But in saving her life, he almost loses his own! When he comes to, he finds himself alone with the mysterious lady in a small country cottage. And though he had successfully avoided the marriage-minded maidens of the "ton" for years, he felt honor-bound to propose to his beautiful benefactor. After all, they had spent the night alone, and the scandal would be unbearable. But the woman vehemently refuses, and disappears. But the young lord finds himself not so willing to let go of her, and the chase is on.

    Michener, whose novels hurtle from the far reaches of history to the dark corners of the world, paints an intoxicating portrait of a land whose past and present are as turbulent, fascinating, and colorful as any other on Earth. When an American journalist travels to report on the upcoming duel between two great matadors, he is ultimately swept up in the dramatic story of his own Mexican ancestry—from the brilliance and brutality of the ancients, to the iron fist of the invading Spaniards, to modern Mexico, fighting through dust and bloodshed to build a nation upon the ashes of revolution. Architectural splendors, frenzied bullfights, horrific human sacrifice: Michener weaves them all into an epic human story that ranks with the best of his beloved bestselling novels.

    Schmidt is content with keeping his own hours and steering his own course, even as he becomes entertained--and increasingly ensnared-- by the odd billionaire Michael Mansour. Among Schmidt's other heartbreaks and delights is the scandal engulfing his detested son-in-law. Where will it all lead? Is Mansour a true friend or just a big cat playing with a WASP mouse? Can May and December remain on the same calendar as the sun sets? Through it all, one thing is clear: Schmidt has found a new life far beyond the deck chair.With the elegance and mordant wit readers have come to expect of him, Louis Begley has created a magnificent story of how virtue may be rewarded.

    As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    But their small, quiet life is upended when Arthur Rook shows up in the middle of a nervous breakdown, devastated by the death of his wife, carrying a pink shoe box containing all his wife's mementos and keepsakes, and holding a postcard from sixteen years ago, addressed to Mona but never sent. Slowly the contents of the box begin to fit together to tell a story—one of a powerful friendship, a lost love, and a secret that, if revealed, could change everything that Mona, Oneida, and Arthur know to be true. Or maybe the stories the box tells and the truths it brings to life will teach everyone about love—how deeply it runs, how strong it makes us, and how even when all seems lost, how tightly it brings us together. With emotional accuracy and great energy, This Must Be the Place introduces memorable, charming characters that refuse to be forgotten.

    His first mate, Mr. Jukes, is the perfect contrast as an imaginative man prone to speaking in figurative language. Though they are opposites, MacWhirr and Jukes respect each other and run a tight ship, until the crew notices the barometer predicting a serve storm. Jukes and the crew suggest alternate paths to MacWhirr, but he is unconvinced. Since MacWhirr has not experienced the storm yet, he doesn't believe that it really can be much of a problem, and if they sailed around it, they would waste time. Jukes is shocked at the decision, but respects MacWhirr's conviction. They keep their course, setting sail to go directly through the storm. Though the crew objects, Jukes and MacWhirr are convinced they each made the right call, but disastrous outcomes are inevitable when facts are ignored. Now in the heart of a great typhoon, MacWhirr and Jukes must work together to save their crew. Facing tuberous winds, powerful waves, and the sea's worst moods, the combination of MacWhirr's rationalism and Jukes' imagination prove to be vital.Based off of events in Joseph Conrad's sea life, Typhoon is an allegorical work that explores consequences of making decisions without considering facts or other perspectives, while hailing the importance of tolerance and collaboration. With satirical characters and a thrilling setting, Typhoon is both thought-provoking and adventurous. First published in 1902, Joseph Conrad's has been reprinted in many publications, including literary magazines and literary collections. Typhoon depicts a story of high stakes and adventure with a uniquely observant narrative style, shouldering Conrad's stylistic legacy of masterful prose.Previously published among other literary works, this edition allows Joseph Conrad's Typhoon stand on its own. Now with a new, eye-catching cover design and printed in a modern, easy-to-read font, Typhoon is accessible for a contemporary audience. Even nearly one-hundred and twenty years later, Conrad's adventurous, allegorical work is still relevant and intriguing as it acknowledges the various personalities required for human success and survival.

    His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness—particularly its matter-of-fact acceptance of a woman's right to her own sexuality—would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex—a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations."But the solid and deft characterizations of the four young people whose lives intertwine—the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur—are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.

    Here live the Starkadders - Aunt Ada Doom, Judith, Amos, Seth, Reuben, Elfine...They lead messy, untidy lives, full of dark thoughts, moody silences, and sudden noisy quarrels. That is, until their attractive young cousin arrives from London. Neat, sensible, efficient, Flora Poste cannot bear messes (they are so uncivilized). She begins to tidy up the Starkadders' lives at once ...

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come. Edward, eager for rapture, frets over Florence’s response to his advances and nurses a private fear of failure, while Florence’s anxieties run deeper: she is overcome by sheer disgust at the idea of physical contact, but dreads disappointing her husband when they finally lie down together in the honeymoon suite. Ian McEwan has caught with understanding and compassion the innocence of Edward and Florence at a time when marriage was presumed to be the outward sign of maturity and independence. On Chesil Beach is another masterwork from McEwan—a story of lives transformed by a gesture not made or a word not spoken.

    By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood? What happens when a living thing falls in love with someone who does not actually exist?

    I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy's haunting Jewish background, and begins to draw his own fantastical conclusions...

    It is the story of the fortunes and misfortunes of the egotistical dandy Peregrine Pickle, and it provides a comic and caustic portrayal of 18th century European society.