Wright's first mystery novel, we are introduced to RCMP Staff Sergeant Karl Alberg; and so begins the highly-acclaimed series featuring Karl and librarian Cassandra Mitchell.At eighty, George Wilcox hardly expected to crown his life by committing a murder. It had happened so quickly, so easily, so unexpectedly in the sleepy town on the Sunshine Coast of British Columbia:  a near-perfect crime that wraps Wilcox in a web of guilt, honor, and secrets of the past.  An unprovoked act that soon binds him to the warmhearted town librarian, Cassandra Mitchell, and her new romantic interest, zealous Staff Sergeant Alberg.  Together, this troubled trio find themselves caught up in a crime whose solution transcends the logic of pure justice.

    Two o'clock in the morning on a Saturday night in Riverside, Nova Scotia, when he realises he has fallen in love - with exactly the wrong person. There are no volcanic eruptions. No floods or fires. Just Stephen, watching TV with his best friend, realising that life, as he knows it, will never be the same.The smart move would be to run away - from Riverside, his overly dependent mother, his distant, pot-smoking father, and especially his feelings. But then Stephen begins to wonder: what would happen if he had the courage to face the end of the world head on?

    City of lights, City of love... City of drama! With a year remaining on Dominique's first presidential term, the Laroche camp is gearing up for her re-election campaign. Dominique herself, however, doesn't seem so keen on going through it all again.Aurore and Solange's relationship has been on and off so many times, nobody can keep count. The prospect of being on opposing sides of an election campaign is proving too difficult to overcome. Unless one of them can find it in her heart to make a sacrifice.Claire is showing signs of a midlife crisis. Rather than test her marriage to Margot, her behaviour puts in danger Barbier & Cyr, and her friendship with Juliette and Steph.Partnerships will be questioned, loyalties will shift and priorities will be reassessed as favourite characters, and old foes, return for a new season of Parisian drama and intrigue.Warning: This title contains sensual language, ladies making love, copious wine consumption and the occasional bout of political backstabbing.

    He spent the first year of his sobriety close to home, tending his garden, where he cast his mind back over his life, searching for the memories he'd tried to drown in vodka. Lane has gardened for as long as he can remember, and his garden's life has become inseparable from his own. A new bloom on a plant, a skirmish among the birds, the way a tree bends in the wind, and the slow, measured change of seasons invariably bring to his mind an episode from his eventful past. What the Stones Remember is the emerging chronicle of Lane's attempt to face those memories, as well as his new self--to rediscover his life. In this powerful and beautifully written book, Lane offers readers an unflinching and unsentimental account of coming to one's senses in the presence of nature.

    His outrageous monologues made him a legend on tv's The Kids in the Hall.  Now he's back--with the life story only he could tell."My goal is not to shock and horrify, but to tell the truth.  And if that truth shocks and horrifies, well .  .  .  maybe you should get out more."Spinning martini-fueled tales from his stool in his favorite gay bar, acid-tongued raconteur Buddy Cole became one of The Kids in the Hall's most beloved and enduring characters.  Now, brought to you by Kids star Scott Thompson with series writer Paul Bellini, Buddy Babylon takes you on a jaw-dropping tour of Buddy's flashy, trashy life, filled with tales of poignant, heart-wrenching romance, lurid sexual debauchery, the birth of synchronized swimming, and the ugly, never-before-revealed truth behind the Prettiest Feet in Quebec contest.Join Marco (Buddy's cosmetically challenged sidekick), Cornygirl (the loyal corncob doll who rarely leaves his side), and a cast of unforgettably offbeat characters as Buddy blazes a trail across the deep Canadian forest, through the darkest corners of the big city, and back to his signature barstool.  From his humble beginnings as the twenty-third child of poor pig farmers, to his moment in the spotlight in the tabloids, Buddy Babylon lays bare a lifetime of madness, chaos, and things your mother warned you about--the essential Buddy Cole.After Kids' six-year run on CBS, HBO, Comedy Central, and the CBC in Canada, Scott Thompson joined the cast of the critically acclaimed HBO series The Larry Sanders Show.  He is also a frequent guest on Politically Incorrect and The Late Show, and continues to do stand-up comedy, which includes performances in the character of Buddy Cole.

    The book manages to be both harsh and sympathetic. It welds humour, tragedy and the personal embarrassments we all live through in a colourful and memorable way.

    Michael⁠⁠--with a ponytail down his back and a septum piercing⁠--lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father's escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny's futures⁠⁠--and of their friendship. With storytelling as intoxicating as it is intelligent, Rufi Thorpe has created a tragic and unflinching portrait of identity, a fascinating examination of our struggles to exist in our bodies, and an excruciatingly beautiful story of two humans aching for connection.

