Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    So what better way to repair their broken relationship than to trick them into taking a trip to Italy together? Soon, though, their parents’ perfect solution has become Danny and Elijah’s nightmare as they’re forced to spend countless hours together. But then Elijah meets Julia, and soon the brothers aren’t together nearly as much. And then Julia meets Danny and soon all three of them are in a mixed-up, turned-around, never-what-you-expect world of brothers, Italy, and love.Are We There Yet? isn’t about a place on a map, it’s about a place in the heart. David Levithan has written a magical story of a journey definitely worth taking.

    Inside, she’s a freak: a mix of dark thoughts, diabolical plots, and, if local chatter is to be believed, vampire DNA (after all, her father is Romanian). But she keeps it under wraps to maintain her social position. One step out of line and Becky Vilhauer, first most popular girl in school, will make her life hell. So when former loner Logan McDonough shows up one September hotter, smarter, and more mysterious than ever, Anika knows she can’t get involved. It would be insane to throw away her social safety for a nerd. So what if that nerd is now a black-leather-jacket-wearing dreamboat, and his loner status is clearly the result of his troubled home life? Who cares if the right girl could help him with all that, maybe even save him from it? Who needs him when Jared Kline, the bad boy every girl dreams of, is asking her on dates? Who?Anatomy of a Misfit is Mean Girls meets The Perks of Being a Wallflower, and Anika’s hilariously deadpan delivery will appeal to readers for its honesty and depth. The so-sad-it’s-funny high school setting will pull readers in, but when the story’s dark foreboding gradually takes over, the devastating penultimate tragedy hits like a punch to the gut. Readers will ride the highs and lows alongside funny, flawed Anika — from laughter to tears, and everything in between.

    And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything. So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to? Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.

    Less shocking is the fact that he’s too lazy to look farther than the dinner table for employees. Working the literal graveyard shift, she becomes great at predicting headstone choice (mostly granite) and taking notes with one hand while offering Kleenex with the other.Sarcastic and smart, Leigh should be able to quit this stupid after-school job. But her world’s been turned upside down by the sudden loss of her best friend and the appearance of Dario, the slightly-too-old-for-her gravedigger. Can Leigh move on, if moving on means it’s time to get a life?Darkly humorous and heart-wrenchingly beautiful, Jennifer Longo’s YA debut about a girl surrounded by death will change the way you look at friendship, love, and life.

    And guess what? It's. Getting. On. Her. Nerves.Carly wants to be real, and she's always counted on her little sister, Anna, to love her and support her—and tell her how right she is. But when Anna turns "hot" over the course of a single summer, everything goes weird. Suddenly Anna's swimming in the deep end with the big girls—while Carly watches, hurt, from the kiddie pool. And of course there are boys involved, complicating things as boys always do.

    There is no greater sin than kissing your best friend’s boyfriend. So when Emma breaks that golden rule, she knows she’s messed up big-time...especially since she lives in the smallest town ever, where everyone knows everything about everyone else...and especially since she maybe kinda wants to do it again. Now her best friend isn’t speaking to her, her best guy friend is making things totally weird, and Emma is running full speed toward certain social disaster. This is so not the way senior year was supposed to go. Time to pray for a minor miracle. Or maybe, just maybe, it’s time for Emma to stop trying to please everyone around her, and figure out what she wants for herself.

    He can’t tell his lifelong best friend, Tabby, how he really feels about her; his promising basketball skills are being overshadowed by his attitude on the court, and the only place he feels normal is in English class, where he can express his inner thoughts in quirky poems and essays. Matt is desperately hoping that Tabby will reciprocate his feelings; but then Tabby starts dating Liam Branson, senior basketball star and all-around great guy. Losing Tabby to Branson is bad enough; but, as Matt soon discovers, he’s close to losing everything that matters most to him.

    But when you’re a girl with a reputation, every little thing that happens seems to keep people whispering—especially when your ex-best friend goes missing.But if anyone were to look closer at Darcy, they’d realize there’s a lot more going on beneath the surface. Staying out late, hooking up, and telling lies is what Darcy does to forget. Forget about the mysterious disappearance of her friend. Forget about the dark secret she and her cousin Nell share.Forget about that hazy Fourth of July night. So when someone in town anonymously nominates Darcy to be in the running for Bay Festival Princess—a cruel act only someone with a score to settle would make—all of the things that Darcy wants to keep hidden threaten to erupt in ways she wasn’t prepared to handle…and isn’t sure if she can.

    Sixteen-year-old Petula De Wilde is anything but wild. A family tragedy has made her shut herself off from the world. Once a crafting fiend with a happy life, Petula now sees danger in everything, from airplanes to ground beef. The worst part of her week is her comically lame mandatory art therapy class. She has nothing in common with this small band of teenage misfits, except that they all carry their own burden of guilt.When Jacob joins their ranks, he seems so normal and confident. Petula wants nothing to do with him, or his prosthetic arm. But when they’re forced to collaborate on a unique school project, she slowly opens up, and he inspires her to face her fears.Until a hidden truth threatens to derail everything.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    I can see it now: Dear Diary, As I'm set adrift on this crazy sea called "life" . . . I don't think so.It's been seventy-five days. Amy's sick of her parents suddenly taking an interest in her.And she's really sick of people asking her about Julia. Julia's gone now, and she doesn't want to talk about it. They wouldn't get it, anyway. They wouldn't understand what it feels like to have your best friend ripped away from you.They wouldn't understand what it feels like to know it's your fault.Amy's shrink thinks it would help to start a diary. Instead, Amy starts writing letters to Julia.But as she writes letter after letter, she begins to realize that the past wasn't as perfect as she thought it was—and the present deserves a chance too.

    A prostitute. A serial killer.Anywhere else, they’d be vermin. At the Mandel Academy, they’re called prodigies. The most exclusive school in New York City has been training young criminals for over a century. Only the most ruthless students are allowed to graduate. The rest disappear.Flick, a teenage pickpocket, has risen to the top of his class. But then Mandel recruits a fierce new competitor who also happens to be Flick’s old flame. They’ve been told only one of them will make it out of the Mandel Academy. Will they find a way to save each other—or will the school destroy them both?

    Rebel (as she’s known) decides to complete the dead girl’s bucket list to prove that choice, not chance, controls her fate. In doing so, she unexpectedly opens her mind and heart to a world she once dismissed—a world of friendships, family, and faith. With a shaken sense of self, she must reevaluate her loner philosophy—particularly when she falls for Nate, the golden boy do-gooder who never looks out for himself. Perfect for fans of Jay Asher’s blockbuster hit Thirteen Reasons Why, Coriell’s second novel features her sharp, engaging voice along with realistic drama and unforgettable characters.

    . . in words and illustrations, Ingrid left behind a painful farewell in her journal for Caitlin. Now Caitlin is left alone, by loss and by choice, struggling to find renewed hope in the wake of her best friend’s suicide. With the help of family and newfound friends, Caitlin will encounter first love, broaden her horizons, and start to realize that true friendship didn’t die with Ingrid. And the journal which once seemed only to chronicle Ingrid’s descent into depression, becomes the tool by which Caitlin once again reaches out to all those who loved Ingrid—and Caitlin herself.