Lee on Leadership" busts myths and shatters stereotypes as he profiles eminent--and colorful--military generals. Revealing little-known truths, this is the Politically Incorrect Guide that every Civil War buff must have.

    

    Davis, one of America's best Civil War historians, here offers a definitive portrait of the Confederacy unlike any that has come before. Drawing on decades of writing and research among an unprecedented number of archives, "Look Away!" tells the story of the Confederate States of America not simply as a military saga (although it is that), but rather as a full portrait of a society and incipient nation. The first history of the Confederacy in decades, the culmination of a great scholar's career, "Look Away!" combines politics, economics, and social history to set a new standard for its subject. Previous histories have focused on familiar commanders such as Robert E. Lee and Stonewall Jackson, but Davis's canvas is much broader. From firebrand politicians like Robert Barnwell Rhett and William L. Yancey, who pushed for secession long before the public supported it; to Dr. Samuel Cartwright, who persuaded many Southerners of the natural inferiority of their slaves; to the women of Richmond, who rioted over bread shortages in 1863, Davis presents a rich new face of the Confederate nation. He recounts familiar stories of battles won and lost, but also little-known economic stories of a desperate government that socialized the salt industry, home-front stories of the rangers and marauders who preyed on their fellow Confederates, and an account of the steady breakdown of law, culminating in near anarchy in some states. Never has the Confederacy been so vividly brought to life as a full society, riven with political and economic conflicts beneath its more loudly publicized military battles.Davis's astonishingly thorough primary research has ranged across the 800-oddnewspapers that were in operation during the war, but also across the personal papers of over a hundred Southern leaders and ordinary citizens. He quotes from letters and diaries throughout the narrative, revealing the Confederacy through the words of the Confederates themselves. Like any society, especially in the early stages of nation-building and the devastating stages of warfare, the Confederacy was not one thing but many things to many people. One thing, however, was shared by all: the belief that the South offered a necessary evolution of American democracy. "Look Away!" offers a dramatic and definitive account of one of America's most searing episodes.

    Stricken by cancer as his family faced financial ruin, Ulysses S. Grant wrote his Personal Memoirs to secure their future, and in doing so won for himself a unique place in American letters. Acclaimed by readers as diverse as Mark Twain, Matthew Arnold, Gertrude Stein, and Edmund Wilson, the Personal Memoirs demonstrates the intelligence, intense determination, and laconic modesty that made Grant the Union’s foremost commander. This Library of America volume also includes 174 letters written by Grant from 1839 to 1865. Many of them are to his wife, Julia, and offer an intimate view of their affectionate and enduring marriage; others, addressed to fellow generals, government officials, and his congressional patron Elihu B. Washburne, provide a fascinating contemporary perspective on the events that would later figure in the Memoirs.Grant’s autobiography is devoted almost entirely to his life as a soldier: his years at West Point, his service in the peacetime army, and his education in war during conflicts foreign and domestic. Grant considered the Mexican War “one of the most unjust ever waged by a stronger against a weaker nation” and thought that the Civil War was our punishment for it; but his retrospective disapproval did not prevent him from becoming enchanted by Mexico or from learning about his own capacity for leadership amid the confusion and carnage of battle.His account of the Civil War combines a lucid treatment of its political causes and its military actions, along with the story of his own growing strength as a commander. At the end of an inconsequential advance in Missouri in 1861 he realized that his opponent “had been as much afraid of me as I had been of him.” Fort Donelson and Shiloh taught him to seize the initiative, while his success in living off the land during the Vicksburg campaign inspired William T. Sherman to undertake his marches through the interior of the South.By 1864 Grant knew that the rebellion could be suppressed only by maintaining relentless pressure against its armies and methodically destroying its resources. As the Union’s final general-in-chief, he acted with the resolve that had eluded his predecessors, directing battles whose drawn-out ferocity had no precedent in Western warfare. His narrative of the war’s final year culminates in his meeting with Lee at Appomattox, a scene of quiet pride, sadness, and humanity.Grant’s writing is spare, telling, and quick, superbly evocative of the imperatives of decision, motion, and action that govern those who try to shape the course of war. Grant wrote about the most destructive war in American history with a clarity and directness unequaled in our literature.

