They spend most of their time watching and playing the sport they love. They dream of making their living in the sport.When they are not playing the game, they put on their thinking cap and come up with alternate versions of important matches or provide parodic answers to questions that have plagued cricket fans over the years.However, fate intervenes in their idyllic life. On 18th April 1986, Javed Miandad hits Chetan Sharma for a six in Sharjah and leaves their cricket viewing life in tatters. The after-effects of this fateful event, continue to haunt them for many years.Their problems don’t end there. Sat fails to graduate from school level cricket to state level cricket. He is heartbroken by the loss of his dreams and faces a mini identity crisis.How do the boys solve their problems?Will the boys ever recover from that Javed Miandad incident?Will Sat get his mojo back? Come, join the heartwarming ride and find out the answers, as Sat takes you through his nostalgic memories of the sport and narrates his coming of age story, which is deeply influenced by the sport!

    

    Among his bachelor brother's papers, Richard discovers a letter from Sarah that hints at an infidelity. Then there is Anna's affair with a married man, Charles Norden, which threatens to change her life forever. The story of Richard, Sarah, Anna, and Charles--along with the troubling legacy of James--is one of faith and doubt, profound moral and spiritual conflict, and the intricate bonds that hold families together.

    Like most of us, John was an ordinary man who calmly accepted the problems of his life and career without any real hope or insight. Then a miracle happened. He met a strange, wise businessman named Gideon. It was a brief encounter, filled with mystery. But for John, it was the beginning of a soul-searching journey a joyous awakening of self-understanding, inner truth and the power of universal love that lives within us all. It is a journey you can share too.

     Cole Nikols had spent months planning the perfect night for his girlfriend, Sarah Whitman. But when Sarah abandons their date for yet another emergency with her ever-demanding charitable work, everything falls apart. Now, instead of planning their future, Cole is worried he’s ruined any chance he had with Sarah. Wanting to prove his love for Sarah, Cole writes a Christmas card. He sends it to everyone he knows, spreading the message of Sarah’s generous life and dedication to God, while asking others for help in his project of winning the woman he loves. However, never does he imagine the far reach and impact one Christmas card can make. Landing in the hands of so many different people, it produces a chain that changes lives forever. As the Christmas card’s stories come full circle, will Cole’s plan work? Will a Christmas card be enough to win Sarah’s heart? 'The Christmas Card' is a Inspirational Romance novella.

    Acting Police Chief Ruth Murphy of New Derby, a suburb of Boston, investigates the death of prominent businesswoman Tracey Kendall and finds not only a multitude of suspects but a danger to her chance at becoming Chief.

    But in the aftermath of 9/11, Flynn leaves his wife and children, resigns his teaching position and heads west, only to get lost in his guilt and in the mountains of Colorado. When he ends up stuck overnight in a snow drift during a blizzard on the Continental Divide, he realizes he needs to remake himself into the kind of man his children need him to be. With wit and insight, David Hicks turns a compassionate but unblinking eye on what it means to be human—to be lost while putting yourself back together again, to be cowardly while being brave, to fail and fail again on the way to something that might be success.With wit and insight, David Hicks turns a compassionate but unblinking eye on what it means to be human—to be lost while putting yourself back together again, to be cowardly while being brave, to fail and fail again on the way to something that might be success.

    Despite--or perhaps because of--this and other familial forces pushing on them, each has a personality and direction of life distinct from her cousins. Celie is the top saleswoman in an upscale dress shop; Cecily is a playwright; Cecilia is a poet; Celine finds her expression in the seduction of men; and Celeste died as an infant. Ceci, the eldest of the Slaughter grandchildren and daughter of the admired and envied family beauty, Rose, died as a young adult and she serves as narrator of the novel from the afterlife. Through reflection, and with the counsel of Lao Tzu, she gradually attains a greater understanding and acceptance of Earthly human weakness, even as the lives of her living cousins lead inexorably to a violent and tragic conclusion. Set in the Rogers Park neighborhood of Chicago, this unusual page turner utilizes poetry and a sense of theatrical staging to original and haunting effect, rending a family saga with both distance and intimacy.

