In the twilight of the Civil War, a Union soldier named Norman Pelham is found battle-wounded and near death by Leah, a slave running from a different hell. After Leah nurses him back to health, Norman brings her to his family homestead in Vermont as his wife, and there they begin a family that will be shaped by their passionate devotion to each other and its consequences.

    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

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    Then, from a dark Parisian back alley, he plucks Leon, a redheaded urchin with strangely familiar looks, just in time for his long over-due schemes of revenge on the Comte de St. Vire. Among the splendours of Versailles and the dignified mansions of England, Justin begins to unfold his sinister plans -- until, that is, Leon becomes the ravishing beauty Leonie... Unanswered questions.Lovely, titian-haired Leonie, ward of the dashing Duke of Avon, had all Paris at her feet. Yet her true origins remained shrouded in mystery. And neither the glittering soirees nor the young aristocrats who so ardently courted her could still the question that plagued her young heart.What was her mysterious parentage?Just one man held the secret, the one she feared most in the world--the iron-willed Comte de Saint-Vire, deadly enemy of the Duke. He would give her the answer--for a price. But could she betray the man she secretly, helplessly loved? And could this proud young beauty bear to face the truth when it came?Devil's CubDominic Alistair, Marquis of Vidal is a bad lot a rake and seducer, reckless, heedless, and possessed of a murderous temper. He is known by friend and foe alike as the "Devil's Cub." Yet as the handsome and wealthy heir to a Dukedom, he is considered a good prospect on the marriage market. Vidal currently has his eye on the young, lovely, and unintelligent Sophia Challoner, and Sophia's greedy mother is more than happy to encourage his dubious attentions.When lovely, saucy Mary Challoner had practiced her hold deception upon the hot-blooded, fiery-tempered young Marquis of Vidal--substituting herself for her young sister he had thought to carry off to France--she had little notion he would grimly hold her to her part of the bargain. Now he had left her, and she was alone, a stranger in a strange land, prey to the intrigues of glittering, heartless, 18th century Paris.Only one person could rescue her--the Marquis himself. But how could she ever trust this man? How could she even hope to overcome the contempt in which he held her? And how could even the sudden flowering of her love ever bridge the terrible gap between them?

    Rich in detail, and woven with wit and insight, these fascinating portraits reveal the Shooters as they really lived, fought, and died.Shooters --Billy [the Kid]: the enduring legend --Sam Bass: a square shooter --Black Jack Ketchum: a true loser --Tom Smith: he brought them in alive --The James boys --The Daltons: brothers on the prowl --Elfego Baca: last of the old-time shooters --Print Olive: just plain mean a hell --Stoudenmire: El Paso marshal --King Fisher: frontier dandy --Butch Cassidy and the Sundance Kid --Dave Mather: a deadly shooter --Pat Garrett --Jim Miller: bushwhacker --Chisum: cattle baron --Luke Short and Jim Courtright --Johnson County War --Buffalo Bill: the remarkable showman --Wild Bill Hickok --Clay Allison: wild wolf of the Washita --Texas Rangers --Blood and salt --John Larn: Texas killer --Bass outlaw --James Garrett: Texas Ranger --Pearl Hart, John Ringo, and Jack Slade --John Wesley Hardin --Doc Holliday and Wyatt Earp

    In the depths of the Great Depression, poor families like the Van Slotens are lucky to have a roof over their heads. Work is scarce, and there hasn't been enough of it to provide even the necessities, let alone a luxury like a holiday celebration. But when Tom, the oldest son, takes it into his head to provide a Christmas for his family, the stage is set for a story that will warm your heart and restore your faith in the true spirit of the season!

    Historian Todd Robinson studies the issues surrounding school integration and bureaucratic reforms as well as the role of black youth activism to detail the diversity of black resistance. He focuses on respectability within the African American community as a way of understanding how the movement was formed and held together. And he elucidates the oppositional role of northern conservatives regarding racial progress. a"A City within a City" cogently argues that the post-war political reform championed by local Republicans transformed the city's racial geography, creating a racialized city within a city, featuring a system of managerial racism designed to keep blacks in declining inner-city areas. As Robinson indicates, this bold, provocative framework for understanding race relations in Grand Rapids has broader implications for illuminating the twentieth-century African American urban experience in secondary cities.

    From its humble beginnings in Canton, Ohio, to its emergence as a sport cherished by millions, all the key moments and famous athletes are honored within the pages of this handsomely produced book. In addition to the lively text, and action and portrait photography, the story of the game and the context in which it grew are animated by original lists, charts, creative statistics, and infographics, along with beautiful photos of the evolving equipment and artifacts essential to the story of the sport. A perfect gift, NFL: 100 Years will be cherished by every football fan, new or old.