    And whoever wins the fashion competition will win the scholarship.

    She wants to make Carrie look beautiful, smell beautiful—and then she wants to eat her! Will Carrie survive as her slave? Will Jimmie be cured? Starring a host of Hollywood’s brightest stars, including Coco Chanel, Lon Chaney and the Carter Family, The Show That Smells is a thrilling tale of hillbillies, high fashion, and horror!

    The family moved first to Beirut, which suddenly became one of the most dangerous places in the world, then Cairo. After a few peaceful years, even the safe haven of Cairo struggled under a new wave of Islamic extremism that culminated with the assassination of Anwar Sadat in 1981. The family returned to Yemen, a country that was then culturally isolated from the rest of the world.As a gay man living in an intolerant country, Al-Solaylee escaped first to England and eventually to Canada, where he became a prominent journalist and academic. While he was enjoying the cultural and personal freedoms of life in the West, his once-liberal family slowly fell into the hard-line interpretations of Islam that were sweeping large parts of the Arab-Muslim world in the 1980s and 1990s. The differences between his life and theirs were brought into sharp relief by the 2011 revolution in Egypt and the civil war in Yemen.Intolerable is part memoir of an Arab family caught in the turmoil of Middle Eastern politics over six decades, part personal coming-out narrative and part cultural analysis. This is a story of the modern Middle East that we think we know so much about.

    Since their birth, Rose and Ruby Darlen have been known simply as "the girls." They make friends, fall in love, have jobs, love their parents, and follow their dreams. But the Darlens are special. Now nearing their 30th birthday, they are history's oldest craniopagus twins, joined at the head by a spot the size of a bread plate. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one. From their awkward first steps--Ruby's arm curled around Rose's neck, her foreshortened legs wrapped around Rose's hips-- to the friendships they gradually build for themselves in the small town of Leaford, this is the profoundly affecting chronicle of an incomparable life journey.As Rose and Ruby's story builds to an unforgettable conclusion, Lansens aims at the heart of human experience--the hardship of loss and struggles for independence, and the fundamental joy of simply living a life. This is a breath taking novel, one that no reader will soon forget, a heartrending story of love between sisters.

    I can no longer grab beauty by her wrists and demand articulation or meaning. I can only take account of where things touch.Part lyric essay, part prose poetry, Where Things Touch: A Meditation on Beauty grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human experience. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.Eloquent and meditative in its approach, beauty, here, beyond base expectations of frivolity and superficiality, is conceived of as a thing to recover. Where Things Touch is an exploration of an essential human pleasure, a necessary freedom by which to challenge what we know of ourselves and the world we inhabit.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    "Lost Geography" takes the complexity of migration as its central subject: Why do landscape, work, and family lock some people in place and release others? In settings both rural and urban, these stalwart, tragically dispersed yet resilient people respond not only to new environments and experiences but to the eruption of sudden loss and change.As the settings and characters shift in this wise, resonant book, readers are invited to see how habits of survival translate from one generation to another. How are we like our forebears? How does circumstance make us alter what our heritage has told us is important? With unfailing subtlety and elegance, "Lost Geography" teaches us, in a luminous sequence of intense personal dramas, that what keeps us alive isn't so much our ability to understand the details of our past as having the luck and courage to survive the assaults of both the present and history.

    She was a tough-talking, wise-cracking vaudeville performer who made her way onto the Broadway stage and then into the hearts of the American public with a highly visible Hollywood film career. Rarely, however, do people think of Mae West as a writer even though she wrote eight scripts for the stage and her own dialogue for many of her films. In "Three Plays By Mae West, " Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--"Sex" (1926), "The Drag" (1927) and "Pleasure Man" (1928). Schlissel's introduction offers insight to the life and early career of this legendary stage and screen actress. In her first starring role on Broadway, West played Margy LaMont in "Sex, " which had 375 continuous performances but was closed by the police after more than a year, when she was tried and convicted of corrupting the morals of youth. Set in a Montreal brothel, the play confronts the issue of women separated by class and attitudes of sexuality. West's character learns the painful lesson that women are not bound in sisterhood simply because they have both shared the betrayal of men. In "The Drag, " which opened in Bridgeport, Connecticut, but not in New York, West argued that, like sexuality in a woman, homosexuality had no class identification. In this play West used the theatricality of the drag "queens" who had become her friends and "sisters." "Pleasure Man" is once again set in the world of theatre, and is both a forerunner to "La Cage aux Folles" and a revenge fantasy in which a man is castrated after seducing and impregnating an innocent girl. "Pleasure Man" had two and a half performances in the city before it was closed by the police. While West won the legal right to have her play performed, its controversial nature marked the end of her box office success.