The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

    The collection includes essays, journal entries, and the screenplay she never got to use. It covers topics such as art, motherhood, illness, and relationships. She also reveals her work with Steven Spielberg, Quincy Jones, Oprah Winfrey, and Whoopi Goldberg on the movie based on her book, and explores the controversy behind the movie surrounding Steven and Alice’s differing visions, and how it was received by critics. Behind the beautiful writing lies a vulnerability in self-doubt and worry in how the community will respond to her writing. The Same River Twice explores the complex experiences in her life and illuminates Walker as a woman, an artist, and healer.

    Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system for interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the Talking Book, a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. The second volume in an enterprising trilogy on African-American literature, The Signifying Monkey--which expands the arguments of Figures in Black--makes an important contribution to literary theory, African-American literature, folklore, and literary history.

    While she knows racism is a problem (occasional brushes with the uglier side of people don't let her forget it), Naomi is, at heart, just like any other teenage girl. All of that changes when Joshua, Naomi's older brother, is killed in an accident on his way to a civil rights demonstration in Chicago. Racism becomes a personal issue, and Naomi decides that she needs to help bring about changes in the system. At college in Atlanta, she becomes immersed in politics, organizing protests and butting heads with school administrations as well as with her boyfriend, who isn't too friendly to the cause. Disillusioned by authority figures and betrayed by the man she loves, Naomi returns home, confused about the world and her place in it.

    When her best friend loses her battle with cancer, Annie is acting in uncharacteristic ways, seemingly less concerned than ever about what her friends and neighbors think of her—a troubling development in her daughter’s eyes. But while Candace may think she knows her mother better than anyone, something deeper lingers beneath the surface, and times of hardship have a way of bringing us closer together than ever.A perfect next listen for fans of Tayari Jones and Cynthia D'Aprix Sweeney, Starchild is a moving story from a striking literary voice. A poignant mother-daughter story about the complex inner lives of women by the critically acclaimed author of Training School for Negro Girls.

    

    The magic of the drum remains alive in Africa today, and with her magnificent second novel, Berry brings those powerful beats to the streets of Harlem.Harry "Freedom" Hudson is the hottest hip-hop producer in New York City, earning unbelievable fees for his tunes and the innovative sound that puts his artists on the top of the charts. Harry is used to getting what he wants, so when he's irresistibly drawn to a house in Harlem, he assumes he'll be moving in as soon as the papers can be drawn up. The house, after all, has been abandoned for years. Or has it? Rumors are rife in the neighborhood that the house is haunted; that mysterious music, shouts, and sobbing can be heard late at night. Ava, Harry's strong-willed, no-nonsense agent, dismisses it all as "old folks" tales-until she opens the door and finds an eerie, silent group of black people, young and old, all gathered around a man holding an ancient African drum. They are waiting for Harry and bear a warning that touches his very soul: "We gave the drum back to your generation in the form of rap, but it's being used to send the wrong message." The Haunting of Hip Hop is a reminder of the importance of honoring the past as a means of moving safely and firmly into the future. It is sure to raise eyebrows and stir up controversy about the impact, good and bad, of rap culture.

    

    She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires.Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.

    Today, the book is considered a classic in African American and feminist circles.In Sisters of the Yam, hooks examines how the emotional health of black women is wounded by daily assaults of racism and sexism. Exploring such central life issues as work, beauty, trauma, addiction, eroticism and estrangement from nature, hooks shares numerous strategies for self-recovery and healing. She also shows how black women can empower themselves and effectively struggle against racism, sexism and consumer capitalism.As hooks’ first book on psychological concerns, Sisters of the Yam paved the way for her more recent and popular writing on love, relationships and community. This South End Press Classics Edition will include a new introduction.Praise for Sisters of the Yam: Black Women and Self-Recovery:“By confronting topics avoided in polite company—including progressive black folks—hooks helps us tackle our deepest fears, those we harbor about our self-worth as African Americans, and get on with the business of becoming.”—Village Voice Literary Supplement“hooks continues to produce some of the most challenging, insightful, and provocative writing on race and gender in the United States today.”—Library Journal“[bell hooks] draws more effectively on her own experiences and sense of identity than . . . most other writers.”—Publishers Weekly

    unusually. Welcome to the world of THE LYON'S DEN: The Black Widow of Whitehall Connected World, where the underground of Regency London thrives... and loves.ABACAS WOMANLi-Na lives in a black and white world, painting her feelings onto canvas by day and counting money in the Lyon’s Den at night. She’s found safety in the dark ink and the heavy clack of her abacas, but it is really a life? MAN OF ART Lord Daniel can’t draw worth a damn, but he can sell what he finds. And what he finds is Li-Na, a woman of such sublime talent that he will go to extraordinary measures to capture her art. When she refuses to leave her safe cocoon, he conspires with Mrs. Dove-Lyons to bring her to Cornwall where she will have everything she needs to paint. And if her art requires a more personal connection, then he willingly offers up himself as inspiration. A SLOW SEDUCTION Li-Na will not give up her soul to this powerful man, no matter how many castles he owns. She paints him as a tiger hunting in the jungle. She feels him watching her, protecting her, and tempting her until her canvas is filled with his eyes, his mouth, and his caress. But she cannot surrender the only part of her still alive. Unless being consumed by him is the only way to bring color back to her heart.

    It was a time when Langston Hughes, Eubie Blake, Marcus Garvey, Zora Neale Hurston, Paul Robeson, and countless others made their indelible mark on the landscape of American culture: African Americans made their first appearances on Broadway; chic supper clubs opened on Harlem streets, their whites-only audiences in search of the ultimate 'primitive' experience; riotous rent parties kept economic realties at the bay while the rich and famous of both races outdid each other with elegant, integrated soirees. David Levering Lewis makes us feel the excitement of the times as he recaptures the intoxicating hope that black Americans could now create important art--and so at last compel the nation to recognize their equality. In his new preface, the author reconsiders the Harlem Renaissance in light of criticism surrounding the exploitation of the black community. For, as he point out, 'speculations about molded the Harlem Renaissance and who found it most beneficial, as well as what it symbolized and what it actually achieved, raise questions about race relations, class hegemony, cultural assimilation, generation-gender-lifestyle tensions, and art propaganda.

    Between the Covers is organized around their wide-ranging curiosity—about themselves, friends and family, the larger world—and their concerns, from health to sex to managing their finances. With such sections as “Babes We Love” (Role Models Real and Imagined), “The Babe Inside” (Focusing on Body and Soul), and “Love, Sex & Second Chances,” this unique collection of fiction and nonfiction reflects how women really read.

    Rivers of London begins a new story from creator Ben Aaronovitch.The secret history of Nightingale is revealed for the first time, as wizarding cop, Peter Grant uncovers his mentor’s occult service in World War II!

    Their story -- encompassing racism and murder as well as the family commonplaces that make a life -- is one that readers will never forget.