After partying too hard last year, they make a pact to rein themselves in. While their housemates are out drinking every weekend, Jez and Mac stay in to save cash and focus on their studies.When Jez suggests watching some porn together, he isn’t expecting Mac to agree to it. One thing leads to another, and soon their arrangement becomes hands-on rather than hands-off. But falling for your 'straight' friend can only end badly, unless there’s a chance he might feel the same.This book is a complete story and can be read as a standalone.

    Discovering Jamie had also cleaned out my bank accounts made it officially the worst day of my life. I think I can be forgiven for wanting revenge, even if a few little laws (and possibly Jamie's nose) got bent in the process.Fortunately, the law is on my side in the form of my oldest friend, Tony Gervase. I've tried to deny my attraction to the sexy trooper for years. After all, he made it clear long ago that he wasn't interested in me that way. But if the hot encounter in his kitchen is any indication, he is now. At least the day is ending a whole lot better than it began...But the morning after, the Jamie situation goes from bad to seriously messed up. The jerk's in more trouble than I could have imagined. And as it turns out, I don't know Tony as well as I thought I did either...

    

    A space opera adventure set in a distant future where an undercover agent has to go behind enemy lines to recover a lost ship and a possible traitor.

    There he meets Sidney Blount—cold, sophisticated, Dominant—who’s at the same house to appraise the family art. It doesn’t take Sidney long to appraise Ryan too, and decide exactly what Ryan needs. Which just so happens to be the one thing Sidney wants to give…Narrated by Guy Locke

    Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    And not hot-off-the-press, still-drying-in-your-hands ink. Instead, you are holding twelve stories with endings that are still being written--whose next chapters are up to you.Because these stories are meant to be read. And shared.Thirteen of the most accomplished YA authors deliver a label-defying anthology that includes ten short stories, a graphic novel, and a one-act play. This collection will inspire you to break conventions, bend the rules, and color outside the lines. All you need is fresh ink.

    All he wants is for Adam to keep his mouth shut about Ross' real life, which contradicts his image as a straight playwright. Adam knows that Ross has to face his true self, though, and he's ready to do whatever it takes to make Ross see the truth. Will all of Adam's effort backfire, or will Ross take what he needs?

    Six months of too many missed shifts at the hospital, too much booze, too many men. Matt knows he's on the verge of losing everything, but he's finding it hard to care. Then Matt meets Aaron. He's gorgeous, intelligent and apparently not interested in being picked up. Still, even after seeing Matt at his worst, he doesn't turn away. Aaron's kindness and respect have Matt almost believing he's worth it-and that there could be life after Joe. But his newfound happiness is threatened when Matt begins to suspect Aaron is hiding something, or someone...

    A collection of fiction by and about gay men features original stories from Larry Kramer, Edmund White, Christopher Coe, Michael Cunningham, and other writers and explores the tragedies and triumphs of AIDS.

    Unearthing startling new evidence from the National Archives, Margot Canaday shows how the state systematically came to penalize homosexuality, giving rise to a regime of second-class citizenship that sexual minorities still live under today.Canaday looks at three key arenas of government control--immigration, the military, and welfare--and demonstrates how federal enforcement of sexual norms emerged with the rise of the modern bureaucratic state. She begins at the turn of the twentieth century when the state first stumbled upon evidence of sex and gender nonconformity, revealing how homosexuality was policed indirectly through the exclusion of sexually degenerate immigrants and other regulatory measures aimed at combating poverty, violence, and vice. Canaday argues that the state's gradual awareness of homosexuality intensified during the later New Deal and through the postwar period as policies were enacted that explicitly used homosexuality to define who could enter the country, serve in the military, and collect state benefits. Midcentury repression was not a sudden response to newly visible gay subcultures, Canaday demonstrates, but the culmination of a much longer and slower process of state-building during which the state came to know and to care about homosexuality across many decades.Social, political, and legal history at their most compelling, The Straight State explores how regulation transformed the regulated: in drawing boundaries around national citizenship, the state helped to define the very meaning of homosexuality in America.

    Qiouyi Lu, reprinted fiction by Kameron Hurley, essays by Sam J. Miller, Elsa Sjunneson-Henry, Shveta Thakrar, Dawn Xiana Moon, and Paul Booth, poetry by Cassandra Khaw, Brandon O’Brien, Bogi Takács, and Lisa M. Bradley, interviews with Stephen Graham Jones and Sarah Pinsker by Julia Rios, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

    Published in 1938, this was the first book from Wright, who would continue on to worldwide fame as the author of the novels Native Son and Black Boy.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.