It addresses itself to the central lacuna of 20th-century thought: the indulgence of Communism by the intellectuals of the West. In between the personal beginnings and the personal ending, Amis gives us perhaps the best one-hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible.The author’s father, Kingsley Amis, though later reactionary in tendency, was a “Comintern dogsbody” (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, our leading Sovietologist whose book of 1968, The Great Terror, was second only to Solzhenitsyn’s The Gulag Archipelago in undermining the USSR. The present memoir explores these connections.Stalin said that the death of one person was tragic, the death of a million a mere “statistic.” Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin’s aphorism.From the Hardcover edition.

    Earning his PhD in 1966 at the age of 24 and publishing his influential history, How Europe Underdeveloped Africa, at 30, Rodney became a leading force of dissent throughout the Caribbean and a lightning rod of controversy. The 1968 Rodney Riots erupted in Jamaica when he was prevented from returning to his teaching post at the University of the West Indies. In 1980, Rodney was assassinated in Guyana, reportedly at the behest of the government. In the mid-’70s, Rodney taught a course on the Russian Revolution at the Universtiy of Dar es Salaam in Tanzania. A Pan-Africanist and Marxist, Rodney sought to make sense of the reverberations of the October Revolution in a decolonizing world marked by Third World revolutionary movements. He intended to publish a book based on his research and teaching. Now historians Jesse Benjamin, Robin D.G. Kelley, and Vijay Prashad have edited Rodney’s polished chapters and unfinished lecture notes, presenting the book that Rodney had hoped to publish.The Russian Revolution is a signal event in radical publishing, and will inaugurate Verso Books's standard edition of Walter Rodney’s works.

    It slowed down the German advance into Russia and became a national symbol of survival and resistance. An estimated one million civilians died, most of them from cold and starvation. Lydia Ginzburg, a respected literary scholar (who meanwhile wrote prose 'for the desk drawer' through seven decades of Soviet rule), survived. Using her own using notes and sketches she wrote during the siege, along with conversations and impressions collected over the years, she distilled the collective experience of life under siege. Through painful depiction of the harrowing conditions of that period, Ginzburg created a paean to the dignity, vitality and resilience of the human spirit.This original translation by Alan Myers has been revised and annotated by Emily van Buskirk. This edition includes ‘A Story of Pity and Cruelty’, a recently discovered documentary narrative translated into English for the first time by Angela Livingstone.

    During that quarter-century, by Oleg Khlevniuk’s estimate, he caused the imprisonment and execution of no fewer than a million Soviet citizens per year. Millions more were victims of famine directly resulting from Stalin's policies. What drove him toward such ruthlessness? This essential biography, by the author most deeply familiar with the vast archives of the Soviet era, offers an unprecedented, fine-grained portrait of Stalin the man and dictator. Without mythologizing Stalin as either benevolent or an evil genius, Khlevniuk resolves numerous controversies about specific events in the dictator’s life while assembling many hundreds of previously unknown letters, memos, reports, and diaries into a comprehensive, compelling narrative of a life that altered the course of world history.   In brief, revealing prologues to each chapter, Khlevniuk takes his reader into Stalin’s favorite dacha, where the innermost circle of Soviet leadership gathered as their vozhd lay dying. Chronological chapters then illuminate major themes: Stalin’s childhood, his involvement in the Revolution and the early Bolshevik government under Lenin, his assumption of undivided power and mandate for industrialization and collectivization, the Terror, World War II, and the postwar period. At the book’s conclusion, the author presents a cogent warning against nostalgia for the Stalinist era.

    Because of these activities, she was deported to Russia in 1919, where she was able to witness the Revolution's aftermath firsthand. Horrified by what she saw in major cities and revolted by the Bolshevik dictatorship, she left the country in 1921 and, soon after, set down her thoughts in two books — My Disillusionment in Russia and My Further Disillusionment in Russia. She wrote passionately about political harassment and forced labor inflicted upon the masses, rampant opportunism raging throughout the Soviet government, industrial militarization, persecution of anarchists, and the government's increased use of deportation as a political weapon. Her writings helped turn a large number of socialists against the Bolshevik government. Her two books have been combined in this Dover edition — a volume that will be of value to teachers, students, and anyone interested in the socio-economic problems of the early 20th century.

    From 1918 to 1921, through great cities and tiny villages, across untouched forests and vast frozen wasteland, the Bolshevik "Reds" fought the anti-Communist Whites and their Allies (fourteen foreign countries contributed weapons, money, and troops—including 20,000 American soldiers). This landmark history re-creates the epic conflict that transformed Russia from the Empire of the Tsars into the Empire of the Commissars, while never losing sight of the horrifying human cost.

    At its heart, the book is a history of the Soviet Union, the most comprehensive reorganization of human society ever attempted by a nation-state. This is the story of how the agitation of Karl Marx and Friedrich Engels, two mid-nineteenth-century European thinkers and writers, led to a great and terrible world religion that brought down a mighty empire, consumed the world in conflict, and left in its wake a devastation whose full costs can only now be tabulated.

    He divided the Allies, defeated the last Sultan, and secured the territory of the Turkish national state, becoming the first president of the new republic in 1923, fast creating his own legend.Andrew Mango's revealing portrait of Atatürk throws light on matters of great importance today-resurgent nationalism, religious fundamentalism, and the reality of democracy.

