While the tales and sketches reflect many of the strengths and themes of the great novels, they are powerful works in their own right. Unified by his quintessential irony, strong visual sense, and engaging characters, they deal with the tragic and the humorous, the metaphysical and the magical. The collection displays the whole range of Hardy's art as a writer of fiction, from fantasy to uncompromising realism, and from the loving re-creation of a vanished rural world to the repressions of fin-de-siecle bourgeois life.

    Welcome to the village of Notwithstanding where a lady dresses in plus fours and shoots squirrels, a retired general gives up wearing clothes altogether, a spiritualist lives in a cottage with the ghost of her husband, and people think it quite natural to confide in a spider that lives in a potting shed. Based on de Bernières' recollections of the village he grew up in, Notwithstanding is a funny and moving depiction of a charming vanished England.

    Within its covers are unforgettable episodes from the remarkable series of memoirs that began with All Creatures Great and Small-"the ones my family and I have laughed at over the years and the ones my readers have said they most enjoyed," as Herriot, himself, put it. Yet the book is far more than a simple anthology: Its gorgeous pages also include hundreds of line drawings and color photographs, capturing Herriot's Yorkshire in a worthy complement to the writer's words.The 1991 publication of Every Living Thing, rendered the original edition of this book incomplete. This fall will mark the publication of the complete, definitive edition with the addition of five of his best, more recent stories, as well as new art. Once again The Best of James Herriot becomes the quintessential Herriot volume-one of those invaluable books that will be loved as much in decades to come as it is today.

    In this eShort, readers can compare both versions of this iconic work of fiction, gaining insight into Carver’s aesthetic and the foundations of the contemporary American short story.

    Written as Claudius' autobiography, they follow his progress from a stammering figure of fun to the ruler of the Roman Empire. Here, in extracts from both books, he describes the glory and decadence of the mad Emperor Caligula's reign - an age of wild debauchery and whimsical cruelty.

    That story, Pictor's Metamorphoses, is presented here along with a half century of Hesse's other short writings. Inspired by the Arabian Nights and the tales of the Brothers Grimm, these nineteen stories display the full range of Hesse's lifetime fascination with fantasy--as dream, fairy tale, folktale, satire, and allegory.

    http://www.baenebooks.com/chapters/97...

    But beneath the freckles and red hair--not to mention dirt--are a pair of wide green eyes that awaken previously unknown feelings. And before she knows it, she finds herself buying the strange small boy named Flinx.Just another mouth to feed, say Mother Mastiff's second thoughts, but she stops resenting her inexplicable purchase when she witnesses Flinx's psychic influence on the customers of her rattletrap gift-shop. She even lets him keep Pip, the brightly hued--and deadly--Alaspinian mini-drag Flinx finds...and with whom he bonds as if they were of one mind. For as time goes by, Mother Mastiff comes to love the boy as her own, nurturing him, teaching him everything she knows--and hoping he'll survive into adulthood.That may prove more dicey than she'd care to admit. By the age of sixteen, Flinx is as lithe, quick and quiet as any jungle cat--traits that make him a superb thief and con-artist. But far more deadly than his affinity for the Commonwealth underworld is his unknown history, a past destined to rear its head in terrifying ways, sending him on a wild journey in search of his true self.In For Love of Mother-Not, the renegade group of scientists responsible for Flinx's psychic gifts scheme to get him back--by holding hostage the only person he ever truly care for: Mother Mastiff. In The Tar-Aiym Krang, Flinx must find an ancient otherworldly device that could hold the key to his true nature--or become the deadliest weapon in the Commonwealth. And in Orphan Star, Flinx comes closer than ever to learning about his biological parents--and a family tie to power that can either strengthen or destroy them.

    In 1871 it was published in single volume together with novel A Floating City as a part of the Voyages Extraordinaires series (The Extraordinary Voyages). An English translation was published in 1874.The American Civil War plot centers on the exploits of a British merchant captain named James Playfair who must break the Union blockade of Charleston harbor in South Carolina to trade supplies for cotton. Verne's tale was inspired by reality as many ships were actually lost while acting as blockade runners in and around Charleston in the early 1860s.

    Fortunately, "Buk" left plenty of unpublished manuscript behind that, judging from this culling from it, is of a piece with the published stuff. That is, it consists of quasi-autobiographical poems and stories. The poems' lines are only one to six words long, and the stories' sentences aren't much longer. Poems and stories relay the adventures and attitudes, at all stages of his life, of loafer and lumpen intellectual Henry Chinaski. They are occasionally laugh-out-loud funny, occasionally laughable because Henry and his women and pals are such a bunch of slobs, and occasionally as boring as Henry and company claim their lives are. And, to tell the truth, they are effortlessly, magnetically readable, especially if you are susceptible to their bargain-basement existentialist charm. Plenty are. Ray Olson

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    Nancy Mitford's brilliantly witty, irreverent stories of the upper classes in pre-war London and Paris conjure up a world of glamour, gossip and decadence. In The Pursuit of Love, Love in a Cold Climate and The Blessing, her extraordinary heroines deal with armies of hilariously eccentric relatives, the excitement of love and passion, and the thrills of the social Season. But beneath the glittering surfaces and perfectly timed comic dialogue, Nancy Mitford's novels are also touching hymns to a lost era and to the brevity of life and love from one of the most individual, beguiling and creative users of the language.

    Embittered and alienated from his fellow man, he moves to the village of Raveloe, where he becomes a weaver. Taking refuge in his work, Silas slowly begins to accumulate gold—his only joy in life—until one day that too is stolen from him. Then one dark evening, a beautiful, golden-haired child, lost and seeing the light from Silas’s cottage, toddles in through his doorway. As Silas grows to love the girl as if she were his own daughter, his life changes into something precious. But his happiness is threatened when the orphan’s real father comes to claim the girl as his own, and Silas must face losing a treasure greater than all the gold in the world. This volume also includes two shorter works by Eliot—The Lifted Veil, a dark Gothic fantasy about a morbid young clairvoyant, and Brother Jacob, a deliciously satirical fable about a confectioner’s apprentice.

    The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.

    Dawood in Penguin Classics.The tales told by Scheherazade over a thousand and one nights to delay her execution by the vengeful King Shahryar have become among the most popular in both Eastern and Western literature. From the epic adventures of 'Aladdin and the Enchanted Lamp' to the farcical 'Young Woman and her Five Lovers' and the social criticism of 'The Tale of the Hunchback', the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are also anchored to everyday life by their bawdiness and realism, providing a full and intimate record of medieval Eastern world.In this selection, N.J. Dawood presents the reader with an unexpurgated translation of the finest and best-known tales, preserving their spirited narrative style in lively modern English. In his introduction, he discusses their origins in the East and their differences from Classical Arabic literature, and examines English translations of the tales since the eighteenth century.If you enjoyed Tales from the Thousand and One Nights, you might like Snorri Sturlson's The Prose Edda, also available in Penguin Classics.