Neither remembers how their feud started — yet every day, their war intensifies.Until one night. One unexpected kiss blurs the lines between love and hate, and their lives are forever changed.The stakes have never been higher. Carter is Emilia’s best friend’s brother, after all.Author's Note: The Stolen Moments Trilogy follows Emilia and Carter's epic love story through high school, college, and adulthood. This trilogy was previously named Mayhem, and the contents remain unchanged.

    Jim's only complaint is that Sally is too soft hearted for her own good, always at the beck and call of any neighbour, friend or even stranger. Sally, on the other hand, accuses Jim of being a soft touch for anyone after a drink or two at the Rising Sun. Both accept that neither will ever change and they love each other and their daughter Daisy deeply. Theirs is a close-knit family in a close-knit community where gossip - both good and bad - abounds and neighbour looks out for neighbour and friend for friend. And when Sally's generosity leads to an inheritance it should mean a change of life for the better, instead it brings danger and difficult choices for them all...

    Sequel to laugh-out-loud romantic comedy Blame it on the OnesieIt’s all change for Ella.•Nathan has declared his love: ‘It was only ever you I wanted, only ever you I loved.’•Sleaze weasel Hal is but a distant memory•Spring Cottage ‘rules’ are getting in the way•And Christmas seems a long way offPull on your onesie, light the fire, grab a hot chocolate and join Ella, Nathan, Sam, Charlie, Walt and the cavalry for another riotous read.

    The idea of a cave full of Normeend with their villainous ways being not far away hung like a dark shadow across the lake and heavily on Tom’s mind. He sent out teams to make traps, gather and store food and munitions ready for the day that Tom was sure would come when Sklar arrived and they would need to defend themselves. Would that be enough? He did not know, nor would he ever be sure until every vestige of that shadow, along with the fears the Normeend created, were eliminated from their world. In the process of creating their defences, more obstacles and threats came their way. Dangers to their Cave which challenged their ways and threatened their very existence came from more than one source and by both natural and human obstacles. The team, and especially Kroll, fought back. Then there were the Old Ones.

    Yet, when she believes her dreams will never be attained, she is shown that sometimes life can be even better than what you wish for. Kitty McKenzie is gifted land in the far north of New South Wales. Life at the northern property is full of hardships as she learns how to become a successful landowner. However, Kitty’s strength of will and belief in herself gives her the courage most women of her time never realize they have. A decided thorn in her side is the arrogant and patronizing Miles Grayson, owner of the adjourning run. He wants her gone so he can have her land, but he wants her even more.

    Decades prior, Papillon and Dreyfus contemplated the same thoughts of escape. Following a boyhood dream and quest for glory, de Bruyn joined the French Foreign Legion. To thwart desertion, he was shipped off to a backwater French colony in the Amazon, serving in the elite jungle unit, the 3e REI. Given a false identity, de Bruyn proved himself an extraordinary legionnaire. But well into his first contract, he became disenchanted by life in a rogue army where one was ordered to kill upon demand. Without a passport, de Bruyn decided to risk his life and escape modern-day Devil’s Island by sea. In the process, he dodged local gangs, drug kingpins, and was falsely imprisoned. Finally, in a rickety dinghy, during hurricane season, he commenced his suicidal attempt to cross the Atlantic. Half-drowned and dying of thirst, de Bruyn was prepared to lose his life, but in the divine process of surviving, he found it. This is his white-knuckle account of pain, glory, and redemption.

    Colonel Derick Matlock is extremely good at finding people who are hiding. So when his new neighbor moves into the house next door, he recognizes the signs that she’s hiding. But from what?As he helps her learn to trust again, Derick can’t stop the desire from flaring between the two of them. But as Derick starts to understand the lovely woman who calls herself Carrie, he is more positive that she is hiding something. She’s also stealthier than he’d thought possible, curvier than he’d imagined and…stronger and more wounded than anyone should be.So how can he convince Carrie to trust him…before it’s too late? He knows that she’s in danger. Will she come to him for help? Or is she determined to fix this problem on her own?

