Yet by the age of fifteen, McCall was packing a gun and embarking on a criminal career that five years later would land him in prison for armed robbery.In these pages, McCall chronicles his passage from the street to the prison yard--and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring, at once an indictment and an elegy. Makes Me Wanna Holler became an instant classic when it was first published in 1994 and it continues to bear witness to the great troubles--and the great hopes--of our nation. With a new afterword by the author

    She was just three years old.      She remained in the orphanage until the age of 16, subjected to cruelty and neglect, and starved of love and affection. One of her closest friends was taken away to an asylum after her spirit was broken by repeated beatings, and Maureen herself faced a constant battle against despair. It was an environment from which no one emerged unscathed.      Throughout these tormented years, Maureen dreamed only of escape, and when she was contacted again by her mammy she believed all her dreams were about to come true. Life in the outside world brought its own challenges, however, and Maureen was thrown into turmoil when she discovered that the truth about her past was more murky than she had ever realised.      Annie's Girl stands apart as a poignant testimony to the resilience of the human heart. This touching and evocative memoir is the incredible story of an illegitimate industrial-school survivor's profound struggle to overcome a shame-filled past and solve the mystery of her origins.

    More than a journey through a turbulent time in American history, this is the story of a black woman's battle to define herself.

    Emmett Till, a fourteen-year-old Black teenager from Chicago, was visiting family in a small town in Mississippi during the summer of 1955. Likely showing off to friends, Emmett allegedly whistled at a white woman. Three days later his brutally beaten body was found floating in the Tallahatchie River. The extreme violence of the crime put a national spotlight on the Jim Crow ways of the South, and many Americans-Black and white-were further outraged at the speedy trial of the white murderers.  Although the two white men were tried and acquitted by an all-white jury, they later bragged publicly about the crime. It was a galvanizing moment for Black leaders and ordinary citizens, including such activists as Rosa Parks.  In clear, vivid detail Chris Crowe investigates the before-and-aftermath of the crime, as well as the dramatic court trial, and places it into the context of the nascent Civil Rights Movement.With lively narrative and abundantly illustrated with forty fascinating contemporaneous photographs, this impressive work of nonfiction brings fresh insight to the case in a manner that will be accessible and eye-opening for teenagers and adults alike.

    Meacham writes a celebration of the history and songs of the eras, and McGraw reflects on these songs as an artist and performer. Beginning with the battle hymns of the Revolution, and taking us through songs from the defining events of the Civil War, the two World Wars, the Great Depression, the Civil Rights movement, the Vietnam War, into the twenty-first century, Meacham and McGraw explore the songs that defined generations and the cultural and political climates that made them. The songs of America remind us where we've been, who we are—and what we can be.

    Hurtful and dishonest, such representations force African American women to navigate a virtual crooked room that shames them and shapes their experiences as citizens. Many respond by assuming a mantle of strength that may convince others, and even themselves, that they do not need help. But as a result, the unique political issues of black women are often ignored and marginalized.In this groundbreaking book, Melissa V. Harris-Perry uses multiple methods of inquiry, including literary analysis, political theory, focus groups, surveys, and experimental research, to understand more deeply black women's political and emotional responses to pervasive negative race and gender images. Not a traditional political science work concerned with office-seeking, voting, or ideology, Sister Citizen instead explores how African American women understand themselves as citizens and what they expect from political organizing. Harris-Perry shows that the shared struggle to preserve an authentic self and secure recognition as a citizen links together black women in America, from the anonymous survivors of Hurricane Katrina to the current First Lady of the United States.

    Helping to bring these forgotten figures into the light, Andrew Gimson's illuminating accounts are accompanied by sketches from Guardian sartirical cartoonist, Martin Rowson, making this the perfect gift for all lovers of history and politics.

    In "Unforgivable Blackness," the prizewinning biographer Geoffrey C. Ward brings to vivid life the real Jack Johnson, a figure far more complex and compelling than the newspaper headlines he inspired could ever convey. Johnson battled his way from obscurity to the top of the heavyweight ranks and in 1908 won the greatest prize in American sports-one that had always been the private preserve of white boxers. At a time when whites ran everything in America, he took orders from no one and resolved to live as if color did not exist. While most blacks struggled just to survive, he reveled in his riches and his fame. And at a time when the mere suspicion that a black man had flirted with a white woman could cost him his life, he insisted on sleeping with whomever he pleased, and married three. Because he did so the federal government set out to destroy him, and he was forced to endure a year of prison and seven years of exile. Ward points out that to most whites (and to some African Americans as well) he was seen as a perpetual threat-profligate, arrogant, amoral, a dark menace, and a danger to the natural order of things."Unforgivable Blackness" is the first full-scale biography of Johnson in more than twenty years. Accompanied by more than fifty photographs and drawing on a wealth of new material-including Johnson's never-before-published prison memoir-it restores Jack Johnson to his rightful place in the pantheon of American individualists.

    Gutman Prize and the Gustavus Myers Center for Study of Human Rights Outstanding Book Prize. Publication of this book was supported by a grant from DePauw University, Greencastle, Indiana.