22 bewitching stories of Irish magic and mystery. An exceptional anthology of folklore and fright. Features an all-star cast: James Joyce, H.P. Lovecraft, W.B. Yeats, Daniel Defoe, Ray Bradbury, Oscar Wilde, et al. Covers the dark and supernatural from the 12th century to the present day.CONTENTS"The Legend of Fin M'Coul" by William Carleton"The Fairies' Revenge" by Sinead de Valera"The Coonian Ghost" by Shane Leslie"The Friendly Demon" by Daniel Defoe"Hell Fire" by James Joyce"The House In The Laurels" by William Hope Hodgson"The Man-Wolf" by Giraldus Cambrensis"Witches, Fairies and Leprechauns" by Lady Wilde"Wicked Captain Walshawe" by Joseph Sheridan Le Fanu"A Wild Night In Galway" by Ray Bradbury"Teig O'Kane and the Corpse" by Anonymous"The Canterville Ghost" by Oscar Wilde"The Banshee's Warning" by Charlotte Riddell"Julia Cahill's Curse" by George Moore"The Haunted Spinney" by Elliott O'Donnell"The Moon-Bog" by H.P. Lovecraft"The Parricide's Tale" by Charles Robert Maturin"The Crucifixion of the Outcast" by William Butler Yeats"The Dead Smile" by Francis Marion Crawford"The Soul Cages" by T. Crofton Croker"The Man From Kilsheelan" by A.E. Coppard"Witch Wood" by Lord Dunsany

    Blissed out club kids dying at the speed of sound. The un-dead and the very soon-to-be-dead. They're all here, trying to claw their way free. From the radioactive streets of a war-scarred future, where the nuclear bombs have become self-aware, to the fallow fields of Nebraska where the kids are mainlining lightning bugs, this is a world both alien and intensely human. This is a place where self-discovery involves scalpels and horse tranquilizers; where the doctors are more doped-up than the patients; where obsessive-compulsive acid-freaks have unlocked the gateway to God and can't close the door. This is not a safe place. You can turn back now, or you can head straight into the heart of. the Angel Dust Apocalypse

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

     The first chapter tells of the ghost that appeared at the wedding of King Alexander II, and the second one of monsters such as the Shellycoat and Water-horse that were thought to inhabit Scotland’s lochs. Another part of the book deals exclusively with Loch Ness and the strange happenings at that mysterious body of water. Later, we have a look at the mysterious deaths at the Flannan Islands Lighthouse, and at the strange creatures that were once believed to infest the hills and glens of Scotland, including the terrifying brollachan and the slaugh. Tales of Mermaids and Fin-men are unearthed, as are terrible stories of Scotland’s caves, including human sacrifice at Moray’s Sculptor’s Cave. The legends of Roslin Chapel and its nearby castle are examined, with the possible connection to the Knights Templar. Finally, we have a look at the legend of the phantom armies of Scotland; soldiers who refuse to fade away even centuries after their wars have been fought, and their causes faded in history. Welcome to the Strange Tales of Scotland.

    Hungry sea monsters and alien slime molds. Blood drinkers and game show hosts. Set in Portland, Oregon, these thirty stories blend imagination, literary writing, and pop culture into a cohesive weirdness that honors the city’s personality, its bookstores and bridges and solo volcano, as well as the tradition of sci-fi pulp magazines. Including such authors as Rene Denfeld, Justin Hocking, Leni Zumas, and Kevin Sampsell, editor Gigi Little has curated a collection that is quirky, chilling, often profound—and always perfectly weird.

    LovecraftNew Tales of Terror!What would happen if Sir Arthur Conan Doyle's peerless detective, Sherlock Holmes, and his allies were to find themselves faced with Lovecraftian mysteries whose solutions lay not only beyond the grasp of logic, but beyond sanity itself. In this collection of original tales, twenty of today's cutting-edge writers provide answers to that burning question.Contributors include Neil Gaiman, Brian Stableford, Poppy Z. Bright, Barbara Hambly, Steve Perry, and Caitlin R. Kierman. These and other masters of horror, mystery, fantasy and science fiction spin dark tales within a terrifyingly surreal universe.Includes the Hugo Award-winning story A Study in Emerald by Neil Gaiman.Cover design: David StevensonCover Illustration: John Jude Palencar

    A rebelling angel rewrites the Book of Judgement to protect the woman he loves. A young woman discovers the lost manuscript of Jane Austen written on the inside of her skin. A 747 populated by a dying pantheon makes the extraordinary journey to the beginning of the universe. Lyrical and tender, quirky and cutting, Helen Marshall’s exceptional debut collection weaves the fantastic and the horrific alongside the touchingly human in fifteen modern parables about history, memory, and cost of creating art.

