They were excellent pirates, but not very good housekeepers, so their gruel wasn't tasty, their stools weren't sturdy, and their hammocks weren't hung properly. Luckily for them, Goldenlocks happened along when they were out for a row in the harbor.

    There, the sky is all hers. She is free to make her own way and go where she wishes. Can Lady Wind show Little Cloud the power of being with others? Will Little Cloud agree there is strength in unity and change her ways? A fresh take on a classic story, Little Cloud and Lady Wind will teach kids how to work together to achieve their goals.

    The boy who helped his father make Abiyoyo disappear grew older and became a father, too. The people were filled with new life and spirit. But now there are new dangers: droughts and floods. The town needs a dam before it gets washed away. And sitting right where the dam would be is a boulder too big for anyone to move. Anyone, that is, except Abiyoyo. Father still has his courage. Grandfather still has his magic wand. And his granddaughter knows he can bring Abiyoyo back, then make him disappear. But Abiyoyo is dangerous. People think the giant will eat them. Will lots of good food and beautiful songs keep Abiyoyo happy long enough to move the boulder and once again leave the town in peace?

    A forgetful boy gets himself into trouble.

    An ancient elephant suggests a race to the top of the hill to prove each creature’s speed, strength, and cunning. But along the way, their strengths and weaknesses are revealed. Will any of them be good enough to be king?Graeme Base’s luscious illustrations of the Cambodian temple complex Angkor Wat—one of the most beautiful ruins in existence and known to people all over the world—are combined with a search-and-find feature in this exciting new tale! A brief history of the temple is included. Praise for The Last King of Angkor Wat "This simple morality tale is lifted to loveliness by Base’s gorgeous digital illustrations, majestic and richly colored, filled with characteristic detail and intricately bordered. These pages beckon readers to return again and again to pore over the details." --Kirkus Reviews

    In this picture book adaptation of Sadako and the Thousand Paper Cranes, new text by Eleanor Coerr comes together with illustrations by Ed Young.The story of Sadako and her brave struggle against leukemia, the "atom-bomb disease," which she developed when she was twelve, just ten years after the bomb was dropped on Hiroshima.

    A map on the final spread provides a “key” to all the fairy tales mentioned in this inviting pizza picture book.

    And after they are all tucked in, continue to the back of the book and find a special section with your favorite nursery rhymes.

    She must leave behind her home of splendors: sour plums and pink peach petals and — most precious and secret of all — the small silkworm. She begs her father to let her stay, but he insists that she go and fulfill her destiny as the queen of Khotan. Beautifully told and arrestingly illustrated, here is a coming-of-age tale of a brave young princess whose clever plan will go on to live in legend — and will ensure that her cherished home is with her always.

    Someone suggests that Arianne, as the only child at the party, might enjoy exploring the garden more than listening to the adults chat. Arianne is unsure what to do in the quiet garden, and she soon lies down out of boredom. But then she spots a pebble . . . and a grasshopper . . . and flies away on a dandelion seed pod into the cosmos as she discovers the freedom of her imagination.With very little text, this book lets the illustrations tell the charming story of a child carried away into a world much bigger than herself.

    Good thing their sister has been training every day to master some serious karate moves that save the day. KIYA!Corey Rosen Schwartz serves up a fun combination of smart-aleck dialogue and tongue-in-cheek rhymes that'll have kids howling, and rising star Dan Santat's spunky illustrations are sure to pack a punch!

    The beloved library is burned to ash. Food is scarce. Danger is abundant. Every aspect of daily life is changed. How will home ever feel as it once did?But then one day, the Librarian emerges in the town square. Seated on a bench in front of the library's remains, she opens a book and begins to read aloud. The village children stop to listen. "Foolish woman," Papa says. "Too dangerous," Mama agrees, hurrying the children away. But day after day the librarian returns to her post, her voice carrying stories above the thunder of tanks and to the broken hearts of the people. Little by little, the persistent Librarian's stories seed hope in the people, and their village begins to mend. Inspired by the bombing of the National Library of Sarajevo during the Bosnian War, and bombing of the library at the University of Mosul in Iraq, The Librarian's Stories is a testament to the enduring connection between stories and hope.

    The funny little man who spun straw into gold and helped the miller's daughter marry the king, gives her three days to guess his name or he will take away her child.

    Bloom and her mud fairy magic might be able to turn weeds into flowers and spin sand into glass, but the people of the kingdom ceaselessly complain about the trails of dirt and puddles of mud that seem to follow her every step, and finally they cast her out.But when the glass castle begins to crack, then cracks some more, the King and Queen in a panic search for the long-banished fairy, but they can’t find Bloom anywhere. Desperate to save their home, they send their meekest, most ordinary subject, a girl named Genevieve whose sole task until now has been to polish the Queen’s crystal sugar spoon—to coax any worthy fairy to come and save the kingdom. Genevieve finds Bloom exactly where the king and queen failed to see her, and Bloom knows exactly how to save the kingdom. But it will take the two girls working together, along with a mighty dollop of self-confidence—and some very messy hands—to accomplish the extraordinary.

    First published in 1921, the poem's message about the individual worth of those often overlooked strikes a familiar chord in a society struggling to come to terms with its own victims of homelessness, drug abuse, and alienation.The poem is made new with the addition of Greg Newbold's illustrations. Newbold's images -- which are rich in detail, and made even more so by his use of color and light and his painterly style -- evoke a bygone era that is old-fashioned, small-town, pleasantly nostalgic. Newbold's work in Touch of the Master's Hand has already been recognized by the Society of Illustrators and Communication Arts magazine with a 1996 Award of Merit.