And thrilling. Often, that's the same thing!Lloyd Camp takes you on an evocative journey through some of the wildest places in Africa as he re-lives colourful vignettes from his adventurous childhood and long career as a safari guide. This is a charming, funny, thoughtful and often hair-raising series of short stories that illustrate Lloyd's enthusiastic delight in leading his clients into the wilderness areas of Africa. Forthright yet light-hearted, Lloyd's suspenseful narrative emphasises both his love of the African bush and the courage and resilience of the Africans that he encounters in his odysseys. In the vein of Peter Allison's "Whatever you do, don't Run", these camp-fire tales are the perfect accompaniment to your own journey into Africa or simply as a series of highly engaging stories from the comfort of your own armchair at home.

    THIS is Africa is a compilation of stories that defines the maxim "Truth is sometimes stranger, and more wondrous than fiction." From a place known for its continent-wide diversity, notorious for its dramatic turbulence, and beloved for its animals and untamed wildness, Mat Dry, brings his incredible true tales of living and working in Africa as a Safari Guide.

    Are you a worldreader? Read more about this not-for-profit social enterprise at worldreader.org.

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    Rebecca doesn’t expect to make new friends at this stage of her life. But when she becomes mother to little Amy, she finds herself spending her afternoons in the park. There she meets other mothers: first flamboyant, fun Rose, and then single-mom Lilith, whose inner strength is tangible, and whose eyes never leave her toddler.Very soon the women have formed a trio – the type of friends who feel at home in each other’s kitchens – and their daughters begin to behave like sisters. But Rebecca is about to learn that friendship is not always what it seems, and that sometimes you trust the wrong people. At exactly the moment when she needs to lean on them, one of her new friends harbours a shocking secret, and the other will turn on her in a way she could never have anticipated. Her two park friends will change Rebecca’s life – and her family – forever.

    A collection of short stories written by various African writers.

    A poignant story of a resourceful Nigerian woman who overcomes strict tribal domination of women and countless setbacks to achieve an independent life for herself and her children.

    We were colored girls in a white world that didn’t want us."  Born on the wrong side of a racial divide in apartheid-torn Cape Town, young sisters Ruby and Rose exist in a world where they are not welcome. As part of the Cape Colored community, they are considered socially inferior, yet even within their own social group the sisters live in the poor end of town. Their father was killed when they were very small, so when their mother dies after a protracted illness, Ruby and Rose’s fate falls into the hands of Aunt Olive. Ruby knows without being told that their aunt’s home will not be opened up to them – charity does not extend to the poor relations who would cast a smudge on such a respectable house. Aunt Olive condemns her nieces to the local orphanage, relieving her conscience with monthly invitations to Sunday lunch. In the orphanage the girls grow up sheltered from a divided world that they do not yet fully understand, but the day approaches when Ruby and Rose must forge their own paths in life and confront the lessons that apartheid enforces. Like the award-winning Dance with a Poor Man’s Daughter, this beautifully observed novel of sisterly love once again displays Pamela Jooste’s poignant understanding of human nature.

    Or is he?Drew preaches every Sunday to bring God's people closer to Him and he's always going out of his way to be a help to someone in his flock. He has been leading his wife's family church for the last ten years, but is that really his calling? Jewel Webber is the beautiful, yet insecure wife of Drew. She loves her husband and their two daughters more than anything in life, but past hurts have caused her to remain in a depressed state of mind for so long that she has become complacent in her insecurities. Putting on a smile for the people, and even her family has Jewel making mistakes that could come back to either haunt or help her in the end.Jasmine is Jewel's best friend, and it had been that way since their freshman year of college. She could never understand how Jewel had so much but was always miserable. Jewel had so many people who cherished her but she always found something about her appearance that sent her over the edge and Jasmine was tired of it. If Jewel couldn't be happy with the life God has blessed her with, then Jasmine would just claim it as her own. Only there was one problem… she wasn't Drew's only kept secret.Bryce is Drew's best friend. They ran the streets together back in the day and had plenty of ladies beating down their doors. It was all fun and games until his eyes and heart fell for the one and only Jewel Rivers, she just wouldnt fall for him. Bryce always knew that he was called to preach and after plenty of childhood mistakes he wanted to do right and he wanted his boy Drew to follow suit. But that was easier said than done. Will God be forgiving to Bryce in the end by presenting him with his "good thing" or will he himself have to suffer the wrath that God dishes out?How can a man of the cloth have such a sinister heart and everything he preached was a lie? Would God continue to cover him or does the collar he so expertly wears begin to choke him as secrets are revealed? Will Drew even care? Could it be that he and his wife are indeed "equally yoked" because they are playing with the same fire of destruction? Or will the pastor's other woman hold all of the cards in the end?

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    A biting satire about the downfall of a businessman-polygamist who assumes the role of the colonialist in French-speaking Africa.

    Ebla, an orphan of eighteen, runs away from her nomadic encampment in rural Somalia when she discovers that her grandfather has promised her in marriage to an older man. But even after her escape to Mogadishu, she finds herself as powerless and dependent on men as she was out in the bush. As she is propelled through servitude, marriage, poverty, and violence, Ebla has to fight to retain her identity in a world where women are "sold like cattle."

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    And Black knows that better than anyone. After a drug heist gone bad, Black and Buzzy are hellbent on selling off all the pills they thought they'd gotten away with. All they want now is to unload the narcotics and live the high life by spending the cash and getting out of the business. But that's easier said than done...The two men they lifted the drugs from are making demands, and Black and Buzzy can't turn away. Now, Black is faced with a new challenge, falling for Layla, a chick he just can't have. After all, she's married to the man who's doing time for Black's heist. Black can't possibly take everything from him. With the cops on his tail, a desire to bail on the game, and a guilty conscience, Black must act carefully. But will his next move involve another man's wife?

    Flora Nwapa's first novel plants her story firmly in the world of women, where Efuru, beautiful and respected, is loved and deserted by two ordinary, undistinguished husbands.