Walter Macken paints a memorable portrait of the hard life of subsistence farming, of loveless arranged marriages, and of rebellion against suffocating social mores.

    It is October 23, 2018, and they are expecting Maurice’s estranged daughter (or is she?), Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles, rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today.

    An introductory note on each poet tells something of her life and of the historical and literary context in which she wrote. The poems themselves--approximately four hundred in number and translated from languages as diverse as Byzantine Greek, Sanskrit, Old French, Hindi, Gaelic, Vietnamese, and Maori--cut across the barriers of time and culture to take their rightful place among the wealth of the world's literature. (Penguin Books)'In America, as everywhere else, women have been and are among our major poets, and here they all are, the familiar elbowing the exotic in endless variety of form, subject, temperament. From Sappho to Judith Wright--by way of Li Ching-chao, Sor Juana Ines de la Cruz, Emily Dickinson, and Anna Akhmatova--this anthology can be read straight through as a dizzying world tour, and returned to as a solid work of reference'--Ellen Moers, author of Literary Women

    This book was created with hopes of uplifting and encouraging readers in many ways. There is a journal in the back of the book for readers and fellow writers to indulge in to keep the "conversation" going. Author, Alexandra Elle, wrote this book to shed light on the fact that indeed not all who wander are lost; some are simply still finding their way.

    Then she notices that her older sister Phyllis and the family’s maid Maggie are plotting something. They discover a stash of leaflets demanding votes for women. Phyllis has joined the suffragette cause! Will Mollie get involved too? And how far should a girl go for her beliefs?

    Part historical epic, part love story, it recalls The English Patient in its mix of emotional intimacy and sweeping landscape.In a run-down apartment block in Moscow, a nine-year-old piano prodigy practices silently for fear of disturbing the neighbors.In a factory on the outskirts of the city, his aunt makes car parts, trying to hide her dissident past.In the hospital, a leading surgeon buries himself deep in his work to avoid facing his failed marriage.And in a rural village in the Ukraine, a teenage boy wakes up to a sky of the deepest crimson. In the fields, the ears of the cattle are dripping blood. Ten miles away, at the Chernobyl Power Plant, something unimaginable has happened.Now their lives will change forever.All That Is Solid Melts Into Air is an astonishing end-of-empire novel by a major new talent.

    When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother.But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

    

    She arrived there just a few days old, wrapped in a blue blanket. Her one hope is to find her mother or father and have a family of her own.Fostered out several times, Blue finds it difficult to fit in. Is there no one out there who really wants her? No one who can really love her?Blue must put up with the orphanage, with the distant and strict care of the nuns. She does have her friends, Mary and Jessie and Molly and Lil, but they’re not family. They’re not enough.In her heart, Blue is desperate to find out who she really is. The closed file in stern Sister Regina’s office holds the secret of her identity. And that is forbidden territory. . . .

    Warren is a madam, proprietress of a string of successful brothels. Her daughter, Vivie, is a modern young woman, but not so modern that she's not shocked to discover the source of her mother's wealth. The clash of these two strong-willed, but culturally constrained Victorian women, is the spark that ignites the ironic wit of one of George Bernard Shaw's greatest plays, in a withering critique of male domination, sexual hypocrisy, and societal convention. Initially banned after its 1893 publication due to its startling frankness, Mrs. Warren's Profession remains a powerful work of progressive theater.

    Her jugaad and privilege puts her directly in the path of a hardworking scholarship student– Vladimir Petrov, the vodka to her hot chocolate. Their tumultuous friendship is affected by global events, the landscape around them ever changing. And slowly, the Russian winter begins to melt for the Indian summer.Funny and endearing, Three Impossible Wishes is a heart-warming book about finding love and learning to love yourself.

    Into their world comes cousin Leda from Vienna, a visitor from the past, blind but beguiling: a thrilling guest. Within days, the lifestyle of the Swifts has been dramatically overturned--and desires, dormant for so long, flame fierce and bright like never before.

    This extended satiric poem assesses the growing economic, political, and familial constraints of late 18th-century Catholic Ireland under British colonial rule, while subversively playing on the tradition of the aisling (or vision) poem in which a beautiful woman represents Ireland’s threatened sovereignty.At the beginning of The Midnight Court, a dreadful female envoy from the fairies appears in a dream to the unmarried poet. She summons him before the court of Queen Aoibheall in order to answer charges of wasting his manhood while women are dying for want of love. He listens to complaints that vary from the celibacy of the clergy to marriages performed between old and young for purely economic reasons. In all their bawdy tales, the female courtiers praise fertility, as well as sexual fulfillment, and condemn the conventions of the day. At last the Queen pronounces judgment on the poet, who awakens as he is being severely chastised by all of the women of the court.While containing many insights into 18th-century social conditions, The Midnight Court is also an exuberant, even jaunty work of the comic imagination. As the translator Ciaran Carson states in his foreword: “The protagonists of the ‘Court,’ including ‘Merriman’ himself, are ghosts, summoned into being by language; they are figments of the imagination. In the ‘Court’ the language itself is continually interrogated and Merriman is the great illusionist, continually spiriting words into another dimension.”

    She struggles to fit in—she’s young and unexotic, a naive new girl—but soon she forges friendships and finds a place for herself in the big city.Then she meets an attractive older man. He’s an established actor, 20 years older, and the inevitable clamorous relationship that ensues is one that will change her forever.A redemptive, captivating story of passion and innocence set across the bedsits of mid-1990s London, McBride holds new love under her fierce gaze, giving us all a chance to remember what it’s like to fall hard for another.

    The title of her new collection, Scattered at Sea, evokes notions of dispersion, diaspora, sowing one’s wild oats, having one’s mind expanded or blown, losing one’s wits, and mortality. Making use of dramatic monologue, elegy, humor, and collage, these poems explore hedonism, gender, ancestry, reincarnation, bereavement, and the nature of prayer. Groping for an inclusive, imaginative, postmodern spirituality, they draw from an array of sources, including the philosophy of the ancient Stoics, diagnostic tests for Alzheimer’s disease, 1950s recipes, the Babylonian Talmud, and Walter Benjamin’s writing on his drug experiences.