This collection, drawing largely on his Essays Mortal, Political, and Literary (1776 edition), comprehensively shows how far he succeeded.As seen in these selections, Hume embraces a staggering range of social, cultural, political, demographic, and historical concerns, charting the state of civil society, manners, morals, and taste, and the development of political economy in the mid-eighteenth century. These essays represent not only those areas where Hume's arguments representative of his age, but also where he is strikingly innovative.

    The narrator is smitten by Chloe on a Paris-London flight, and by the time they've reached the luggage carousel, he knows he is in love. He loves her chestnut hair and pale nape and watery green eyes, the way she drives a car and eats Chinese food, the gap that makes her teeth Kantian and not Platonic, her views on Heidegger's Being and Time - although he hates her taste in shoes. On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through the (Groucho) "Marxist" stage of coming to terms with being loved by the unattainable beloved, through a fit of anhedonia, defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness, and finally through the nausea induced and terrorist tactics employed when the beloved begins, inexplicably, to drift away. Alain de Botton is simultaneously hilarious and intellectually astute, shifting with ease among such seminal romantic texts as The Divine Comedy, Madame Bovary, and The Bleeding Heart, a self-help book for those who love too much. He is schematically flawless, funny, funky, and totally engaging. Filled with profound observations and useful diagrams, On Love displays and examines for all of us the pain and exhilaration of love, asking, "Can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams? Can we not be excused a certain superstitious faith in a creature who will prove the solution to our relentless yearnings?"

    Teddy Roosevelt lived a full and accomplished life and shared many of his beliefs in this book, in which he tells how to live life to its most productive and fullest.

    Trust Yourself All that you need for growth and guidance 
in life is already present inside you.2. As You Sow, You Will Reap Your thoughts and actions shape your character, 
and your character determines your destiny.3. Nothing Outside You Can Harm YouCircumstances and events don't matter 
as much as how you deal with them.4. The Universe Is Inside You
The world around you is a reflection of the world within you.5. Identify with the InfiniteCenter your identity on the soul 
and your life's purpose will unfold.6. Live in the Present The present moment is your point of power. Eternity is now.7. Seek God WithinThe highest revelation is the divinity of the soul.

    It reappeared in that as a separate poem in the 1845 edition of Poe's poems. (Note on The Haunted House from The Complete Poetical Works of Edgar Allan Poe)

    In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”

    It is also one of the most notorious. Used as evidence in a 1940 court case in which Russell was declared unfit to teach college-level philosophy, What I Believe was to become one of his most defining works. The ideas contained within were and are controversial, contentious and - to the religious - downright blasphemous. A remarkable work, it remains the best concise introduction to Russell's thought.

    Anger and grief in the wake of the shootings at Sandy Hook Elementary School are palpable in this urgent piece of writing, but no less remarkable are King’s keen thoughtfulness and composure as he explores the contours of the gun-control issue and constructs his argument for what can and should be done.

    However, it is also one of the most reliable routes to misery. We tend to treat our sadness individually, as if it were unique and shameful. But, as this book explains, there are some solid reasons why love should be highly sorrowful at times. The good news is that, by understanding our romantic troubles and griefs, seeing them in their proper context and appreciating their prevalence, we will cease to feel so alone and so cursed. This essay is not a study in despair; it is a guide to a more consoling, humane and in its own way joyful perspective on the complexities of love.

    What used to be considered signs of success--being busy, having many responsibilities, being involved in many projects or activities--are today being felt as afflictions. The bestselling author of Money and the Meaning of Life, philosopher Jacob Needleman, shows how to take a bold and unconventional approach to time. The aim: to get more out of it by breaking free of our illusions about it. Needleman dispenses with tricks and techniques that only serve to make our obsessiveness more "efficient." Instead he shows how we can understand what our days are for. It's this understanding that allows time to finally begin to "breathe" in our lives.People can learn to experience time more purposefully and meaningfully. We need not be at time's mercy. Needleman rejects time-management techniques in order to reveal ancient and little-known modern practices for exploring one's internal clock. He reveals how time is experienced by the soul. Drawing on the wisdom literature that chronicles the ways of Buddhists, poets, and philosophers, one learns:What it could mean to chart one's real past, unclouded by emotionsHow memory can lie to us Why we need not be obsessed with the futureHow to experience time so that it is not an enemy robbing us of the joy of lifeHow to have more "nonpsychological time," or "time of the heart [that] does not move," such as moments of ecstasy or joy in which time is cut off from the physical worldHow to experience the gifts of time

    Plaut and Anderson reveal that Marx's "Peuchet on Suicide" is not a straightforward translation, but is an edited version in which Marx adds passages of his own, altering the emphasis of the text from a moral and psychological focus to a profoundly social one. Thus, the essay very strongly reflects Marx's own position on this controversial subject. Sociologist Kevin Anderson provides an extensive introduction situating the essay in the context of Marx's work, especially that on gender; Plaut's essay focuses on the psychological aspects of the work, in particular contrasting Marx's thoughts on suicide with those of Freud and Durkheim.

    He also imagines conversations between Hercules and Atlas, Nature and an Icelander, and the Earth and the Moon, as well as producing a simple essay praising the humble bird.

    Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, autonomy, and voice.In our networked and image-saturated lives, the notion of disappearing has never been more alluring. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and promote ourselves. The pressure to be public comes not just from our peers, but from vast and pervasive technology companies that want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized way of life--for invisibility. Writing in rich painterly detail about her own life, her family, and some of the world's most exotic and remote places, she savors the pleasures of being unseen. Discovering and dramatizing a wonderful range of ways of disappearing, from virtual reality goggles that trick the wearer into believing her body has disappeared to the way Virginia Woolf's Mrs. Dalloway finds a sense of affiliation with the world around her as she ages, Busch deliberates on subjects new and old with equal sensitivity and incisiveness.How to Disappear is a unique and exhilarating accomplishment, overturning the dangerous modern assumption that somehow fame and visibility equate to success and happiness. Busch presents a field guide to invisibility, reacquainting us with the merits of remaining inconspicuous, and finding genuine alternatives to a life of perpetual exposure. Accessing timeless truths in order to speak to our most urgent contemporary problems, she inspires us to develop a deeper appreciation for personal privacy in a vast and intrusive world.

    have collected more than a thousand passages from the works of Mr. Ikeda and categorized them by subject for easy reference ... find relevant quotes on topics of importance to the Buddhist practitioner and the concerned citizen of the world"--P. ix.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.