    Before he became a war veteran and political analyst, he was a young black man who enlisted in the U.S. Army right out of high school, survived the notoriously brutal Infantry basic training, and served while remaining a closeted gay man to all but a few of his colleagues. At his first duty station, he finds himself in dangerous territory when the United States declares war on Iraq; in fact, his unit was one of the first called in after the initial invasion. Rob's experience offers a ground-level view of life on the front lines in the United States Army in an unforgettable coming-of-age story with a military twist. In addition to his memoir, Always a Soldier highlights his thoughts on current hot-button political topics like the new crop of Black Republicans and the escalating tactics of the LGBTQ community, announcing him as a voice in American politics that will be heard for years to come.

    In this book, Sanders tells the story of a passionate and principled political life. He describes how, after cutting his teeth in the Civil Rights movement, he helped build a grassroots political movement in Vermont, making it possible for him to become the first independent elected to the US House of Representatives in forty years. The story continues into the US Senate and through the dramatic launch of his presidential campaign.From the Trade Paperback edition.

    The mass executions, the mock trials, the betrayals and purges, the jailings and secret torture that ravaged the Soviet Union during the three decades of Stalin’s dictatorship, were the result of a tight network of trusted henchmen (and women), spies, psychopaths, and thugs. At the top of this pyramid of terror sat five indispensable hangmen who presided over the various incarnations of Stalin’s secret police. Now, in his harrowing new book, Donald Rayfield probes the lives, the minds, the twisted careers, and the unpunished crimes of Stalin’s loyal assassins.Founded by Feliks Dzerzhinsky, the Cheka–the Extraordinary Commission–came to life in the first years of the Russian Revolution. Spreading fear in a time of chaos, the Cheka proved a perfect instrument for Stalin’s ruthless consolidation of power. But brutal as it was, the Cheka under Dzerzhinsky was amateurish compared to the well-oiled killing machines that succeeded it. Genrikh Iagoda’s OGPU specialized in political assassination, propaganda, and the manipulation of foreign intellectuals. Later, the NKVD recruited a new generation of torturers. Starting in 1938, terror mastermind Lavrenti Beria brought violent repression to a new height of ingenuity and sadism.As Rayfield shows, Stalin and his henchmen worked relentlessly to coerce and suborn leading Soviet intellectuals, artists, writers, lawyers, and scientists. Maxim Gorky, Aleksandr Fadeev, Alexei Tolstoi, Isaak Babel, and Osip Mandelstam were all caught in Stalin’s web–courted, toyed with, betrayed, and then ruthlessly destroyed. In bringing to light the careers, personalities, relationships, and “accomplishments” of Stalin’s key henchmen and their most prominent victims, Rayfield creates a chilling drama of the intersection of political fanaticism, personal vulnerability, and blind lust for power spanning half a century.Though Beria lost his power–and his life–after Stalin’s death in 1953, the fundamental methods of the hangmen maintained their grip into the second half of the twentieth century. Indeed, Rayfield argues, the tradition of terror, far from disappearing, has emerged with renewed vitality under Vladimir Putin. Written with grace, passion, and a dazzling command of the intricacies of Soviet politics and society, Stalin and the Hangmen is a devastating indictment of the individuals and ideology that kept Stalin in power.

    Focusing on six of these ruthless men Hoffman reveals how a few players managed to take over Russia's cash-strapped economy and then divvy it up in loans-for-shares deals. Before perestroika, these men were normal Soviet citizens, stuck in a dead-end system, claustrophobic apartments, and long bread lines. But as Communism loosened, they found gaps in the economy and reaped huge fortunes by getting their hands on fast money. They were entrepreneurs. As the government weakened and their businesses flourished, they grew greedier. Now the stakes were higher. The state was auctioning off its own assets to the highest bidder. The tycoons go on wild borrowing sprees, taking billions of dollars from gullible western lenders. Meanwhile, Russia is building up a debt bomb. When the ruble finally collapses and Russia defaults, the tycoons try to save themselves by hiding their assets and running for cover. They turn against each other as each one faces a stark choice--annihilate or be annihilated. The story of the old Russia was spies, dissidents, and missiles. This is the new Russia, where civil society and the rule of law have little or no meaning.

    With the collapse of the Soviet Union, the country had an opportunity to face its tortured past. In Inside the Stalin Archives, Jonathan Brent asks, why didn't this happen? Why are the anti-Semitic Protocols of Zion sold openly in the lobby of the State Duma? Why are archivists under surveillance and phones still tapped? Why does Stalin, a man responsible for the deaths of millions of his own people, remain popular enough to appear on boxes of chocolate sold in Moscow's airport?Brent draws on fifteen years of unprecedented access to high-level Soviet Archives to answer these questions. He shows us a Russia where, in 1992, used toothbrushes were sold on the sidewalks, while now shops are filled with luxury goods and the streets are jammed with Mercedes. Stalin's specter hovers throughout, and in the book's crescendo Brent takes us deep into the dictator's personal papers to glimpse the dark heart of the new Russia. Both cultural history and personal memoir, Inside the Stalin Archives is a deeply felt and vivid portrait of Russia in the twenty-first century.

    This department was responsible for kidnapping, assassination, sabotage, and guerrilla warfare during World War II, it also set up illegal networks in the United States and Western Europe, and, most crucially, carried out atomic espionage in the United States, Great Britain, and Canada. Sudoplatov served the KGB for over fifty years, at one point controlling more than twenty thousand guerrillas, moles, and spies. But his involvement with the most nefarious Soviet activities-- and the rulers who ordered them-- made Sudoplatov an unwanted witness, and he was arrested in 1953 after Beria's fall. Despite torture and solitary confinement he refused to "confess", disavowing any criminal actions. He spent fifteen years in prison, then struggled two decades more for rehabilitation. "Special Tasks" is an astonishing memoir and a singular historical document of a man who knew and did too much for the Soviet empire.

    On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.