Actual recipes — from fig fed pork and salt fish balls in wine sauce to pumpkin Alexander style, nut custard turnovers, and rose pie.49 illustrations.

    Once in a generation a historian will redefine his field, producing a book that demands to be read--a product of electrifying scholarship conveyed with commanding skill. Diarmaid MacCulloch's Christianity is such a book. Ambitious, it ranges back to the origins of the Hebrew Bible & covers the world, following the three main strands of the Christian faith. Christianity will teach modern readers things that have been lost in time about how Jesus' message spread & how the New Testament was formed. It follows the Christian story to all corners of the globe, filling in often neglected accounts of conversions & confrontations in Africa & Asia. It discovers the roots of the faith that galvanized America, charting the rise of the evangelical movement from its origins in Germany & England. This book encompasses all of intellectual history--we meet monks & crusaders, heretics & saints, slave traders & abolitionists, & discover Christianity's essential role in driving the Enlightenment & the age of exploration, & shaping the course of WWI & WWII.We live in a time of tremendous religious awareness, when both believers & non-believers are engaged by questions of religion & tradition, seeking to understand the violence sometimes perpetrated in the name of God. The son of an Anglican clergyman, MacCulloch writes with feeling about faith. His last book, The Reformation, was chosen by dozens of publications as Best Book of the Year & won the Nat'l Book Critics Circle Award. This inspiring follow-up is a landmark new history of the faith that continues to shape the world.

    We may thrill to the exploits of Alexander the Great, Hannibal or Caesar, and historical novelists may beguile us with their imaginative reconstructions of this life or that, but the only voice from the Greco-Roman world that still seems to have contemporary relevance is that of the man who ruled the Roman Empire from 161 to 180 A.D. His book of reflections, Meditations, continues to sell in large numbers in numerous editions. Though a persecutor of Christians, Marcus holds out the prospect of spirituality for atheists, happiness without God, joy without heaven and morality without religion. He truly was a man for all seasons, and those seasons include the twenty-first century.His reign foreshadowed the eventual decline and fall of the Roman Empire, and his life itself represents the fulfillment of Plato’s famous dictum that mankind will prosper only when philosophers are rulers and rulers philosophers. Marcus Aurelius by acclaimed historian Frank McLynn, promises to be the definitive biography of this monumental historical figure — now known very widely through the Oscar-winning film Gladiator.

    Noted French scholar and linguist discusses the gods of the continental Celts, the beginnings of mythology in Ireland, heroes, and the two main categories of Irish deities: mother-goddesses — local, rural spirits of fertility or of war — and chieftain-gods: national deities who are magicians, nurturers, craftsmen, and protectors of the people.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    As Emperor Augustus' deputy, he waged wars, pacified provinces, beautified Rome, and played a crucial role in laying the foundations of the Pax Romana for the next two hundred years - but he served always in the knowledge he would never rule in his own name. Why he did so, and never grasped power exclusively for himself, has perplexed historians for centuries. In his teens he formed a lifelong friendship with Julius Caesar's great nephew, Caius Octavius, which would change world history. Following Caesar s assassination on the Ides of March 44 BC, Agrippa was instrumental in asserting his friend s rights as the dictator's heir. He established a reputation as a bold admiral, defeating Sextus Pompeius at Mylae and Naulochus (36 BC), culminating in the epoch-making Battle of Actium (31 BC), which eliminated Marcus Antonius and Queen Cleopatra as rivals. He proved his genius for military command on land by ending bloody rebellions in the Cimmerian Bosporus, Gaul, Hispania and Illyricum.In Gaul Agrippa established the vital road network that helped turn Julius Caesar s conquests into viable provinces. As a diplomat, he befriended Herod the Great of Judaea and stabilized the East. As minister of works he overhauled Rome's drains and aqueducts, transformed public bathing in the city, created public parks with great artworks and built the original Pantheon.Agrippa became co-ruler of the Roman Empire with Augustus and married his daughter Julia. His three sons were adopted by his friend as potential heirs to the throne. Agrippa's unexpected death in 12 BC left Augustus bereft, but his bloodline lived on in the imperial family, through Agrippina the Elder to his grandson Caligula and great grandson Nero. MARCUS AGRIPPA is lucidly written by the author of the acclaimed biographies Eager for Glory and Germanicus. Illustrated with color plates, figures and high quality maps, Lindsay Powell presents a penetrating new assessment of the life and achievements of the multifaceted man who put service to friend and country before himself.REVIEWS A gripping, thoroughly researched and hugely impressive biography of a key player in the transition from the Roman Republic to Augustus's Empire'. Saul David, University of Buckingham, author of WAR: From Ancient Egypt to Iraq. Augustus' ascent and reign are unthinkable without Marcus Agrippa. Surprisingly, there has been no biography of Agrippa in English for some eighty years. Powell's book admirably fills this gap and will be indispensable for anyone with a serious interest in this crucial historical period. Karl Galinsky, University of Texas at Austin, author of Augustus: Introduction to the Life of an Emperor. Marcus Agrippa was one of history s most intriguing right-hand men. Few played a greater role in the emperor Augustus success. In vigorous prose, and with a fingertip feel for Roman politics and war, Lindsay Powell brings Agrippa to life. Barry Strauss, Cornell University, author of Masters of Command: Alexander, Hannibal, Caesar and the Genius of Leadership."

