The boy is mauled by Apron, the neighbor's ailing cow whom he helps, alone, to give birth. The grateful farmer brings him a gift—a newborn pig. His father at first demurs ("We thank you, Brother Tanner," said Papa, "but it's not the Shaker Way to take frills for being neighborly. All that Robert done was what any farmer would do for another") but is persuaded. Rob keeps the pig, names her, and gives her his devotion... He wrestles with grammar in the schoolhouse. He hears rumors of sin. He is taken—at last—to the Rutland Fair. He broadens his heart to make room even for Baptists. And when his father, who can neither read nor cipher, whose hands are bloodied by his trade, whose wisdom and mastery of country things are bred in the bone, entrusts Rob with his final secret, the boy makes the sacrifice that completes his passage into manhood.All is told with quiet humor and simplicity. Here are lives lived by earthy reason—in a novel that, like a hoedown country fiddler's tune, rings at the same time with both poignancy and cheer.

    Noah starts out to find the thieves who stole his herd of trade horses but time and weather wipe out all signs of their movements. With nothing else pressing on his life he wanders to Deadwood for the winter and then to Dakota Territory, with troubles and another theft along the way. Heading towards the Colorado gold fields he agrees to guide Dora across the Montana plains, leaving her in Miles City. After a summer in the high up mountains he decides to find Dora again. Humor and romance ensue. Noah Gates, although not a true sequel, has many tie-ins with Hamilton Robb.

    The final exam for Dr. Matson's Advanced Survival class was meant to be just that: only a test. But something has gone terribly wrong...and now Rod Walker and his fellow students are stranded somewhere unknown in the universe, beyond contact with Earth, at the other end of a tunnel in the sky. Stripped of all comforts, hoping for a passage home that may never appear, the castaways must band together or perish. For Rod and his fellow survivors, this is one test where failure is not an option....

    Cole has been stealing and fighting for years. This time he caught Peter Driscal in the parking lot and smashed his head against the sidewalk. Now, Peter may have permanent brain damage and Cole is in the biggest trouble of his life.Cole is offered Circle Justice: a system based on Native American traditions that attempts to provide healing for the criminal offender, the victim, and the community. With prison as his only alternative, Cole plays along. He says he wants to repent, but in his heart, Cole blames his alcoholic mom, his abusive dad, wimpy Peter (everyone but himself) for his situation.Cole receives a one-year banishment to a remote Alaskan island. There, he is mauled by a mysterious white bear of Native American legend. Hideously injured, Cole waits for death. His thoughts shift from anger to humility. To survive, he must stop blaming others and take responsibility for his life. Rescuers arrive to save Cole's body, but it is the attack of the Spirit Bear that may save his soul.Ben Mikaelsen paints a vivid picture of a juvenile offender, examining the roots of his anger without absolving him of responsibility for his actions, and questioning a society in which angry people make victims of their peers and communities. Touching Spirit Bear is a poignant testimonial to the power of a pain that can destroy, or lead to healing.

    Kaye weaves a vast, rich and vibrant tapestry of love and war. Spanning 25 of the 19th century's most turbulent years, it is a story of hatred and bitter combat; of courage, cowardice and sacrifice; of the star-crossed wedding of East and West; and, above all, of a love that transcends time and place."One of the great literary triumphs of 20th century letters and the screen. Stands with the Forsyth Saga and other great narrative epics of our era. Unconditionally recommended." (B-O-T Editorial Review Board)

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    On the barren coast of Cornwall, England, lived a community who prayed for shipwrecks, a community who lured storm-tossed ships to crash upon the sharp rocks of their shore. They fed and clothed themselves with the loot salvaged from the wreckage; dead sailors' tools and trinkets became decorations for their homes. Most never questioned their murderous way of life.Then, upon that pirates' shore crashed the ship The Isle of Skye. And the youngest of its crew members, 14-year-old John Spencer, survived the wreck. But would he escape the wreckers? This is his harrowing tale.

    In 1918, having run away from the Washington State lumber camp she calls home, a 14-year-old half-Chinese albino named Cordy makes her way to Seattle and finds work in a carnival.

    In The Raid Tolstoy explores the nature of courage itself, a theme central to War and Peace. In The Cossacks he sets forth all the motifs of his whole future life and his work. The hero is a young man-about-town who has squandered half his fortune - and his life - and retires to the desultory existence of a regiment stationed in mountainous Cossack country, where he takes part in the daily life of a Cossack village. But his love for the beautiful Maryanka precipitates a conflict between the belief that "Happiness lies in living for others" and a passion that sweeps self-abnegation aside. As Romain Roland says, "The full force of Tolstoy's descriptive powers is already expressed in this splendid [novel] and Tolstoy's realism shows itself with equal force in depicting human nature."

    In his blind jealous rage he later gives away the baby to gypsy Rona Parrish, summoned to help with the delivery. Kathleen, frenzied with grief, is soon after locked away in an asylum. Rejected by her father, the little girl begins her new life with only a valuable brooch pinned to her shawl as a clue to her true origins. Named after Rona's own mother, the lovely raven-haired Starlena grows up in ignorance of her true parentage and vast inheritance, believing her birthplace to be the beautiful Whistledown Valley. And Rona, always afraid, stays watchful over the years for any sign that someone might track Starlena down - someone who wishes her harm...

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    Her father is recovering from being a prisoner-of-war. The small town and the varied happenings and activities of country life help them to recover from past unhappiness, and bond more closely as a family.

    Now, in this beautifully illustrated graphic novel adaptation, Hosseini brings his compelling story to a new generation of readers.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    All of the joy, heartache, and romance of Jane Austen's original, perfectly illuminated by the sumptuous art of manga-ka Po Tse, and faithfully adapted by Stacy E. King.