of an adamant tide. ‘Uncompromising, intelligent, surprising, accessible and sharp … These lyric poems have a clarity and straightforwardness that only a special kind of attention, and a certain kind of fearlessness can achieve.’ – Mark Waldron

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.

    Mairi makes no secret of the fact that she would rather be out taking down a wild pig with her childhood friend Iain, the fletcher’s son, than plying a needle with the women. Her mother despairs of her, and never stops comparing her to her beautiful and successfully married sister Una. Her father, tired of her rejection of one suitable match after another, finally presents her with an ultimatum: Marry Alastair Maclean or spend the rest of her life in the priory. Mairi knows that she would never survive in a priory, locked away from her beloved outdoor pursuits. But nor can she endure the thought of a loveless marriage to Alastair, who has never stopped mourning the loss of his adored first wife Madeline in childbed. Left without choices, Mairi becomes Alastair’s wife. Life is every bit as bad as she feared. Alastair’s sister Rhona clearly does not want to see her brother married to the Chisholm wildcat, and Alastair himself is as cold as the frigid wind that blows across the Highlands. Mairi resolves to resign herself to the demands of the marriage bed, and devote her life to raising bairns with the love she was never shown. But one day, she finds herself in more danger than she has ever known… and everything changes.

    His language, that of love in its purest form, speaks to us today as it did seven hundred years ago, surpassing time and bridging cultures.These poems, most of them translated into English for the first time from the original Persian, were carefully selected from two thousand of Rumi's quatrains. Arranged thematically, they take us on a journey of the soul. Persian calligraphy enhances the beauty of the poems.Discover the depths of a mystic's soul. Fly with him on his beloved's wings. Fall with him into the despair and fear of losing his beloved forever. Discover the beauty and love contained in this wonderful little book of poetry.