    It was a bustling port city with a burgeoning African American middle class and a Fusionist government of Republicans and Populists that included black aldermen, police officers and magistrates. There were successful black-owned businesses and an African American newspaper, The Record. But across the state--and the South--white supremacist Democrats were working to reverse the advances made by former slaves and their progeny.In 1898, in response to a speech calling for white men to rise to the defense of Southern womanhood against the supposed threat of black predators, Alexander Manly, the outspoken young Record editor, wrote that some relationships between black men and white women were consensual. His editorial ignited outrage across the South, with calls to lynch Manly.But North Carolina's white supremacist Democrats had a different strategy. They were plotting to take back the state legislature in November "by the ballot or bullet or both," and then use the Manly editorial to trigger a "race riot" to overthrow Wilmington's multi-racial government. Led by prominent citizens including Josephus Daniels, publisher of the state's largest newspaper, and former Confederate Colonel Alfred Moore Waddell, white supremacists rolled out a carefully orchestrated campaign that included raucous rallies, race-baiting editorials and newspaper cartoons, and sensational, fabricated news stories.With intimidation and violence, the Democrats suppressed the black vote and stuffed ballot boxes (or threw them out), to win control of the state legislature on November eighth. Two days later, more than 2,000 heavily armed Red Shirts swarmed through Wilmington, torching the Record office, terrorizing women and children, and shooting at least sixty black men dead in the streets. The rioters forced city officials to resign at gunpoint and replaced them with mob leaders. Prominent blacks--and sympathetic whites--were banished. Hundreds of terrified black families took refuge in surrounding swamps and forests.This brutal insurrection is a rare instance of a violent overthrow of an elected government in the U.S. It halted gains made by blacks and restored racism as official government policy, cementing white rule for another half century. It was not a "race riot," as the events of November 1898 came to be known, but rather a racially motivated rebellion launched by white supremacists.In Wilmington's Lie, Zucchino uses contemporary newspaper accounts, diaries, letters and official communications to create a gripping and compelling narrative that weaves together individual stories of hate and fear and brutality. This is a dramatic and definitive account of a remarkable but forgotten chapter of American history.

    Its features include a dramatic narrative packed with eyewitness accounts and hundreds of rare photographs, artifacts, and period illustrations. Evocative sidebars, detailed maps, and timelines add to the reference-ready quality of the text. From John Brown's raid to Reconstruction, Eyewitness to the Civil War presents a clear, comprehensive discussion that addresses every military, political, and social aspect of this crucial period. In-depth descriptions of campaigns and battles in all theaters of war are accompanied by a thorough evaluation of the nonmilitary elements of the struggle between North and South. In their own words, commanders and common soldiers in both armies tell of life on the battlefield and behind the lines, while letters from wives, mothers, and sisters provide a portrait of the home front. More than 375 historical photographs, portraits, and artifacts—many never before published—evoke the era's flavor; and detailed maps of terrain and troop movements make it easy to follow the strategies and tactics of Union and Confederate generals as they fought through four harsh years of war. Photoessays on topics ranging from the everyday lives of soldiers to the dramatic escapades of the cavalry lend a breathtaking you-are-there feeling, and an inclusive appendix adds even more detail to what is already a magnificently meticulous history.

