It's said that when he's reached by the truly desperate and deserving, the Nowhere Man can and will do anything to protect and save them.But he's no legend.Evan Smoak is a man with skills, resources, and a personal mission to help those with nowhere else to turn. He's also a man with a dangerous past. Chosen as a child, he was raised and trained as part of the off-the-books black box Orphan program, designed to create the perfect deniable intelligence assets—i.e. assassins. He was Orphan X. Evan broke with the program, using everything he learned to disappear.Now, however, someone is on his tail. Someone with similar skills and training. Someone who knows Orphan X. Someone who is getting closer and closer. And will exploit Evan's weakness—his work as The Nowhere Man—to find him and eliminate him. Grabbing the reader from the very first page, Orphan X is a masterful thriller, the first in Gregg Hurwitz's electrifying new series featuring Evan Smoak.

    Sheridan Doyle, a fastidiously groomed and TV-friendly forensic psychologist, is the go-to shrink for the Philadelphia District Attorney's office whenever a twisted killer's mind eludes other experts. But beneath his Armani pinstripes, he's still Danny Doyle, the awkward, terrified, bullied boy from a blue-collar mining family, plagued by panic attacks and haunted by the tragic death of his little sister and mental unraveling of his mother years ago.Returning to a hometown grappling with its own ghosts, Danny finds a dead body at the infamous Lost Creek gallows where a band of rebellious Irish miners was once executed. Strangely, the body is connected to the wealthy family responsible for the miners' deaths. Teaming up with veteran detective Rafe, a father-like figure from his youth, Danny, in pursuit of a killer, comes dangerously close to startling truths about his family, his past, and himself.

    . .   The truth is easy to miss, even when it’s right in front of us. As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together crime scene details others fail to see. Cleaning out her late father’s law office a week after his burial, she receives a call that plunges her into a decades-old case come to life once more. In the summer of 1979, five Chicago women went missing. The predator, nicknamed The Thief, left no bodies and no clues behind—until police received a package from a mysterious woman named Angela Mitchell, whose unorthodox investigation skills appear to have led to his identity. But before police could question her, Angela disappeared. Forty years later, The Thief is about to be paroled for Angela’s murder—the only crime the DA could pin on him. As a former client of her father’s, Rory becomes reluctantly involved with the killer—though he continues to insist he didn’t murder Angela. Now he wants Rory to do what her father once promised: prove that Angela is, in fact, still alive. As Rory begins reconstructing Angela’s last days, another killer emerges from the shadows, replicating those long-ago murders. With every startling discovery she makes, Rory becomes more deeply entangled in the enigma of Angela Mitchell—and in The Thief’s tormented mind. Drawing connections between past and present is the only way to stop the nightmare, but even Rory can’t be prepared for the full, terrifying truth that is emerging . . .

    As hunger and thirst set in, only one walks away alive.It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....

    Deeply ambivalent about growing up black in the lone star state, he was the first in his family to get as far away from Texas as he could. Until duty called him home.When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders--a black lawyer from Chicago and a local white woman--have stirred up a hornet's nest of resentment. Darren must solve the crimes--and save himself in the process--before Lark's long-simmering racial fault lines erupt. A rural noir suffused with the unique music, color, and nuance of East Texas, Bluebird, Bluebird is an exhilarating, timely novel about the collision of race and justice in America.

    Against her instincts, she let a presidential candidate out of her sight for the briefest moment and the man whose safety was her responsibility vanished into thin air. Sean King knows how the younger agent feels. Eight years earlier, the hard-charging Secret Service agent allowed his attention to be diverted for a split second. And the candidate he was protecting was gunned down before his eyes. Now Michelle and Sean are about to see their destinies converge.Drawn into a maze of lies, secrets, and deadly coincidences, the two discredited agents uncover a shocking truth: that the separate acts of violence that shattered their lives were really a long time in the making – and are a long way from over….

    Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.

    His career, the only thing he ever knew how to do well, is over. The single solace each day brings is the ever-growing contemplation of suicide. But when his estranged brother and sister-in-law are brutally murdered in their bucolic town set on the banks of the Mississippi River, he is drawn into an investigation surrounding a string of killings unlike anything he has ever seen before. The murderer is ruthless, cunning, and without conscience. Soon Liam learns that the river is dark. And so are its secrets.Contains explicit language and violence.

