Can these be the same men? As she tries to uncover the identities of those stalking her, Susan enters a terrifying nightmare--one from which she may never escape. Previously published by Pocket under the pseudonym Leigh Nichols (1982).

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    The House On Gable Street is a fast-paced supernatural story about 30,000 words long, almost a novella. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels.

    Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book - by the philosopher Kant. As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. The come to hate each other, and they learn that they are not alone.

    First published in 1892 in Harpers, the story tells of an Oxford college student who, through the use of Egyptian magic, manages to reanimate an ancient Egyptian mummy. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Just another average Adirondack town, and nice enough in its own right.Except after dark, or under the pale light of the moon. Or in a very private doctor's office at Clifton Heights General Hospital, where no one can hear you scream. Or on a road out of town that never ends, or in an old house sitting on the edge of town with a mind - and will - of its own.Maybe you shouldn't have left the interstate, my friend. Maybe you should've driven on to the next town.But you didn't. You saw our sign, turned down our road, figuring on just a short stay. And maybe it will be.Or maybe you'll never leave.Anyway, pay a visit to The Skylark Diner. I'll be there. Pull up a chair and let me tell you about our town. It's nice enough, it really is.Except after dark. Or on cold winter days when no one is around, and you're all alone...

    Led by the valiant Major Jack Collins, they are dedicated to uncovering the hidden truths behind the myths and legends propagated throughout world history—from underground agencies and conspiracy theories to extraterrestrial life and UFOs. And now that a new, unspeakable threat has been revealed, humanity's greatest hope for survival lies with Collins and his crew.This time, the Group faces an enemy of remarkable strength and power. In order to ensure that history's errors never be repeated, the Group must team up with an unlikely ally to stop a deadly presence known only as the Destroyer of Worlds. Now, amid the desert wastelands of the American Southwest, the epic battle between two entities is about to begin….

    Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins…There is no warning. No chance to prepare.They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed. Broken bodies, still wrapped in tattered bed linen, hang among the twitching leaves.Adrien Thomas has never been much of a hero. But when he realises that no help is coming, he ventures out into this unrecognisable world. Michelle, his wife, is across the sea in Ireland and he has no way of knowing whether the trees have come for her too. Then Adrien meets green-fingered Hannah and her teenage son Seb. Together, they set out to find Hannah’s forester brother, to reunite Adrien with his wife – and to discover just how deep the forest goes.Their journey will take them to a place of terrible beauty and violence, to the dark heart of nature and the darkness inside themselves.

    • Potential [Severn Valley] - (1973)• The End of a Summer's Day - (1973)• At First Sight - (1973)• The Franklyn Paragraphs [Severn Valley] - (1973)• The Interloper - (1973)• The Sentinels - (1973)• The Guy - (1973)• The Old Horns - (1973)• The Lost - (1973)• The Stocking - (1968)• The Second Staircase - (1973)• Concussion - (1973)• The Enchanted Fruit - (1973)• Made in Goatswood [Severn Valley] - (1973)

    And while Alex's own powers aren't as showy as some mages, he does have the advantage of foreseeing the possible future--allowing him to pull off operations that have a million-to-one-chance of success. But when Alex is approached by multiple factions to crack open a relic from a long-ago mage war, he knows that whatever's inside must be beyond powerful. And thanks to his abilities, Alex can predict that by taking the job, his odds of survival are about to go from slim to none...

    Tiny Nightmares brings to life broken-hearted vampires, Uber-taking serial killers, mind-reading witches, and monsters of all imaging, as well as stories that tackle the horrors of our modern world from global warming and racism to social media addiction and online radicalization. Writers such as Samantha Hunt, Brian Evenson, Jac Jemc, Stephen Graham Jones, Kevin Brockmeier, and Rion Amilcar Scott expand our understanding of horror fiction with inventive and blood-curdling new tales. We suggest reading with the hall light on and the bedroom door open just a crack.

    Once she restores it to the attic, she starts hearing whispers, her loving husband becomes a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.Brandi Reeds’s Oak Avenue is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.