This edition includes extensive notes on Indian myths, religion, social customs, and the Independence movement which fill out the background for the American reader's more complete understanding and enjoyment.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Identity based politics had brought long-marginalized social groups into the mainstream and upended the bulwark of Nepali nationalism- the Hindu Monarchy. Yet, the process of change has repeatedly broken down, and Nepal’s fragile polity, under stress from various forces, has continuously fragmented- the first Constituent Assembly failed to draft a Constitution; the Maoists, who sparked the transformation with an armed insurrection and once represented hope, have been co-opted into the very political culture they once challenged; never-ending political negotiations have chronically paralyzed the governance initiatives needed to address Nepal’s problems; and India, the country’s powerful neighbor, has played an overwhelming role in national politics, choosing to intervene or stay away at crucial junctures. In exhaustively analyzing all these issues, Prashant Jha covers extensive territory, in the corridors of power in Kathmandu and New Delhi as well as on the ground in Tarai, and forges a narrative that is as comprehensive in its overview as it is detailed in chronicling the minutiae of day to day politics. An unprecedented account of the re-birth of a nation . Battles of the New Republic celebrates the deepening of democracy, despairs at the death of a dream, and seeks answers to a fundamental political dilemma- who exercises power, to what end, and for whose benefit?

    James Levine’s The Blue Notebook is that kind of book. It is the story of Batuk, an Indian girl who is taken to Mumbai from the countryside and sold into prostitution by her father; the blue notebook is her diary, in which she recalls her early childhood, records her life on the Common Street, and makes up beautiful and fantastic tales about a silver-eyed leopard and a poor boy who fells a giant with a single gold coin. How did Levine, a British-born doctor at the Mayo Clinic, manage to conjure the voice of a fifteen-year-old female Indian prostitute? It all began, he told me, when, as part of his medical research, he was interviewing homeless children on a street in Mumbai known as the Street of Cages, where child prostitutes work. A young woman writing in a notebook outside her cage caught Levine’s attention. The powerful image of a young prostitute engaged in the act of writing haunted him, and he himself began to write.The Blue Notebook brings us into the life of a young woman for whom stories are not just entertainment but a means of survival. Even as the novel humanizes and addresses the devastating global issue of child prostitution, it also delivers an inspiring message about the uplifting power of words and reading–a message that is so important to hold on to, especially in difficult times. Dr. Levine is donating all his U.S. proceeds from this book to help exploited children. Batuk’s story can make a difference.Sincerely,Celina SpiegelPublisher

    The poet wonders at his own existence and struggles between actual living and the desire to die."Cyril Wong continues to explore the nuances of relationships, in language that is lyrical, beautifully crafted, and erotically charged. There are several fine love poems that reach out to embrace a common humanity. Wong swims into the undercurrents of family tensions, hidden desires, and the meaning of a self... as well as questioning our understanding of both life and death."- Rebecca Edwards, author of Scar Country and Holiday Coast Medusa"Reading Cyril Wong is always to encounter risk, the painful suturing of art and life, trials of faith and baptisms of fire. I have only the deepest respect for someone who has razed the walls between the private and the public, and in doing so, carved more space for all of us."- Alfian Sa'at, author of One Fierce Hour and A History of Amnesia

    Not long arrived in this exotic colony is pretty Sophi Hardcastle, newly married but already disillusioned enough with her soldier husband to have fallen under the spell of a dashing and mysterious lieutenant, Bruce Farquhar. But a brutal awakening lies in store for the complacent British: one May night, after 30 years of abuse, the East India Company's native soldiers rise against their British officers. Thus begins the most savage episode in our imperial history.In the chaos that follows the uprising, Sophie's infant son Stephen becomes one of a dwindling band of lost children wandering the war-torn plains in the care of the Hardcastles' desperate native maid, Lavanya. As Sophie and her friend Catherine search for their children they find themselves bearing appalled witness to atrocities on both sides, including the massacre of British women and children in Cawnpore and the hideous reprisals that follow.Moving, sombre and thrilling, Rathbone's tale is told on a grand scale, ranging from the Cannings in Government House to the heroism of the humblest soldiers and peasants. It is as exhilarating as any Victorian adventure story, and yet, with its unflinching examination of religious fanaticism and the horrors of war, The Mutiny also carries a powerful message for the modern world.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family's "china room," sequestered from contact with the men--except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn't want her to know. From beneath her veil, she studies the sounds of the men's voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality--and danger--of her situation.Spiraling around Mehar's story is that of a young man who arrives at his uncle's house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family's ancestral home--an abandoned farmstead, its china room mysteriously locked and barred--he begins to knit himself back together, gathering strength for the journey home.Partly inspired by award-winning author Sunjeev Sahota's family history, China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it is a stunning achievement from a contemporary master.