    Reiko Himekawa and her squad take the case. The victim was slaughtered brutally---his wounds are bizarre, and no one can figure out the "what" or the "why" of this crime.At age twenty-nine, Reiko Himekawa of the Tokyo Metropolitan Police's Homicide Division is young to have been made lieutenant, particularly because she lacks any kind of political or family connections. Despite barriers created by age, gender, and lack of connections, she is mentally tough, oblivious to danger, and has an impressive ability to solve crimes.Reiko makes a discovery that leads the police to uncover eleven other bodies, all wrapped in the same sort of plastic. Few of the bodies are identifiable, but the ones that are have no connection to each other. The only possible clue is a long shot lead to a website spoken only in whispers on the Internet, something on the dark web known as "Strawberry Night."But while she is hunting the killer, the killer is hunting her... and she may very well have been marked as the next victim.

    Pregnant with her first child, Emily just wants to start over. But as she is drawn into a nest of secretive Texas women—and into the unnerving company of their queen, Caroline Warwick—Emily finds that acceptance is a very dangerous game. It isn’t long before Caroline mysteriously disappears and Emily is facing a rash of anonymous threats. Are they linked to the missing Caroline? Or to Emily’s terrifying encounter in college, years earlier? As the dark truth about Caroline emerges, Emily realizes that some secrets are impossible to hide—and that whoever came for Caroline is now coming for her.

    . .Some crimes are too unspeakable to solve . . . In the sleepy rural town of Painters Mill, Ohio, the Amish and "English" residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish. Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. Her Amish roots and big city law enforcement background make her the perfect candidate. She's certain she's come to terms with her past--until the first body is discovered in a snowy field. Kate vows to stop the killer before he strikes again. But to do so, she must betray both her family and her Amish past--and expose a dark secret that could destroy her.

    The crime is eerily similar to a twenty-year-old cold case: another victim, brutally murdered, found in the Delaware River. Lead detective Parker Reed is intent on connecting the two murders, but the locals are on lockdown, revealing nothing.The past meets the present when Becca Kingsley, who returns to Portland to be with her estranged but dying father, runs into Parker, her childhood love. As the daughter of the former police chief, Becca's quickly drawn into the case. Coming home has brought something ominous to the surface - memories long buried, secrets best kept hidden. Becca starts questioning all her past relationships, including one with a man who's watched over her for years. For the first time, she wonders if he's more predator than protector.In a small town where darkness hides in plain sight, the truth could change Becca's life - or end it.

    A man to whom Wardell is no stranger.Along with Elaine Banner, an ambitious special agent juggling life as a single mother with her increasingly high-flying career, Blake must track Wardell down as he cuts a swathe across America, apparently killing at random.But Blake and Banner soon find themselves sidelined from the case. And as they try desperately to second-guess a man who kills purely for the thrill of it, they uncover a hornets' nest of lies and corruption. Now Blake must break the rules and go head-to-head with the FBI if he is to stop Wardell and expose a deadly conspiracy that will rock the country.Slick, fast-paced and assured, The Killing Season is the first novel in the gripping new Carter Blake series.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    Which is why he should have listened to his own.  While in an airport restroom at Atlanta’s Hartsfield-Jackson International, Will overhears a girl’s pleading, plaintive voice: “Please, I wanna go home.” Something isn’t right here, thinks Will. He feels it in his gut. But he waits too long to act, and now the girl and the anxious, angry man she’s with have disappeared into the crowds at the busiest passenger airport in the world.  After a desperate search and with time running out, Will makes a call to his supervisor, Amanda Wagner. Will’s partner, Faith Mitchell, immediately sends out an abducted child alert. The entire airport will soon be grinding to a halt: Almost 100 million passengers a year. Five runways. Seven concourses. Six million square feet of space that sprawled across two counties, three cities, and five jurisdictions. All shut down on a dime because Will has a hunch that he is certain is true: a girl, maybe six or seven years old, has been snatched from God knows where. And he intends to bring her back—no matter what it takes. Includes an exclusive excerpt from Karin Slaughter’s thrilling new novel of suspense, Criminal. PRAISE FOR THE CRIME FICTION OF KARIN SLAUGHTER  “Karin Slaughter is one of the best crime novelists in America.”—The Washington Post  “Crime fiction at its finest.”—Michael Connelly “An absolute master.”—Chicago Tribune “Slaughter writes with a razor. . . . Better than Cornwell can ever hope to be.”—The Plain Dealer “Slaughter will have you on the edge of your seat.”—Seattle Post-Intelligencer “One of the boldest thriller writers working today.”—Tess Gerritsen  “Move over, Catherine Coulter—Slaughter may be today’s top female suspense writer.”—Library Journal (starred review)