He has epilepsy.And, as it turns out, he has much bigger issues too.Esther falls. In love.It’s wonderful – but there’s a shadow that she can’t identify and she can’t make go away just by loving Luke.Luke’s experience has taught him to despise himself; Esther’s self-belief is fragile. And love is not as easy as it looks. Will they be still falling at the end of term?A story about the struggle it can be to love someone who doesn’t love themselves – and why it’s worth it.From the winner of Children’s Books Ireland Honour for Fiction, the CBI Children’s Choice Award and CBI Book of the Year Award for her previous novels Taking Flight and Grounded.

    Elizabeth’s mother rang her morning, noon and night. He’s driving me mad with his pepper talk, she said, I’ll crown him if he talks to me about the need for Vietnam to join the International Pepper Community and duties and postmen one more time! The cracks one begins to see in families.Flight is the story of four travellers as their journeys intersect one winter in Dublin.Sandrine, a Zimbabwean woman who has left her husband and son behind in the hope of making a better life for them in Ireland, is alone and secretly pregnant. She finds herself working as a carer for Tom and Clare, a couple whose travels are ending as their minds begin to fail. Meanwhile Elizabeth, their world-weary daughter, carries the weight of her own body’s secret.Set in Ireland in 2004 as a referendum on citizenship approaches, Flight is a magically observed story of a family and belonging, following the gestation of a friendship during a year of crisis. A story of arrival and departure, the newly found and the left behind, Flight is among a new breed of Irish novel – one that recognizes the global nature of Ireland experience in the late 20th century, and one that considers Ireland in the aftermath of the failed Celtic Tiger.

    It's all the things we all hold onto, all the things we let anchor onto us, and all the things that leave us vacant.

    Meanwhile, the confining village of Belmont that Portia calls home is populated by hilarious, brazen and cantan-kerous characters. From Portia to her husband, Raphael, to her vicious-tongued octogenarian granny, Blaize, to her loving aunt, the ex-prostitute Maggie-May, Marina Carr's characters are exquisitely drawn and profoundly human.

    As a first book of poems, it is remarkable for its accurate perceptions and its rich linguistic gifts.

    "Love in the Tall Grass" takes Cordelia down a coastal road on the last day of the twentieth century to keep a date with her lover that has been nine years in the waiting. "Stay Close to the Water's Edge" tells of a young Harvard student who is pitilessly humiliated by his homophobic stepfather on his birthday. Keegan's writing has a clear vision of unaffected truths and boldly explores a world where dreams, memory, and chance have crippling consequences for those involved. The stories are often dark and enveloped in a palpable atmosphere, and the reader feels that something "big" is going on in each of these carefully sculpted tales. The award-winning Antarctica, a Los Angeles Times Best Book of 2001, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize, and the Martin Healy Award, is a haunting debut. "These stories are diamonds." -- Emily Robichaud, Esquire "That Keegan has a knack for storytelling is proved many times over...." -- Caitlin Macy, The New York Times Book Review "[These] stories ... show Keegan to be an authentic talent with a gimlet eye and a distinctive voice." -- Amanda Heller, The Boston Globe "Reading these stories is like coming upon work of Ann Beattie or Raymond Carver at the start of their careers." -- Jerry Griswold, Los Angeles Times

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    The eight short stories of this collection have a dual theme: Ireland - its people, its personality - and woman - woman betrayed, or sacrificed, innocence involuntarily lost, happiness stolen or mislaid..

    “If there is a bleaker, funnier or more desperate play in Edinburgh this year, I’ll eat my hat.”—GuardianA brilliant new play by the author of Disco Pigs and this year’s winner of the Edinburgh First Fringe Award for Outstanding New Writing.

    From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    The first comprehensive selection of Kavanagh's poetry to be published, this volume offers a timely reassessment of a poet unfairly neglected outside Ireland.

    Yeats laid the foundations for an Irish literary revival, drawing inspiration from his country's folklore, the occult, and Celtic philosophy. A writer of both poems and plays, he helped found Dublin's famed Abbey Theatre. The poems here provide an example of his life's work and artistry, beginning with verses such as "The Stolen Child" from his debut collection "Crossways "(written when he was 24) through "Why Should Not Old Men Be Mad?" from "On the Boiler," published a year prior to his death.

    This anthology of poems and essays is a forceful argument for the continuing cultural relevance of poetry.

    New Collected Poems now brings the record of her achievement up to date, adding material from her subsequent volumes and filling out key poems from the early years. Following the chronology of publication, the reader experiences the exhilarating sense of development, now incremental, now momentous. Boland’s work traces a measured process of emancipation from conventions and stereotypes, writing now in a space she has cleared not by violent rejection, but by dialogue, critical engagement, and patient experimentation with form, theme, and language.

    To his father, Tom, who needs help baling the hay and ploughing the fields, Mark's pursuit isn't work at all, and indeed Mark finds himself whiling away his time with pubs and parties. His is a life without focus or responsibility, until he meets Joanne Lynch, a trainee solicitor whom he finds irresistible. Joanne too has a past to escape from and for a brief time she and Mark share the chaos and rapture of a new love affair, until the lightning strike of tragedy changes everything.