    They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    The result is a thought-provoking puzzle box of sex, philosophy, and theology, reminiscent of Italo Calvino and Umberto Eco.

     ABOUT THE SHORT STORY’S PRICE: Hello, you lovely people. Odd to talk about money straight up, but I know that some of you might be thinking, £1.99 is a lot for a short story. Let me explain how it works. A rate of 20% VAT (Value Added Tax) applies to eBooks in the UK. This doesn’t apply to ‘real’ paper books. That means 33p of the £1.99 goes straight to the British government. Amazon takes around 2p to deliver the story to your Kindle, then takes another 48p as its cut. The remainder, £1.16, goes to me. That's not a great deal, I hope you agree. In these times of falling sales, and authors losing their contracts, and only one in seven traditionally published authors being able to write fulltime, stories like this are a vital way of YOU supporting the authors whose books you enjoy. So THANK YOU for your support! Think of it in terms of a pint of beer or a cup of coffee: they cost £2-4, depending on where you live. This story will give you more enjoyment (I think!) than either of those things, and last for a longer time, and cost you less money. This is only the second time I have self-published a short story. (Massive thanks here to Pete Simpson, who designed the cover for me!) It’s been an exciting project since the day I did the poll on Facebook, asking you lovely people which of my characters you wanted me to write about. Centurion Tullus won out, narrowly, and this is the result. The one hundred and something people who backed the Kickstarter campaign got to read this story almost 7 months ago, but now you can too. Enjoy the story, and please email me if you have any questions about it or anything else – ben@benkane.net Ben

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

    His mother and brother shared an unfathomable bond that left him excluded from their lives. Yet his earliest, fragmentary memory of them was so nightmarish, their lives were something he ran from as soon as he could.Now an astronomy graduate student in Seattle, Damien is happy with his place as a speck in a cosmos vast beyond comprehension. Until his brother turns up after 13 years, to make amends and seek his expertise on a discovery that may not be of this Earth. The more the world expands to admit the possibilities of a universe stranger than even Damien has imagined, the greater is his urgency to resist being reclaimed by a past that never seemed to want him…until now.Like a collision of galaxies between H.P. Lovecraft and Carl Sagan, Whom the Gods Would Destroy looks to the night skies as the source of our greatest wonder, and finds them swarming with our worst fears.

    In the middle of a dusty Southern town, in the middle of the twentieth century, magician Henry Walker entertains crowds at Jeremiah Musgrove’s Chinese Circus. Though not the world-famous illusionist he once was, Henry, with his dark skin and green eyes, is still something of a novelty to the patrons who pay a dime to see his show. Most of the patrons, anyway. As the novel begins, one May night in 1954, Henry is confronted by three menacing white teens, and soon thereafter disappears. With his fate uncertain, his friends from the circus—Jenny the Ossified Girl, Rudy the Strong Man, and JJ the Barker—piece together what they know of Henry's mysterious and extraordinary life. The result is a spellbinding adventure that begins when ten-year-old Henry meets the devil, who gives him the art of magic and then steals the one thing that means the most to him. As Henry’s friends recount the remarkable adventures and incredible heartache that result from this childhood encounter, only one thing seems certain about Henry's life: nothing is as it appears.Brimming with surprising twists and turns, and peopled with a literal circus of memorable characters, Mr. Sebastian and the Negro Magician is Daniel Wallace at his finest. As in his beloved debut, Big Fish, Wallace once again conjures a wondrous tale with an emotional punch. This is a story of love and loss, identity and illusion, fate and choice; a story that will capture your heart and your imagination and not let go until the very last page.