Once a world-renowned archeologist and treasure hunter who lost everything, Buck had fled to Key West to operate Last Resort Charter and Salvage aboard a pair of antique amphibious aircraft. Finally tired of being broke, Buck digs out his old maps, clues, and research to some of the world’s most lucrative missing treasures to start afresh.Until one of his worst enemies shows up to demand help in finding the missing Queen’s Dowry that sank with eleven Spanish Galleons in 1715 off Florida’s east coast. They have his brother hostage and will kill him if Buck refuses or fails.The ensuing odyssey pits him against the people who had cost him his former success, family, wealth, and led to his self-exile to Key West.But there is no escaping this time. The rocky road takes a surprise and brutal path that leads to mind blowing discoveries and a life-or-death confrontation that blows Buck’s reclusive world irrevocably apart.

    The prize is five million dollars to survive sixty days. The location was chosen as one of the most remote places on earth. The games begin, until an EMP strands the eighteen and the production crew with no chance of rescue. Now they are fighting for their lives, and they are fighting each other. Will mother nature kill them or will they kill each other? The only prize is life in the world Primeval.

    Until Hayden Tilden caught up with him.Smilin’ Jack Paine is one face from the past that Hayden would rather forget, but the man’s sinister grin is permanently etched in his memory, along with the chilling thoughts of Paine’s unspeakable crimes. There seems to be no other way to put that demon to rest than to tell the whole story—from the day Hayden first heard the man’s name to the day he finally wiped the grin off Paine’s face for good.Praise for Lawdog: The Life and Times of Haydon Tilden“Lawdog should assume its rightful place beside other Western classics.” —Peter Brandvold, author of Once Hell Freezes Over“Lawdog has it all. I couldn’t put it down.” —Jack Ballas, author of West of the RiverAbout the Author:J. Lee Butts is the author of 22 published books and numerous magazine articles and short works. His book Brotherhood of Blood was runner-up for the Western Writers of America Spur Award in 2005. He’s worn many hats over the years (teacher, administrator, pool manager, IBM supervisor, and western author), and he and his late wife lived everywhere from Los Angeles to Dallas. Currently he’s hanging those hats back in White Hall, Arkansas.

    Marlin sees this as a perfect opportunity for the fishing foundation to educate people across the country about the importance of protecting another fishery. He also knows that Mallard Cove Marina on Virginia's Eastern Shore will make the perfect new home for the show, and that its resident charter boats and crews will be part of a great new cast. While he is prepared to deal with the big egos of some of the old cast members, he hadn't figured on having a shadowy saboteur that wanted the show cancelled, and is willing to do whatever it takes to get it cancelled...permanently. Nor is he ready for the old cast members that will also stop at nothing to get re-hired and bring the show back south.So, follow the Mallard Cove gang as they deal with those old cast members, and they race to put a stop to the sabotage before someone else gets killed or the show becomes history!

    

    His is the story the establishment doesn’t want you to read.br>Captain P. J. “Red” Riley is an ex-SAS soldier who served for eighteen years as an MI6 agent. Riley escaped internment in Chile during the Falklands war during an audacious top-secret attempt to attack the Argentinian mainland. He was imprisoned in the darkness of the Sierra Leonean jungle, and withstood heavy fire in war-torn Beirut and Syria. In 2015, he was arrested for murder but all charges were later dropped. In this searing memoir, Riley reveals the brutal realities of his service, and the truth behind the newspaper headlines featuring some of the most significant events in recent British history. His account provides startling new evidence on the Iraq war, what Tony Blair really knew about Saddam Hussain’s weapons of mass destruction before the allied invasion, and questions the British government’s alleged involvement in the death of Princess Diana. Chaotic, darkly humorous and at times heart-wrenchingly sad, Kisses From Nimbus charts the harrowing real-life experiences of a soldier and spy in the name of Queen and country.

    200 photos.

    With a worldly generosity, LaGuardia knowingly and sensitively explores a famous man haunted by same-sexuality. His writing fearlessly penetrates the dark areas of the human psyche. (Many unpublished photographs).

    She was the first woman to twice win an Academy Award for screenwriting. From 1916 to 1946 she wrote over two hundred scripts covering every conceivable genre for stars such as Mary Pickford, Gary Cooper, Greta Garbo, Marion Davies, Rudolph Valentino, Clark Gable, Marion Davies, Rudolph Valentino, Clark Gable, and Marie Dressler. Irving Thalberg "adored her and trusted her completely, " William Randolph Hearst named her for the head of west coast production for his Cosmopolitan studios, and in 1928, Sam Goldwyn raised her salary to an unparalleled $3,000 a week. Her stories were directed by George Cukor, John Ford, Alan Dwan, and King Vidor, and she went on to direct and produce a dozen films on her own. On top of all this, she painted, sculpted, spoke several languages fluently, and played "concert caliber" piano. Though she married four times, had two sons, and a dozen lovers, Frances's life story is mostly the story of her female friendships. As talented, successful, and prolific as Frances Marion was, these relationships were as legendary as her scripts. Without Lying Down is an eminently readable and meticulously documented portrait of a previously hidden era that was arguably one of the most creative and supportive for women in American history.

    In a brief period of time she made twenty-six pictures, became one of the country's top box-office attractions, and then disappeared. After twenty years of rumors, the same girl made headlines when she was "rediscovered" as a waitress in a New York restaurant. Now she makes perhaps the boldest headlines of all with this book--for these are the uninhibited reminiscences of Constance Ockleman, who was made by Hollywood into Veronica Lake.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    Deprived of love and respect from his family, Eddie is renamed 'Dirk Diggler' and conquers the world of porn, but manages to retain his essential innocence. As the turbulent seventies shade into the hedonistic eighties, Dirk's career goes into a tailspin; but he is rescued by the safety net of the extended family fostered by hard-core movie director Jack Horner.Paul Thomas Anderson's screenplay is exemplary in its ability to interweave the stories of its large cast of characters. In accord with the wisdom of the Roman dramatist Terence (who claimed, 'Nothing human is alien to me'), Anderson has engaged with a side of life widely considered to be irredeemably sleazy, and has mined humour, sadness and compassion out of his unlikely subject matter.

    

    Its fans tend to be fanatical, congregating at 'Lebowski Conventions' in bowling alleys across American and Britain, and even dressing up as characters from the film. Among the funniest films of the last twenty-five years, and one of the high-water marks of 1990s genre recycling and pastiche, The Big Lebowski is also littered with playful and subversive references to film history, especially to Raymond Chandler's world of hardboiled detective classics and the world of film noir. The Big Lebowski is the rarest kind of film, a comedy whose jokes become funnier with repetition. The same goes for its multitudinous jukebox-like references to other films, many of which open up vistas for intertextual interpretation. Underneath the film's breakneck pacing and foul-mouthed characters, a farcical collection of flakes, losers, and phonies, is a surprisingly humane account of what fools we mortals be. It is one of the oddest buddy films ever made, with extraordinary performances by Jeff Bridges and John Goodman. In this study, The Big Lebowski is set into the context of 1990s Hollywood cinema, anatomised for its witty relationship with the classics which it satirises, and discussed in terms of its key theme: the hopeless flailing of ridiculously unmanly men in the world of discombobulated, mixed-up, or put-on identities that is Los Angeles.

    Fully illustrated with great photographs.