Visually spectacular, shockingly violent, and singularly horrifying, Gantz is a relentless fever dream of consummate skill and fiendish imagination. This value-priced omnibus collection features 680 pages of havoc and horror!Kei Kurono's work as a Gantz alien fighter is a hellish nightmare, but his life as a high-school student is looking up, with a new ladylove opening his heart. But when his beloved is threatened by a Gantz-obsessed schoolmate on a shooting rampage, Kei must face the murderous student without his Gantz suit for protection!Collects Gantz individual volumes 10, 11, and 12.

    But a lone valkyrie puts forward a suggestion to let the gods and humanity fight one last battle, as a last hope for humanity's continued survival. 13 gods will fight against 13 human champions in one-on-one battles to decide whether humanity lives or dies.

    The zombie apocalypse has never been more surreal! A mentally unhinged manga artist witnesses the beginning of a zombie outbreak in Tokyo, and he's certain of only two things: he's destined to be the city's hero, and he possesses something very rare in Japan--an actual firearm! Kengo Hanazawa's award-winning series comes to Dark Horse, and this realistically-drawn international bestseller takes us from initial small battles for survival to a huge, body-horror epidemic that threatens all of humanity! These special omnibus volumes will collect two of the original Japanese books into each Dark Horse edition and include all of the color pages."Probably the greatest zombie manga ever." --Jason Thompson (Manga: The Complete Guide)

    Caught between these worlds is Rikuo Nura. He's three-quarters human, but his grandfather is none other than Nurarihyon, the supreme commander of the Nura clan, a powerful yokai consortium. So, Rikuo is an ordinary teenages three quarters of the time, until his yokai blood awakens. Then Rikuo transforms into the future leader of the Nura clan, leading a hundred demons.

    Now she feels drawn toward the aquarium and the two mysterious boys she meets there, Umi and Sora. They were raised by dugongs and hear the same strange calls from the sea as she does.Ruka's dad and the other adults who work at the aquarium are only distantly aware of what the children are experiencing as they get caught up in the mystery of the worldwide disappearance of the oceans' fish.

    When Kimihiro begins working for Yuko to pay for her services, he also begins his journey into the worlds of the occult. Unusual customers from mysterious lands, an old rival named Domeki who is an exorcist, and a beautiful young woman named Himawari-chan provide more danger, adventure, and excitement for Kimihiro than he ever thought he was going to get!

    Instead of rejecting her lover upon learning his secret, she accepts him with open arms. Soon, the couple is expecting their first child, and a cozy picture of family life unfolds. But after what seems like a mere moment of bliss to Hana, the father of her children is tragically taken from her. Life as a single mother is hard in any situation, but when your children walk a fine line between man and beast, the rules of parenting all but go out the window. With no one to turn to, how will Hana survive?

    Jealous of her beautiful sister, Lady Akane savagely mutilates Orin's face, beginning a spiral of despair ending in the suicides of both lovers at Lake Amada. Akane becomes the caretaker of the lake, now brimming with a strange power.

    Instead, he may be a mysterious, almost immortal being, granted not only the powers of rejuvenation, but the abilities to see supernatural beings. Scared, he runs away, and is aided in his escape from society by his friend. Unfortunately for Kei, the manhunt is on and he will soon be caught within a conflict between mankind and others like him as they prepare to fight a new war based on terror.

    On the night of the winter festival, Yue descends the mountain for the first time and encounters two boys. Though Yue wants nothing more than to become friends with his new acquaintances, Mikoto, the master of the shrine who rules over Utsuwa, declares that Yue must choose one of the boys as his "Meal"! Faced with this incomprehensible decision, what will Yue do?!

    

    Anzai, her savior, is a half-devil who exploits his supernatural gifts as a member of a shadowy police task force that specializes in devil-related crime in Tokyo. As Anzai continues to keep guard over Tsukasa, the two quickly forge a tentative bond—one that Anzai fears will test his iron-clad rule of never drinking human blood...

    Attracted by their jewel-like allure, the unwary find themselves possessed by the Ill and driven to horrific acts of violence. Only the hunters of the Ciste Vihad can dispel the Ill.March is one such hunter, tracking the Ill from town to town to find the antiques that contain the demons before they can possess anyone. If the worst has come to pass, March's full powers are unleashed to battle the fiendish Ill. Born of tragedy, the artifacts all have their own tales to tell, as do each of their victims. But March's story may be the most tragic of all.

    Mizuki's childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI's The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today.Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations of the spirit world, explorations encouraged by his grandmother, a grumpy old woman named NonNonBa. NonNonBa is a touching work about childhood and growing up, as well as a fascinating portrayal of Japan in a moment of transition. NonNonBa was the first manga to win the Angoulême Prize for Best Album. Much like its namesake, NonNonBa is at once funny and nostalgic, firmly grounded in a sociohistorical context and floating in the world of the supernatural.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.