A definitive edition of one of America’s most distinguished poets.

    These sometimes overlooked presences are wonderfully alive in this collection of lyric poems, which first appeared in 1992. Now back in print, "Hotel Lautreamont" underscores Ashbery's ability to be both tragic and playful, dense and volatile, passionate and impersonal. As David Herd observed in "New Statesman and Society," this is "a poetry fully and startlingly engaged with the way things happen."

    This crucial collection combines The New Tenant with Amédée and Victims of Duty—the plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.”In Amédée, the title character and his wife have a problem—not so much the corpse in their bedroom as the fact that it’s been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment.In The New Tenant a similar crowding is caused by an excess of furniture—as Harold Hobson said in the London Times, “there is not dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind.”In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for “Mallot with a t.” In these as in all his plays, Ionesco poses and solves his tragicomic dilemmas with the brilliant blend of gravity and hilarity that is the hallmark of the absurdist theater.

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    This bilingual edition contains a representative selection of poems from different periods and different aspects of his vast output.

    This volume contains the finest short poetry Donald Hall has written, poems of landscape and love, of dedication and prophecy, poems that have won thousands of readers, as well as various prizes and honors.

    Deciding that his battalion has been 'doping off', Colonel Templeton calls for a 36-mile forced march to inculcate discipline. The Long March is a searing account of this ferocious ordeal - and of the two officers who resist.

    Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer's career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as "Friday's Footprint" and "Something Out There" to her shorter, more experimental stories, Gordimer's work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer's vision.

    Charles Wright’s translation, Jonathan Galassi’s introduction, and, as afterword, Montale’s thoughtful essay on Campana, identify the heart of this poet’s achievement.

    Boyhood; II. Apprenticeship; III. The Great Struggle; IV. Daybreak. Martin Andersen Nexo (1869-1954) was born in the slums of Copenhagen into extreme poverty. He was the fourth of eleven children. His father, a stone mason, was an alcoholic and his mother was a daughter of a blacksmith. When he was eight, the family moved to the town of Nexo on the island of Bornholm, whose name he adopted in 1894 as his own. His breakthrough work, the Danish classic Pelle the Conqueror, appeared between 1906 (Part I) and 1910 (Part IV). It tells the story of Pelle, a poor boy, whose life in Part I shares much similarities with Nexo's. "The great charm of the book lies in the fact that the writer knows the poor from within; he has not studied them as an outsider may, but has lived with them and felt with them, at once a participant and a keen-eyed spectator. He is no sentimentalist, and so rich is his imagination that he passes on rapidly from one scene to the next, sketching often in a few pages what another novelist would be content to work out into long chapters or whole volumes. His sympathy is of the widest, and he makes us see tragedies behind the little comedies, and comedies behind the little tragedies, of the seemingly sordid lives of the working people whom he loves." (Otto Jespersen) "Pelle" has conquered the hearts of the reading public of Denmark and of the world. The first part of the book was filmed by Bille August; in 1989 the film won the Academy Award as Best Foreign Language Film."

    His verse is renowned and loved for its powerful insight and emotion, and its exquisite music. Yet, unlike many of his peers, Ungaretti has never been adequately presented to English readers. This large bilingual selection, translated with great sensitivity and fidelity by Andrew Frisardi, captures Ungaretti in all of his phases: from his early poems, written in the trenches of northern Italy during World War I, to the finely crafted erotic and religious poetry of his second period, to the visceral, elegiac poetry of the years following the death of his son and the occupation of Rome during World War II, to the love poems of the poet's old age. Frisardi's in-depth introduction details the world in which Ungaretti's work took shape and exerted its influence. In addition to the poet's own annotations, an autobiographical afterword, "Ungaretti on Ungaretti," further illuminates the poet's life and art. Here is a compelling, rewarding, and comprehensive version of the work of one of the greatest modern European poets.

    Published just months after the end of the 1948 war (in which the author fought) the book as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars. An absolute must for anyone interested in Middle Eastern literature and history.

    It included many poems missing from Stevens's Collected Poems, along with Stevens's characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and insights are fresh, startling, and eloquent.

    At once dramatic and witty, his poems lay bare the loneliness and despair of life in genteel small towns ("Tilbury Down" and "The Mill"), the tyranny of love ("Eros Turrannos" and "The Unforgiven"), and unspoken, unnoticed suffering ("The Wandering Jew", and "Isaac and Archibald"). In addition, the fictional characters he created in "Reuben Bright", "Miniver Cheevy", "Richard Cory", and the historical figures he brought to life -- Lincoln in "The Master" and the great painter in "Rembrandt to Rembrandt" -- harbor demons and passions the world treats with indifference or cruelty. With an Introduction that sheds light on Robinson's influence on poets from Eliot and Pound to Frost and Berryman, this collection brings an unjustly neglected poet to new readers.

    Exceptional for their range in mood and situation, these four novels are unparalleled exhibitions of a poetic beauty that is uniquely Duras.