    Many black residents were poor sharecroppers, but others owned their own farms and the land on which they’d founded the county’s thriving black churches.But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders” launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. In the wake of the expulsions, whites harvested the crops and took over the livestock of their former neighbors, and quietly laid claim to “abandoned” land. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten.National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and ’80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white” well into the 1990s.Blood at the Root is a sweeping American tale that spans the Cherokee removals of the 1830s, the hope and promise of Reconstruction, and the crushing injustice of Forsyth’s racial cleansing. With bold storytelling and lyrical prose, Phillips breaks a century-long silence and uncovers a history of racial terrorism that continues to shape America in the twenty-first century.

    But even though slavery had been outlawed in Gotham by the 1830s, Black New Yorkers were not safe. Not only was the city built on the backs of slaves; it was essential in keeping slavery and the slave trade alive. In The Kidnapping Club, historian Jonathan Daniel Wells tells the story of the powerful network of judges, lawyers, and police officers who circumvented anti-slavery laws by sanctioning the kidnapping of free and fugitive African Americans. Nicknamed "The New York Kidnapping Club," the group had the tacit support of institutions from Wall Street to Tammany Hall whose wealth depended on the Southern slave and cotton trade. But a small cohort of abolitionists, including Black journalist David Ruggles, organized tirelessly for the rights of Black New Yorkers, often risking their lives in the process. Taking readers into the bustling streets and ports of America's great Northern metropolis, The Kidnapping Club is a dramatic account of the ties between slavery and capitalism, the deeply corrupt roots of policing, and the strength of Black activism.

     Born in Fort Scott, Kansas, on November 30, 1912, he left home at age fifteen when his mother passed away. For the next twelve years, he lived in Minneapolis, Minnesota, working as a piano player, bus boy, Civilian Conservation Corpsman, and professional basketball player before taking up photography in the late 1930s and moving to Chicago. He was awarded the first Julius Rosenwald Fellowship in photography in 1942 and chose to work with Roy Stryker at the Farm Security Administration (FSA) in Washington, D.C. During World War II, he was an Office of War Information (OWI) correspondent. He photographed fashion for Vogue and Glamour before joining the staff of Life in 1949 and remained a photojournalist for the magazine until 1969. He also became famous in the late 1960s for his stories on Black revolutionaries, later incorporated into his book Born Black. He was a founder and editorial director of Essence magazine from 1970 to 1973. His film career began in 1961 when he wrote and directed a documentary, Flavio. He received an Emmy Award for another documentary, Diary of a Harlem Family, in 1968. He produced and directed Hollywood films including The Learning Tree, Shaft, Shaft's Big Score, The Super Cops, and Leadbelly. He is first and foremost a celebrated photojournalist and fine art photographer whose work, collected and exhibited worldwide, is emblematic of American culture. In A Hungry Heart, he reaches into the corridors of his memory and recounts the people and events that shaped him: from growing up poor on the Kansas prairie to withstanding the unbearably cold winters of Minnesota to living on the edge of starvation in Harlem during the Depression. He more than survived the challenges and crises of his life; he thrived and has become one of the most celebrated and diversely talented figures in American culture.

    Peary in 1909. Previously a National Geographic cover story and TV film. Two 8-page photo inserts.

    On a Virginia tobacco plantation, another kind of battle soon begins. There, Cassius Howard, a skilled carpenter and slave, risks everything--punishment, sale to a cotton plantation, even his life--to learn the truth concerning the murder of Emoline, a freed black woman, a woman who secretly taught him to read and once saved his life. It is clear that no one cares about her death in the midst of a brutal and hellish war. No one but Cassius, who braves horrific dangers to escape the plantation and avenge her loss. As Cassius seeks answers about Emoline's murder, he finds an unexpected friend and ally in Quashee, a new woman brought over from another plantation; and a formidable adversary in Hoke Howard, the master he has always obeyed. With subtlety and beauty, Sweetsmoke captures the daily indignities and harrowing losses suffered by slaves, the turmoil of a country waging countless wars within its own borders, and the lives of those people fighting for identity, for salvation, and for freedom.

    Not only will they be among the first class of female officers the army has even seen, they are also the first Black women allowed to serve.As these courageous women help to form the 6888th Central Postal Directory Battalion, they are dealing with more than just army bureaucracy—everyone is determined to see this experiment fail. For two northern women, learning to navigate their way through the segregated army may be tougher than boot camp. Grace and Eliza know that there is no room for error; they must be more perfect than everyone else.When they finally make it overseas, to England and then France, Grace and Eliza will at last be able to do their parts for the country they love, whatever the risk to themselves.Based on the true story of the 6888th Postal Battalion (the Six Triple Eight), Sisters in Arms explores the untold story of what life was like for the only all-Black, female U.S. battalion to be deployed overseas during World War II.

    Simon & Schuster has a great book for every reader.