    George Armstrong Custer that radically changes our view of the man and his turbulent times.In this magisterial biography, T. J. Stiles paints a portrait of Custer both deeply personal and sweeping in scope, proving how much of Custer’s legacy has been ignored. He demolishes Custer’s historical caricature, revealing a volatile, contradictory, intense person—capable yet insecure, intelligent yet bigoted, passionate yet self-destructive, a romantic individualist at odds with the institution of the military (he was court-martialed twice in six years). The key to understanding Custer, Stiles writes, is keeping in mind that he lived on a frontier in time. In the Civil War, the West, and many areas overlooked in previous biographies, Custer helped to create modern America, but he could never adapt to it. He freed countless slaves yet rejected new civil rights laws. He proved his heroism but missed the dark reality of war for so many others. A talented combat leader, he struggled as a manager in the West. He tried to make a fortune on Wall Street yet never connected with the new corporate economy. Native Americans fascinated him, but he could not see them as fully human. A popular writer, he remained apart from Ambrose Bierce, Mark Twain, and other rising intellectuals. During Custer’s lifetime, Americans saw their world remade. His admirers saw him as the embodiment of the nation’s gallant youth, of all that they were losing; his detractors despised him for resisting a more complex and promising future. Intimate, dramatic, and provocative, this biography captures the larger story of the changing nation in Custer’s tumultuous marriage to his highly educated wife, Libbie; their complicated relationship with Eliza Brown, the forceful black woman who ran their household; as well as his battles and expeditions. It casts surprising new light on a near-mythic American figure, a man both widely known and little understood.

    Between 250,000 and 400,000 Scots-Irish migrated to America in the eighteenth century, traveling in groups of families and bringing with them not only long experience as rebels and outcasts but also unparalleled skills as frontiersmen and guerrilla fighters. Their cultural identity reflected acute individualism, dislike of aristocracy and a military tradition, and, over time, the Scots-Irish defined the attitudes and values of the military, of working class America, and even of the peculiarly populist form of American democracy itself. Born Fighting is the first book to chronicle the full journey of this remarkable cultural group, and the profound, but unrecognized, role it has played in the shaping of America. Written with the storytelling verve that has earned his works such acclaim as “captivating . . . unforgettable” (the Wall Street Journal on Lost Soliders), Scots-Irishman James Webb, Vietnam combat veteran and former Naval Secretary, traces the history of his people, beginning nearly two thousand years ago at Hadrian’s Wall, when the nation of Scotland was formed north of the Wall through armed conflict in contrast to England’s formation to the south through commerce and trade. Webb recounts the Scots’ odyssey—their clashes with the English in Scotland and then in Ulster, their retreat from one war-ravaged land to another. Through engrossing chronicles of the challenges the Scots-Irish faced, Webb vividly portrays how they developed the qualities that helped settle the American frontier and define the American character. Born Fighting shows that the Scots-Irish were 40 percent of the Revolutionary War army; they included the pioneers Daniel Boone, Lewis and Clark, Davy Crockett, and Sam Houston; they were the writers Edgar Allan Poe and Mark Twain; and they have given America numerous great military leaders, including Stonewall Jackson, Ulysses S. Grant, Audie Murphy, and George S. Patton, as well as most of the soldiers of the Confederacy (only 5 percent of whom owned slaves, and who fought against what they viewed as an invading army). It illustrates how the Scots-Irish redefined American politics, creating the populist movement and giving the country a dozen presidents, including Andrew Jackson, Teddy Roosevelt, Woodrow Wilson, Ronald Reagan, and Bill Clinton. And it explores how the Scots-Irish culture of isolation, hard luck, stubbornness, and mistrust of the nation’s elite formed and still dominates blue-collar America, the military services, the Bible Belt, and country music. Both a distinguished work of cultural history and a human drama that speaks straight to the heart of contemporary America, Born Fighting reintroduces America to its most powerful, patriotic, and individualistic cultural group—one too often ignored or taken for granted.