    One day, walking home from school, he meets a woman who introduces him to the magical power of the Universe and soon his whole life changes. This is a heartwarming, funny story that carries an important message about how to live. One reader said: 'It has brought a tear to my eye; made me laugh out loud; taken me back to some bad memories of many, many years ago; and resonated with my life now. Inspired, truly inspired.' Some have hailed it 'food for the soul', while others believe it 'reveals the simplicity and magic of life.' This is a book for everyone, adults and children alike. It may just change your life. To find out more about the book, you can follow the author's blog here: https://faithisyoursafeplace.wordpres... or follow him on Twitter @JimsDMGreen

    Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents. From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development. Between 1922 and 1934 the artist lived and worked in Italy. Afterwards Escher spent two years in Switzerland and five in Brussels before finally moving back to Barn in Holland, where he died in 1972. M.C. Escher is not a surrealist drawing us into his dream world, but an architect of perfectly impossible worlds who presents the structurally unthinkable as though it were a law of nature. The resulting dimensional and perspectival illusions bring us into confrontation with the limitations of our sensory perception. About the Series: Each book in TASCHEN's Basic Art series features:a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

    From Sprite commercials to The Source magazine to Soho art galleries, the elements and vernacular of the graffiti aesthetic are apparent in today's society. This book examines graffiti's influence from its earliest days to its undeniable ubiquity now. Written by an insider, it includes a general history, in-depth interviews with both the progenitors of the form and current artists, and full-color illustrations of the most important works over the last 30 years. Unlike other subcultures that have been corrupted by the media and the mainstream, graffiti has maintained its sense of the underground and its clandestine feel. The purity and integrity that have defined the graffiti writer's mission have never faltered. The Art of Getting Over offers an unprecedented glimpse into this deeply affecting urban art form.

    From his unique childhood growing up with a gay father and a domineering mother to his tragically early death in 2007 after battling the NHS for a drug that could prolong his life, David Nolan investigates the lives and times of the man they called "Mr. Manchester." Drawing on nearly 50 interviews with musicians, DJs, writers, actors, family, and friends—including Wilson's partner of 17 years Yvette Livesey, You're Entitled To An Opinion . . . paints a picture of a unique, driven, and chaotic man whose inspiration and influence is still being felt today across the worlds of music and television.

    Including drawings, cartoons, manuscripts, personal letters and illustrations as well as prose and poetry by Bukowski, this pictorial and textual biography of the great polemicist also features revelations gleaned from FBI documentation.

    These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.

    The Architecture of Happiness starts from the idea that where we are heavily influences who we can be, and it argues that it is architecture's task to stand as an eloquent reminder of our full potential.Whereas many architects are wary of openly discussing the word beauty, this book has at its center the large and naïve question: What is a beautiful building? It is a tour through the philosophy and psychology of architecture that aims to change the way we think about our homes, our streets and ourselves.

    Jost studied the music (not the lives) of a selection of musicians-black jazz artists who pioneered a new form of African American music-to arrive at the most in-depth look so far at the phenomenon of free jazz. Free jazz is not absolutely free, as Jost is at pains to point out. As each convention of the old music was abrogated, new conventions arose, whether they were rhythmic, melodic, tonal, or compositional, Coltrane's move into modal music was governed by different principles than Coleman's melodic excursions; Sun Ra's attention to texture and rhythm created an entirely different big bang sound then had Mingus's attention to form.In Free Jazz, Jost paints a group of ten "style portraits"-musical images of the styles and techniques of John Coltrane, Charles Mingus, Ornette Coleman, Cecil Taylor, Archie Shepp, Albert Ayler, Don Cherry, the Chicago-based AACM (which included Richard Abrams, Joseph Jarman, Roscoe Mitchell, Lester Bowie, Anthony Braxton, and the Art Ensemble of Chicago), and Sun Ra and his Arkestra. As a composite picture of some of the most compelling music of the 1960s and '70s, Free Jazz is unequalled for the depth and clarity of its analysis and its even handed approach.