In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weekly’s 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq. In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation – can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity? Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.

    When a lustful Trojan prince abducts the beautiful Queen Helen of Sparta, Helen`s husband vows to recover her no matter the cost. So begins the Trojan War. From far and wide the ancient kings of Greece bring their ships to join the massive force to pledge their allegiance to High King Agamemnon. Featuring the greatest of the Greek heroes: Achilles, Odysseus, and Herakles, along with a cast of thousands. AGE OF BRONZE: A THOUSAND SHIPS reveals hidden secrets of the characters` pasts, serving up joy and sorrow, leading up to the brink of war, and foreshadowing the terror to come. Age of Bronze will be included in a major international exhibition travelling to three German museums in 2002. The exhibit is centered on the current excavations at Troy and features Age of Bronze in an exhibit devoted to modern interpretations of Troy. Age of Bronze has been nominated for numerous Eisner (The comic industry's Oscar) Awards. Rack it in your mythology and historical fiction sections for even more sales success.

    Originally published in French, this marks the first time that Snowpiercer will be available in English. In a harsh, uncompromisingly cold future where Earth has succumbed to treacherously low temperatures, the last remaining members of humanity travel on a train while the outside world remains encased in ice. The surviving community are not without a social hierarchy; those that travel at the front of the train live in relative luxury whilst those unfortunate enough to be at the rear remain clustered like cattle in claustrophobic darkness. Yet, things are about to change aboard the train as passengers become disgruntled... The movie Snowpiercer, due for release in 2014, is directed by Joon-ho Bong (The Host) and is already causing a stir with parallels to 1984 and Animal Farm.

    Discovered in the Archives of the The Jim Henson Company, A Tale of Sand is an original graphic novel adaptation of an unproduced, feature-length screenplay written by Jim Henson and his frequent writing partner, Jerry Juhl. A Tale of Sand follows scruffy everyman, Mac, who wakes up in an unfamiliar town, and is chased across the desert of the American Southwest by all manners of man and beast of unimaginable proportions. Produced with the complete blessing of Lisa Henson, A Tale of Sand will allow Henson fans to recognize some of the inspirations and set pieces that appeared in later Henson Company productions.

    And the possessive love of their mother, Zana, stirs the troubled waters between them even more. After a brutally violent exchange between the young boys, Yaqub, “the good son,” is sent from his home in Brazil to live with relatives in Lebanon, only to return five years later as a virtual stranger to the parents who bore him, his tensions with Omar unchanged. Family secrets engage the reader in this profoundly resonant story about identity, love, loss, deception, and the dissolution of blood ties.   Set in the port city of Manaus on the riverbanks of the Amazon, Two Brothers celebrates the vibrant life and diversity of Brazil. Based on a work by acclaimed novelist Milton Hatoum, Two Brothers is stunningly reimagined by the award-winning graphic novelists Fábio Moon and Gabriel Bá.

    One summer night at a house party, Fred met Cati. Though they barely spoke, he vividly remembered her gracefulness and abandon. They meet again years later, and this time their connection is instantaneous. But when things become serious, a nervous Cati tells him that she and her three-year-old son are both HIV positive. With great beauty and economy, Peeters traces the development of their intimacy and their revelatory relationship with a doctor whose affection and frankness allow them to fully realize their passionate connection.

    'He flies through the air with the greatest of ease ? the daring young man on the flying trapeze!' Step right up, Ladies and Gentlemen, for a glorious spectacle of graphic literature beyond your wildest imaginings, in which young? Etienne discovers that replacing his uncle as the Amazing Remarkable Monsieur Leotard, world-renowned acrobat and head of a circus troupe, is every bit as difficult as it appears to be.? Etienne is swept up in wonder and work even as he struggles to keep up his grandiose fa?ade, while every day his chances for happiness slip further away.? For Etienne, taking a stand for his own happiness is as daring as any trick the Amazing Remarkable Leotard could perform.? Eddie Campbell and Dan Best bring to life the historical story of the daring young man on the flying trapeze in a tale filled with wonders and marvels.?

    In the past, the mouse world endured a tyrannical Weasel Warlord until a noble band of mouse soldiers fought back. Ever since, the Mouse Guard has defended the paces and prosperity of its kingdom. For generations, this league of scouts, weather-watchers, trailblazers, and protectors has passed won its knowledge and skills.Now three of the Guard's finest have been dispatched. The mission seems simple: They are to find a missing mouse, a grain merchant who never arrived at his destination. But when they find him, they make a shocking discovery—one that involves a treacherous betrayal, a stolen secret, and a rising power that has only one goal: to bring down the Guard...

    Sophie Bangs was a just an ordinary college student in a weirdly futuristic New York when a simple assignment changed her life forever. While researching Promethea, a mythical warrior woman, Sophie receives a cryptic warning to cease her investigations. Ignoring the cautionary notice, she continues her studies and is almost killed by a shadowy creature when she learns the secret of Promethea. Surviving the encounter, Sophie soon finds herself transformed into Promethea, the living embodiment of the imagination. Her trials have only begun as she must master the secrets of her predecessors before she is destroyed by Promethea's ancient enemy.

    Barbara Thorson, a girl battling monsters both real and imagined, kicks butt, takes names, and faces her greatest fear in this bittersweet, coming-of-age story called "Best Indy Book of 2008" by IGN.

    Ott plunges into the darkness with five new graphic horror novelettes: "The Prophet," "The Wonder Pill," "La Lucha," "The Hotel," and the title story, each executed in his hallucinatory and hyper-detailed scratchboard style and running between 16 to 20 pages. The first story in the book introduces the other four: A little girl visits an amusement park. She looks fascinated, but finds everything too expensive. Finally, behind the rollercoaster she eyeballs a small booth with "CINEMA PANOPTICUM" written on it. Inside there are boxes with screens. Every box contains a movie; the title of each appears on each screen. Each costs only a dime, so the price is right for the little girl. She puts her money in the first box: "The Prophet" begins. In the film, a vagrant foresees the end of the world and tries to warn people, but nobody believes him. They will soon enough. In the second film, "The Wonderpill," a short-sighted man initially goes blind from some pills his doctor gave him, but soon the blindness wears off and he finds they accord quite a view. "La Lucha," the third story, introduces a Mexican wrestler who fights against death himself. In a typical Ott twist, he wins and loses at the same time. The final story, "The Hotel," depicts a traveler who goes to sleep in what seems to be an otherwise empty hotel. His awakening is the stuff of nightmares... Ott's O. Henry-esque plot twists will delight fans of classic horror like The Twilight Zone and Tales From the Crypt, or modern efforts like M. Night Shamalayan's films; his artwork will haunt you long after you've put the book down.

    After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straightlaced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Café, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced artistic ambitions, sexual confusion, dependencies, and addictions.   Over Easy is equal parts time capsule of late 1970s life in California—with its deadheads, punks, disco rollers, casual sex, and drug use—and bildungsroman of a young woman who grows from a naïve, sexually inexperienced art-school dropout into a self-aware, self-confident artist. Mimi Pond’s chatty, slyly observant anecdotes create a compelling portrait of a distinct moment in time. Over Easy is an immediate, limber, and precise semi-memoir narrated with an eye for the humor in every situation.