    She takes the time to enjoy it. It will be over soon. For all those who loved The Alchemist, Siddhartha, and Jonathan Livingston Seagull, This Flawless Place Between is a mesmerising and uplifting story about death and dying. Interweaving the key themes of The Tibetan Book of the Dead, one of the world’s most influential and treasured spiritual texts, Portier gently explores our deepest questions about life, love, and death with a refreshing openness and delicacy. Anne and Evan are vacationing in the Tibetan mountains when on an isolated stretch of road they lose control of their motorbike. Bike and riders spin over the edge, plunging into a ravine. Evan’s leg is broken; Anne isn’t moving. A Tibetan peasant hurries to help them, but while Evan tries in vain to save Anne’s life, the stranger focuses on guiding her spirit along the new path it must take to the next one. So begins a cathartic voyage that carries Anne away from her broken body and back through the traumas and ecstasies of her life. Once again, she is a child mourning a dead pet, a young woman embracing her lover, the radiant hostess of an art exhibition, a distraught mother hearing that her young daughter has been critically injured. As she revisits her past, and the futures of those she will leave behind, Anne begins to accept not only her death but also her life – and that what happens next will be up to her. A gifted successor to the inspirational Paulo Coelho, BRUNO PORTIER is a writer, photographer, and documentary maker. He travelled around Asia for 12 years before undertaking a PhD in social anthropology and writing this, his first novel.

    This bundle of book 2 & 3 continues the saga of NY private eye Michael Derrigan, as he comes into possession of a manuscript that will change the world order if its secrets are aired. Clandestine factions of the U.S. government will do anything to keep the story buried, & a trail of butchery follows Derrigan as he races for his life in a chase that takes him from New York, to Mexico, to Havana. A roller-coaster ride of a thriller, The Delphi Chronicle's unflinching & often disturbing twists and turns question the nature of reality & of the integrity of our governments in a post-modern world of lies, deceit & betrayal.+++Questions & Answers with bestselling author Russell Blake.Question: The Delphi Chronicle posits a troubling & plausible conspiracy. Where did you get the idea?Russell Blake: The idea stemmed from the title. I was originally going to call the trilogy The Pegasus File, & I'd conceptualized a cool cover, so I Googled it to confirm there weren't any other books with that name. The original conspiracy was much tamer than what I wound up with. I had the idea of a literary agent getting a manuscript detailing a shocking scheme, but I hadn't defined what it was, exactly. From that search came this conspiracy, & I have to admit I considered toning it down a lot, because it scared even me. So readers? This is fiction, OK? And U.S. government? No need to send a wet team after me. We all understand it's fictional. As in, an invention, not real. That's my official position. Readers can decide how plausible theinvention is for themselves. Some will hate it, as it portrays the U.S. government in a negative light. Can't please everyone.Q: Why write it as a trilogy?RB: It would have been a long single volume if I'd tried to squeeze it all into one book. Given the success I saw with the Zero Sum trilogy, I wanted to do another one, & this was just naturally written in three volumes, although I think most will get the first one, & then buy the specially-priced bundle of Books 2 & 3 if they're interested in following the story to its thrilling conclusion (wink wink).Q: How do your novels compare to the work of your peers?RB: I think they're faster paced than most. I try to catapult readers through a series of twists & turns at such aggressive velocity they're left gasping by the end. And I dislike books where I can see the ending coming a third of the way through. Just hate that. I try to write racing, intelligent thrillers that don't pander & aren't formulaic. All have gotten raves, so I'm fooling at least some of the people most of the time...Q: Part of Delphi unfolds in Mexico. Any particular reason?RB: I live in Mexico. Have for almost a decade. Modern Mexico is very different than as portrayed by the U.S. media. Many parts are indistinguishable from medium sized cities in the U.S. Strip malls, high rises, melting-pot racial integration, etc. It's not cactus & sombreros. One of the things I find fascinating is how different it is than what my expectations were when I moved here, & I try to impart that. Most novels set in modern Mexico I've read are caricatures of the truth. Mission bells, white-garbed peasants, stereotypical characters. I try to imbue my fiction with reality, not a Hollywood portrayal based on a snapshot from the 1950s. I think readers will find that distinction interesting.

    Unable to bring them up by himself he gives them away for adoption The novel explores the emotional conflicts of both father and children.