    Famed for his lyrical and subversive voice, his poems about his friends were jocular, often obscenely funny, while those who crossed him found themselves skewered in raunchy verse, sudden objects of hilarity and ridicule. These bawdy poems were disseminated widely throughout Rome. Many of his poems recall his secret longstanding affair with the seductive Clodia, an older woman who would eventually be plunged into scandal following the suspicious death of her aristocratic husband.While Catullus and Clodia made love in the shadows, the whole of Italy was quaking as Caesar, Pompey and Crassus forged a doomed alliance for power. During these tumultuous years, Catullus increasingly turned to darker subject matter, and he finally composed his greatest work of all—a poem about the decoration on a bedspread—which forms the heart of this biography, a work of beauty that will achieve immortality and make Catullus a legend.

    Pinsky explores thirty-one of the most popular Disney films, as well as recent developments such as the 1990s boycott of Disney by the Southern Baptist Convention and the role that Michael Eisner and Jeffrey Katzenberg played in the resurgance of the company since the mid-1980s.

    AD 55-138) captures the splendour, the squalor, and the sheer energy of everyday Roman life. In The Sixteen Satires he evokes a fascinating world of whores, fortune-tellers, boozy politicians, slick lawyers, shameless sycophants, ageing flirts and downtrodden teachers. A member of the traditional land-owning class that was rapidly seeing power slip into the hands of outsiders, Juvenal also creates savage portraits of decadent aristocrats - male and female - seeking excitement among the lower orders of actors and gladiators, and of the jumped-up sons of newly-rich former slaves. Constantly comparing the corruption of his own generation with its stern and upright forebears, Juvenal's powers of irony and invective make his work a stunningly satirical and bitter denunciation of the degeneracy of Roman society

    The personalities and events of Roman history have become part of the West's cultural lexicon, and Woolf provides brilliant retellings of each of these, from the war with Carthage to Octavian's victory over Cleopatra, from the height of territorial expansion under the emperors Trajan and Hadrian to the founding of Constantinople and the barbarian invasions which resulted in Rome's ultimate collapse. Throughout, Woolf carefully considers the conditions that made Rome's success possible and so durable, covering topics as diverse as ecology, slavery, and religion. Woolf also compares Rome to other ancient empires and to its many later imitators, bringing into vivid relief the Empire's most distinctive and enduring features.As Woolf demonstrates, nobody ever planned to create a state that would last more than a millennium and a half, yet Rome was able, in the end, to survive barbarian migrations, economic collapse and even the conflicts between a series of world religions that had grown up within its borders, in the process generating an image and a myth of empire that is apparently indestructible. Based on new research and compellingly told, this sweeping account promises to eclipse all previously published histories of the empire.

    with his 100,000-man army of mercenaries, officers, and elephants, Hannibal was launching not just the main offensive of the Second Punic War but also one of the great military journeys in ancient history. His masterful advance through rough terrain and fierce Celtic tribes proved his worth as a leader, but it was his extraordinary passage through the Alps—still considered treacherous even by modern climbers—that made him a legend. John Prevas combines rigorous research of ancient sources with his own excursions through the icy peaks to bring to life this awesome trek, solving the centuries-old question of Hannibal's exact route and shedding fresh light on the cultures of Rome and Carthage along the way. Here is the finest kind of history, sure to appeal to readers of Steven Pressfield's Gates of Fire: alive with grand strategy, the clash of empires, fabulous courage, and the towering figure of Hannibal Barca.

    In desperate attempts to cure their patients, physicians injected them with deadly medications, cut holes in their heads, and sterilized them. Years of insufficient funding caused the hospital to decay into a crumbling facility with too few staff, as seen in the 1975 film "One Flew Over the Cuckoo's Nest." Today, after a $360 million makeover, Oregon State Hospital is a modern treatment hospital for the state's civil and forensic mentally ill. In this compelling account of the institution's tragedies and triumphs, author Diane Goeres-Gardner offers an unparalleled look at the very human story of Oregon's historic asylum.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    With many maps, chronologies, and graphics, Frend's text is an engaging story but also an immensely learned and careful work of scholarship. Elegantly written. It is a marvelous reference work. It will become the standard church history of our time for scholar and novice alike.