Little has changed there. Her father's silk ties still hang limply in the closet even though he left years ago, and Hanako busies her days in relentless pursuit of all things European--especially opera. But when Hanako returns from a Pavarotti concert proclaiming that the opera star himself has promised to visit their home, Emily is amused. Until Hanako hires Alex, an aging, widowed carpenter to renovate the house for Pavarotti's imminent arrival--provoking Emily to seriously question her mother's sanity.As the remodeling consumes Hanako's every waking moment, along with a growing friendship with Alex, Emily grows suspicious of the handyman and the home improvements that her mother haphazardly pours her money into. But as Emily charts the course of her mother's odd preoccupation, and begins to wonder if Pavarotti will indeed make an appearance, she inadvertently finds herself learning some of life's most profound lessons. . . .

    She begins with the formality and security of the arrangements of life for a Japanese middle-class family, living in a walled compound with their servants, following exactly the tradition inherited from their parents, with marriages arranged for the children, which continued up until World War II. By then her mother was married to an engineer and living in Japanese-occupied Manchuria. That period is marked by her mother's often funny, painful experiences of learning about the Chinese and Russians with whom she now lived with her growing family, and the war seen from her point of view. At the end of the war, the Japanese - women, children, everyone - had to escape, walking hundreds of miles to the coast. The family returned to a Tokyo where the society, the culture, the economy was entirely overturned. The Americans were everywhere, the Japanese were unemployed, and the ways of society that they had all known had vanished. And yet somehow Ruri's indomitable mother survived.

    In these three tales, superbly translated by Edward Seidensticker, erotic fantasy is underlaid with longing and memories of past loves.In the title story, the protagonist visits a brothel where elderly men spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl's beauty, he recalls his past womanizing, and reflects on the relentless course of old age. In One Arm, a young girl removes her right arm and gives it to the narrator to take home for the night; a surreal seduction follows as he tries to allay its fears, caresses it, and even replaces his own right arm with it.The protagonist of Of Birds and Beasts prefers the company of his pet birds and dogs to people, yet for him all living beings are beautiful objects which, though they give him pleasure, he treats with casual cruelty.Beautiful yet chilling, richly poetic yet subtly disturbing, these stories make compelling reading and reaffirm Kawabata s status as a world-class writer.

    Genbei's Curse — A downtrodden woman loses her temper with her demanding, sick father-in-law. Years later, old and sick herself, she can now empathize with him.Trial by Fire — A true story passed down through the author's family of a gruesome trial to settle a land dispute in 1619.Love and Duty — The Japanese custom of "duty chocolates" (chocolates gifted by women to men on Valentine's Day) has repercussions for an American and a Japanese woman.Uncle Trash — Told in the form of newspaper articles, this is the story of an old man, his hoarding addiction, the annoyance it brings his family, and his eventual revenge.Watch Again — A man starts stalking his ex-wife and learns something about himself in the process.Three Village Stories — A tea ceremony teacher, a vengeful son, and an old man ostracized by his community are the protagonists in three vignettes of village life. The Rescuer — After meeting his death in a train accident, a young man finds himself in the position of rescuing others from the same fate.Showa Girl — Based on a true story from the author's family, a girl of fifteen has an arranged marriage with an older man just back from a POW camp in Russia in 1948.Rachel and Leah — An older American woman reflects on her long and not always happy marriage to a Japanese man. The Turtle Stone — Going from the 1950s to the present, this is the story of one man's efforts to keep the family cake shop alive in a Kyoto that is constantly modernizing.Illustrated throughout with the author's own black-and-white drawings, this captivating volume offers a unique and lovingly rendered insight into everyday life in modern Japan.

    He has twenty-three days to bring a terrorist group to justice, or they will use a deadly new virus to change the world—by killing off most of humanity.

    At once grotesque and vertiginous, Itō interweaves mythologies, language, sexuality, and place into a genre-busting narrative of what it is to be a migrant.

    Far from the trendy gaijin neighborhoods of downtown Tokyo, she’s settled in a remote seaside village where she makes ends meet as a bar hostess. Her world appears to open when she meets Yusuke, a savvy and sensitive art gallery owner who believes in her talent. But their love affair, and subsequent marriage, is doomed to a life of domestic hell, for Yusuke is the chonan, the eldest son, who assumes the role of rigid patriarch in his traditional family while Jill’s duty is that of a servile Japanese wife. A daily battle of wills ensues as Jill resists instruction in the proper womanly arts. Even the long-anticipated birth of a son, Kei, fails to unite them. Divorce is the only way out, but in Japan a foreigner has no rights to custody, and Jill must choose between freedom and abandoning her child.Told with tenderness, humor, and an insider’s knowledge of contemporary Japan, Losing Kei is the debut novel of an exceptional expatriate voice.Suzanne Kamata's work has appeared in over one hundred publications. She is the editor of The Broken Bridge: Fiction from Expatriates in Literary Japan and a forthcoming anthology from Beacon Press on parenting children with disabilities. A five-time nominee for the Pushcart Prize, she has twice won the Nippon Airways/Wingspan Fiction Contest.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    He is in awe of her aloofness, her skill at slipping sandwiches into bags, and, most electric of all, her ice-blue eyelids. Every day he is drawn to the supermarket just to watch her in action. But life has a way of interfering – there is his mother, forever distracted, who can tell the fortunes of women; his grandmother, silently dying, who listens to his heart; and his classmate, Tutti, no stranger to pain, who shares her private thrilling world with him.Tender, warm, yet unsentimental, Ms Ice Sandwich is a story about new starts, parents who have departed, and the importance of saying goodbye.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    A retired doctor, for example, is forced to confront the horrific moral consequences of his wartime actions. An elderly woman subjects herself to an interview, gradually revealing a fifty-year old murder and its shattering aftermath. And in the last days of a doomed war, a prodigal son who enlisted against his parents' wishes survives the American invasion of his island outpost, only to be asked for a sacrifice more daunting than any he imagined.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    After a failed assassination attempt on the Emperor, an anonymous samurai is coerced into a suicide mission that will test his skills to the limit. He must face this challenge for his young charge, a girl who is the last remainder of his duty.The samurai and the girl must journey to a far and impregnable mountain fortress, fighting off threats and dangers on the way. The girl, knowing no other life, hopes to learn all she can of the ways of the warrior.But they do not travel alone. The hunters are also the hunted. In Winter Raven, the first in an epic and engrossing new historical series, written in spare and precise prose, we are transported to an incredible time and place in history. Brutal, tense and action-packed, Winter Raven is sure to appeal to readers of James Clavell, Bernard Cornwell and Ben Kane. Adam Baker was born in the west of England in 1969. He is the son of a priest. He studied Theology and Philosophy in London. He has worked as a gravedigger, a mortuary attendant, a short order cook in a New York diner, and fixed slot machines in an Atlantic City casino. He is currently employed as a cinema projectionist.