    This is his second time in Mayong, in rural Assam, since 1998, when he had come for a few days to attend his father's best friend's funeral. As the wedding preparations gather pace, Pablo is amused as well as disturbed by squabbling aunts, dying grandmothers, cousins planning to elope for love and hysterical gossips. And on this heady theatre of tradition and modernity hovers the sinister shadow of insurgency and the army's brutal measures to quell militancy. In the days leading up to the wedding, which ends in an unspeakable tragedy, Pablo finds first love, discovers family intrigues and goes through an extraordinary rite of passage. Written with clinical precision, this gripping first novel announces the arrival of one of the most original voices from India's North-East.

    The sparks flying between them sizzle with sexual tension, but when Ranbir puts a scandalous proposition before her, she turns him down spiritedly.However, they have to work together to engineer a happy ending for their siblings, who have fallen madly in love but are too afraid to tell their respective families. The plan they cook up throws them more and more into each other’s company.Can Mira overlook Ranbir’s indecent proposal and give love a chance?

    He becomes a devout believer in Islam and takes the Arabic form of his name and the surname of a convert, Daoud ibn Abdullah. He develops into a gifted warrior and assassin. He is sent to the Papal Court in the 13th century as a spy, in order to foil an alliance between the Christian West and the Mongolian descendants of Genghis Khan to exterminate the Muslim faith and capture the Holy Land.

    Polk provides an informative, readable history of a country which is moving quickly toward becoming the dominant power and culture of the Middle East. A former member of the State Department's Policy Planning Council, Polk describes a country and a history misunderstood by many in the West. While Iranians chafe under the yolk of their current leaders, they also have bitter memories of generations of British, Russian and American espionage, invasion, and dominance. There are important lessons to be learned from the past, and Polk teases them out of a long and rich history and shows that it is not just now, but for decades to come that an understanding of Iran will be essential to American safety and well-being.

    Examples of the many perspectives based on real-life characters include: Hu, a VC “informant” whose false information led the Rangers straight into the jaws of a ferocious ambush; General Tanh, the COSVN commander; Major Nguyen Hiep, the 52d Ranger Commander; and Ranger POWs later returned by the North.Nightingale moreover offers the point of view of an American advisor to elite Vietnamese troops, a vital perspective regrettably underrepresented in the literature of Vietnam, including Burns’ documentary. Added to this are well-informed conjecture of enemy psychology; insight into the dedication and often misunderstood role of the elite Vietnamese Ranger forces; the intelligence acquired from debriefing captured Rangers, whose captors had told them that the entire battle had been a carefully staged attack planned by COSVN as part of a larger Total War strategy developed by the leadership of the North Vietnamese Army; and an eyewitness account by a gifted author who is a rare survivor of one of the most vicious—and heretofore forgotten—battles of the war.

    The killing that has been done and is being done is a crucial aspect of war and an integral part of the memories servicemen bring home with them. And yet, with few exceptions, it’s only rarely discussed in public and largely left to the veterans themselves to process, wrestle with, and carry.This is unfortunate because to understand what war is and what war does, it is necessary to understand what killing is and what killing does. In “The Kill Switch,” writer Phil Zabriskie, who covered both Iraq and Afghanistan for Time and other magazines, reconnects with two Marines and other veterans he met in Iraq and finds them ready to talk about it and willing to examine soberly and honestly what they’ve done and were asked to do. From boot camp through the initial invasion to the crucible of Ramadi, the siege of Fallujah, and beyond, they recount firefights, ambushes, suicide car bombers, hand-to-hand combat, and the life and death decisions they made about Saddam’s soldiers, battle-hardened insurgents, and people, even children, who were in the wrong place at the wrong time. Unflinching and as important today as it was at the height of these wars, “The Kill Switch” will stay with you long after you’re finished, just as the wars these men fought—and the killing they did—have stayed with them. Phil Zabriskie is a New York-based writer who spent many years working across Asia and the Middle East. He reported extensively on America’s wars in Afghanistan and Iraq for Time magazine and has also written about conflict and its impact on the people who live through it for National Geographic, Fortune, the Washington Post Magazine, and other publications. Cover design by Kristen Radtke.

    But she's a minister’s daughter and pregnant. To save embarrassment for the families, and hoping a fresh start will help them become the sweethearts they were before, B’Anne agrees to leave everyone and everything she knows and go with Will to the Montana Territory. They hope Will's uncle Hiram, whom he has never met, will guide them in their homesteading. Uncle Hiram welcomes Will, but treats B’Anne coolly until he realizes she isn’t a “frills and furbelows” girl. Although Will seems to care for B’Anne, she loses her confidence when she discovers a letter from Will's former sweetheart. Will's secrecy threatens to build a wall between them. Spring arrives, and with it the promise of renewal. But is B’Anne's hope for a fresh start enough to sustain the young couple through the years of hard living under that big Montana sky?