    

    Recently, Kessinger Publishing's rare reprints has re-issued the book. The protagonist, Roger Stetworth, unwillingly joins a slave ship called the -Golden Hind- captained by Luke Chilton. (When Chilton demanded that Roger -sign aboard- he refused and was clubbed on the head and thrown overboard.) He is rescued by the -Hurst Castle- and doctored by a painfully stereotyped Irishman. The -Hurst Castle- is abandoned but does not founder in a gale and the crew, unable to get to him, are forced to leave Stetworth marooned aboard. The ship drifts into the center of the Sargasso Sea where Stetworth finds himself in a ships' graveyard in which survivors of previous shipwrecks still inhabit the forgotten ships. Stetworth must rely on his own ingenuity to get free from the choking sargasso weeds........ Thomas Allibone Janvier (July 16, 1849 - June 18, 1913) was an American story-writer and historian, born in Philadelphia of Provencal descent. Early life and marriage: Janvier received a public school education, then worked in Philadelphia for newspapers from 1870-81. In 1878 he married Catherine Ann Drinker (May 1, 1841- July 19, 1922), an artist who was the first woman teacher at the Pennsylvania Academy of the Fine Arts and first teacher to Cecilia Beaux. Later in life, she accompanied her husband on his travels while writing books and translating books from the Provencale language. Many of Janvier's published works would be dedicated -To C. A. J.- New York: Janvier went to New York in 1881. From 1884-94, he lived in the Washington Square district of New York. A few years after arriving, he published the Ivory Black Stories, tales of artist life, which were reprinted in book form in 1885 as Color Studies. In them he pictured the life and color of what was then considered the Latin quarter of the city, with the old-fashioned French restaurants, the artist colony to the north, and the studios in Tenth Street where Abbey, Millet, F. Hopkinson Smith, Laffan and others made the Tile Club famous. He published many stories and articles in Harper's Magazine.[2] Travels and death: Janvier spent several years in Colorado, New Mexico and Mexico, thereby gaining inspiration and material for much of his literary work. His travels in Mexico produced the Aztec Treasure House and his stories of Old New Spain. He and his wife also lived for three years in Avignon, Provence, France, where they became friends with Mistral and Felix Gras. Catherine A. Janvier's translations of the latter's work introduced him to English-speaking readers.His books from this period include An Embassy to Provence, Christmas Kalends of Provence and The South of France. He was made an honorary member of the Felibrige society in France, and of the Fol Lore Society of London, where he and his wife lived from 1897 to 1900, and the Century Club in New York. Janvier died in New York on June 18, 1913. He is interred in Moorestown, New Jersey. Literary family: Janvier's sister, Margaret Thomson Janvier (1844-1913), was born in New Orleans. Under the pen name Margaret Vandergrift she wrote many juveniles, among which are: The Absent-Minded Fairy, and Other Verses (1884); The Dead Doll, and Other Verses (1900); Under the Dog-Star (1900); and Umbrellas to Mend (1905). Janvier's niece, Emma P. Spicer, going by the stage name of Emma Janvier, was a well-known comedian on Broadway and elsewhere from the turn of the century until her death in the early 1920s. Janvier was also related to Philadelphia businessman and poet Francis De Haes Janvier.

    His once prosperous landowning family has slipped low down the class ladder. Arif ’s sole ambition in life is to crack the civil service examination and become an IAS officer. He believes this will restore the family’s fortunes and works hard at his studies. Until his first glimpse of Sumitra, a voluptuous long-haired beauty. Married, Hindu and several years older than him, she is wrong for him in every way. It is the beginning of an infatuation that will consume his life.‘Reading Patna Blues is like pedalling your way through a littleknown India. It is certain to fill you with inexplicably candid and absolutely stunning tales. Patna Blues marks an impressive debut and brings us an important voice.’ —Anees Salim‘I am familiar not only with the places where this novel is set, the cramped rooms, the names of shops, or the streets, but, it seems to me, even the people, their little joys, their struggles, their often irrational hopes and desires, their guilt, and their beauty. Part literary novel, part-pulp fiction, Patna Blues is a report from a rarely seen world in Indian writing in English, the contemporary lives of provincial Muslims.’ —Amitava Kumar

    I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few lefthanded shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra's mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield.Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn't be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn't witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power.Rama's mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn't fathom the skill level of Rama. He had thought it would be child's play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha.Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it's unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.