    They reached Arlington’s highest point, where they encircled an old cream-colored mansion with thick columns and a commanding view of the cemetery, the river, and the city beyond. The mansion’s flag, just lowered to half-staff, signaled that it was time to start another day of funerals, which would add more than twenty new conscripts to Arlington’s army of the dead.” So does Robert Poole describe a day like so many others in the long and storied history of Arlington National Cemetery. Created towards the end of our greatest national crucible, the Civil War, its story—as revealed in On Hallowed Ground—reflects much of America’s own over the past century and a half. The mansion at its heart, and the rolling land on which it sits, had been the family plantation of Robert E. Lee before he joined the Confederacy; strategic to the defense of Washington, it became a Union headquarters, a haven for freedmen, and a burial ground for indigent soldiers before Secretary of War Edwin Stanton made it the latest in the newly established national cemetery system. It would become our nation’s most honored resting place. No other country makes the effort the United States does to recover and pay tribute to its war dead—an effort Poole reveals in poignant details from the aftermaths of the Civil War, Spanish-American War, World Wars I and II, Korea, Vietnam, and the conflicts in the Gulf and Afghanistan today. Every tombstone at Arlington tells a story: from Private William Christman, the first soldier buried at Arlington on May 13, 1864, to Union General Montgomery Meigs, whose idea Arlington was; from Lieutenant Thomas Selfridge, the first casualty of powered flight, to Audie Murphy, America’s most decorated soldier; from the Tomb of the Unknown Soldier, so lovingly tended today, to John F. Kennedy’s eternal flame; from scientists and slaves to jurists and generals and tens of thousands of ordinary citizen-warriors, among the more than 300,000 interred on Arlington’s 624 acres. Their sagas, and the rites and rituals that have evolved at Arlington—the horse-drawn caissons, marble headstones, playing of taps, and rifle salutes—speak to us all.

    Goliath struggle in which the North waged “total war” over an underdog South. In The Myth of the Lost Cause, historian Edward Bonekemper deconstructs this multi-faceted myth, revealing the truth about the war that nearly tore the nation apart 150 years ago.

    Like Doris Kearns Goodwin’s monumental New York Times bestseller, Team of Rivals, Epstein’s Lincoln’s Men sheds a new light on the 16th U.S. president—his brilliance and vision in a time of national turmoil and Civil War—by focusing on his relationships with the men who worked closely by his side. USA Today writes, “This is not your typical work of history. Epstein, a poet, employs a dreamy, novelistic tone in describing these young men and their tormented boss.”

    Located sixty miles south of the Mason-Dixon Line, the nation's capital was surrounded by the slave states of Maryland and Virginia. With no fortifications and only a handful of trained soldiers, Washington was an ideal target for the Confederacy. The South echoed with cries of On to Washington! and Jefferson Davis's wife sent out cards inviting her friends to a reception at the White House on May 1.Lincoln issued an emergency proclamation on April 15, calling for 75,000 troops to suppress the rebellion and protect the capital. One question now transfixed the nation: whose forces would reach Washington first-Northern defenders or Southern attackers?For 12 days, the city's fate hung in the balance. Washington was entirely isolated from the North-without trains, telegraph, or mail. Sandbags were stacked around major landmarks, and the unfinished Capitol was transformed into a barracks, with volunteer troops camping out in the House and Senate chambers. Meanwhile, Maryland secessionists blocked the passage of Union reinforcements trying to reach Washington, and a rumored force of 20,000 Confederate soldiers lay in wait just across the Potomac River.Drawing on firsthand accounts, The Siege of Washington tells this story from the perspective of leading officials, residents trapped inside the city, Confederates plotting to seize it, and Union troops racing to save it, capturing with brilliance and immediacy the precarious first days of the Civil War.

    Period photographs illustrate this you-are-there account of the daily lives and tribulations of all who suffered through the war, from ordinary people to the Confederacy's generals and political figures.

    Lincoln was asked to memorialize the gruesome battle. Instead he gave the whole nation “a new birth of freedom” in the space of a mere 272 words. His entire life and previous training and his deep political experience went into this, his revolutionary masterpiece.By examining both the address and Lincoln in their historical moment and cultural frame, Wills breathes new life into words we thought we knew, and reveals much about a president so mythologized but often misunderstood. Wills shows how Lincoln came to change the world and to effect an intellectual revolution, how his words had to and did complete the work of the guns, and how Lincoln wove a spell that has not yet been broken.

    Vann Woodward won the 1982 Pulitzer Prize for History, drawn from the diaries of a Southern aristocrat, records the disintegration and final destruction of the Confederacy.