No one knew where she went - no note, no body. It was a mystery that was never solved and it tore her family apart.Now another girl has disappeared, with chilling echoes of the past. And it seems that she might not be the only one.Claire is convinced Julia's disappearance is linked.But when she begins to learn the truth about her sister, she is confronted with a shocking discovery, and nothing will ever be the same...

    But it comes at a cost. He has to kill the shining girls: bright young women, burning with potential. Curtis stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back.Working with a former homicide reporter who is falling for her, Kirby races against time and reason to unravel an impossible mystery.

    She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer.

    She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. If only Rachel could be that happy. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar. Now they’ll see; she’s much more than just the girl on the train...An alternative cover edition for this ISBN can be found here.

    They spend their days biking around their sleepy English village and looking for any taste of excitement they can get. The chalk men are their secret code: little chalk stick figures they leave for one another as messages only they can understand. But then a mysterious chalk man leads them right to a dismembered body, and nothing is ever the same.In 2016, Eddie is fully grown, and thinks he's put his past behind him. But then he gets a letter in the mail, containing a single chalk stick figure. When it turns out that his friends got the same message, they think it could be a prank . . . until one of them turns up dead.That's when Eddie realizes that saving himself means finally figuring out what really happened all those years ago.

    Not since Nora walked out of school one day and never went back. There was a dark, dark houseUntil, out of the blue, an invitation to Clare’s hen do arrives. Is this a chance for Nora to finally put her past behind her?And in the dark, dark house there was a dark, dark roomBut something goes wrong. Very wrong.And in the dark, dark room.... Some things can’t stay secret for ever.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that.Is it a mistake? A coincidence? Or is someone keeping track of every move they make...If you like Shari Lapena, Paula Hawkins, Rachel Abbott, B A Paris, Fiona Barton, Ruth Ware and CL Taylor, you'll love this gripping psychological thriller.

    Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep. His & Hers is a twisty, smart, psychological thriller. A gripping tale of suspense, told by expertly-drawn narrators that will keep readers guessing until the very end.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    Jack's in charge, she said. I won't be long.But she doesn't come back. She never comes back. And life as the children know it is changed for ever.Three years later, mum-to-be Catherine wakes to find a knife beside her bed, and a note that says: I could have killed you.Meanwhile Jack is still in charge - of his sisters, of supporting them all, of making sure nobody knows they're alone in the house, and - quite suddenly - of finding out the truth about what happened to his mother.But the truth can be a dangerous thing ...